Bøger af Samuel Richardson

This is the first edition to assemble all of the earliest known works by Samuel Richardson (1689-1761), one of the most influential authors in the English tradition. Richardson's exercises in conduct-writing, religious controversialism, anti-theatrical polemic, occasional verse, literary criticism - and his popular and surprisingly revealing edition of Aesop's Fables - resonate throughout his later work while claiming ample legitimacy of their own. Readers familiar with only Pamela, Clarissa and Sir Charles Grandison will gain a fresh appreciation of the genesis of and the historical and cultural complexities at work in these famous novels, and readers new to Richardson will encounter an agile writer who invites closer consideration. A lengthy introduction situates the constituent works in Richardson's career as well as in the period more broadly, and the extensive textual apparatus records the bibliographical histories of the texts and their treatment by their present editor.

Samuel Richardson (1689-1761) was an established master printer when, at the age of 51, he published his first novel, Pamela, and immediately became one of the most influential and admired writers of his time. Not only were all Richardson's novels written in epistolary form: he was also a prolific letter-writer himself. This volume in the first ever full edition of Richardson's correspondence includes his letters to and from Aaron Hill, the poet, dramatist and entrepreneur (1685-1750). Hill was Richardson's earliest literary friend and advisor as he embarked on a new career as a novelist. This correspondence offers fascinating insight into the compositional processes not just of the two Pamela novels, but of Richardson's later novels Clarissa and The History of Sir Charles Grandison. The volume also contains Richardson's correspondence with Hill's three literary daughters, which forms an invaluable chapter in the history of women's writing and literary criticism.

Pamela in Her Exalted Condition follows the heroine of Richardson's hugely popular first novel into married life. In the process, he explores both the experience of women beyond the stage of courtship and provides a fascinating insight into the social and cultural life of the mid eighteenth century. The first ever scholarly edition of the novel, this volume features a critically edited text, general and textual introductions, full annotations and textual apparatus. Appendices describe all the editions published in Richardson's lifetime as well as early nineteenth-century editions. The original illustrations from the popular octavo edition of 1742 and Richardson's index are reproduced. The publication of this novel in the Cambridge edition allows the sequel to Pamela to take its rightful place in the critical study of Richardson's development as a novelist.

This new critical edition of Samuel Richardson's first novel features an authoritative text based on the first edition, general and textual introductions, extensive explanatory notes and textual apparatus. A long-awaited event in eighteenth-century studies, the publication of this volume heralds the first full scholarly edition of Richardson's compete works.

Samuel Richardson (1689-1761), the English writer and printer best known for his epistolary novels, including Pamela and Clarissa, had preserved copies of his extensive correspondence with a view to its eventual publication, and these volumes, published in 1804, contain a biography of Richardson and a selection from his letters.

Tells the story, in letters, of the beautiful and virtuoso Clarissa Harlowe's pursuit and abduction by the rake Robert Lovelace. The epistolary structure creates layered and fully realized characters, as well as an intriguing uncertainty about the reliability of the various 'narrators'.

Based on actual events, Pamela is the story of a young girl who goes to work in a private residence and finds herself pursued by her employer's son, described as a "gentleman of free principles."

Pressured by her unscrupulous family to marry a wealthy man she detests, the young Clarissa Harlowe is tricked into fleeing with the witty and debonair Robert Lovelace and places herself under his protection. Lovelace, however, proves himself to be an untrustworthy rake whose vague promises of marriage are accompanied by unwelcome and increasingly brutal sexual advances. And yet, Clarissa finds his charm alluring, her scrupulous sense of virtue tinged with unconfessed desire. Told through a complex series of interweaving letters, Clarissa is a richly ambiguous study of a fatally attracted couple and a work of astonishing power and immediacy. A huge success when it first appeared in 1747, and translated into French and German, it remains one of the greatest of all European novels.

Fifteen-year-old Pamela Andrews, alone in the world, is pursued by her dead mistress's son. Although she is attracted to Mr B, she holds out against his demands, determined to protect her virginity and abide by her moral standardsPsychlologically acute in its explorations of sex, freedom and power, Richardson's first novel caused a senastion when it was published. Richly comic and lively, PAMELA contains a diverse cast of characters ranging from the vulgar and malevolent Mrs Jewkes to the agressive but awkward country squire.