Bøger af Samuel Rogers

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Two classic mystery thrillers are reprinted here. In 'You'll Be Sorry!' a young woman is threatened with anonymous notes, and ignores them to her peril. In 'You Leave Me Cold!' a young man boards at an old family home, where another young man recently died. He finds that danger can lurk anywhere.

The poetical works of Samuel Rogers, - with a memoir of his life is an unchanged, high-quality reprint of the original edition of 1883.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

The Pleasures of Memory is an unchanged, high-quality reprint of the original edition of 1860.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Title: The voyage of Columbus: a poem.Author: Samuel RogersPublisher: Gale, Sabin Americana Description: Based on Joseph Sabin's famed bibliography, Bibliotheca Americana, Sabin Americana, 1500--1926 contains a collection of books, pamphlets, serials and other works about the Americas, from the time of their discovery to the early 1900s. Sabin Americana is rich in original accounts of discovery and exploration, pioneering and westward expansion, the U.S. Civil War and other military actions, Native Americans, slavery and abolition, religious history and more.Sabin Americana offers an up-close perspective on life in the western hemisphere, encompassing the arrival of the Europeans on the shores of North America in the late 15th century to the first decades of the 20th century. Covering a span of over 400 years in North, Central and South America as well as the Caribbean, this collection highlights the society, politics, religious beliefs, culture, contemporary opinions and momentous events of the time. It provides access to documents from an assortment of genres, sermons, political tracts, newspapers, books, pamphlets, maps, legislation, literature and more.Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++SourceLibrary: Huntington LibraryDocumentID: SABCP01118400CollectionID: CTRG93-B1556PublicationDate: 18310101SourceBibCitation: Selected Americana from Sabin's Dictionary of books relating to AmericaNotes: "London, published in the New Monthly Mag. by Colburn and Bentley, Nov. 7, 1831."--Leaf [1].Collation: 74 p., [23] leaves of plates: ill

""The Pleasures of Memory"" is a long narrative poem written by Samuel Rogers and published in two parts in 1792. The poem explores the power of memory and the emotions it can evoke. The first part describes the beauty of nature and the memories it can evoke, while the second part focuses on the memories of loved ones and the pain of loss.The poem is divided into several sections, each exploring a different aspect of memory. Rogers uses vivid and descriptive language to paint pictures of the natural world and the memories it holds. He also delves into the themes of nostalgia, love, and grief, as he reflects on the memories of his own life.Throughout the poem, Rogers emphasizes the importance of memory and the role it plays in shaping our lives. He encourages readers to cherish their memories and to hold onto them, even in the face of loss and change.Overall, ""The Pleasures of Memory"" is a beautiful and thought-provoking work of poetry that explores the complexities of memory and the human experience. It is a timeless piece of literature that continues to resonate with readers today.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

An Epistle to a Friend - With Other Poems is an unchanged, high-quality reprint of the original edition of 1799.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Reminiscences And Tabletalk Of Samuel Rogers, Banker, Poet, And Patron Of The Arts: 1763-1855 (1903) is a book that provides a fascinating glimpse into the life and times of Samuel Rogers, a prominent banker, poet, and patron of the arts who lived from 1763 to 1855. This book is a collection of Rogers' personal reminiscences and table talk, which were recorded by his friends and acquaintances over the course of his long and illustrious life.Through these reminiscences and table talk, readers are able to gain a deeper understanding of Rogers' character, his interests, and his contributions to the arts and culture of his time. The book also provides a unique insight into the social and cultural milieu of 18th and 19th century England, as seen through the eyes of one of its most prominent figures.Overall, Reminiscences And Tabletalk Of Samuel Rogers, Banker, Poet, And Patron Of The Arts: 1763-1855 (1903) is a valuable historical document that offers a wealth of information and insights into the life and times of one of England's most important cultural figures.Collected From The Original Memoirs Of Alexander Dyce And William Sharpe, With Introduction And Index.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The iconic British postbox has brought words of joy, laughter, hope and surprise to millions around the world (and sometimes even just around the corner). In this delightful story you are invited inside a hidden world where these messages are whisked away to almost-magically appear in the hands of people near and far.

The Yearbook of English Studies for 2021 examines contemporary poetry from Britain and Ireland. Edited by Samuel Rogers, the volume contains fourteen essays exploring a range of poetry from 1980 and the present. Poetry continues to be a dynamic cultural force, though the past four decades have seen recurrent debates over whether its readership is shrinking or swelling. Certainly, the digital age has reshaped our relationship with media, altering both the publishing world and the economies of attention. Is poetry anachronistic, or has its condensed nature allowed it to thrive? Since we are still living it, contemporary poetry resists being surveyed from any detached perspective. This volume instead looks in depth at a range of poets, illustrating some diverse possibilities for poetic energy. A handful of senior poets are discussed, and the impact of their late work appraised. However, the dominant concern is with poets who began publishing since 1980. The volume is organized into four sections. 'Place, Identity, Environment' contains discussions of Tony Conran, Raman Mundair, Geoffrey Hill, and Karen McCarthy Woolf. Attention is paid to questions of nationhood, cultural identity and ethnicity, the ethics of attention, and the pressing matter of climate change. In the second section, 'Placing Language', Rhys Trimble, Lesley Harrison, and Tom Pickard are compared; Gaelic poetry is explored via Meg Bateman, Ruaraidh MacThòmais, Rody Gorman, and others; an analysis of Catherine Walsh further underlines the connections to place afforded by language. The third section, 'Ways of Looking Back', mediates between the contemporary and the past. This includes classical presences in Alice Oswald, parodic responses to Philip Larkin, and a consideration of the late Eavan Boland's legacy. A fourth section showcases some of poetry's 'Forms of Meaning'. Redell Olsen's cross media lineage is traced to Sophie Robinson, Nisha Ramayya, and others. Ted Hughes is revisited via the epistolary tradition. Literary collaboration is approached through Kelvin Corcoran, Alan Halsey, S. J. Fowler, Prudence Chamberlain, and Camilla Nelson. Finally, the complications of the contemporary lyric are examined in Zoë Skoulding's work.

If Kate Archer had known just what the invitation entailed, she most certainly would not have succumbed to the pleading of June Gladstone to spend a month's vacation at her father's luxurious farm.Kate had met June at school, and, although four years her senior, had gone out of her way to befriend the forlorn, unattractive, almost ugly girl in her early teens. Now, five years later, the invitation had appeared out of the blue, and Kate found herself a guest in a strange, isolated household of very bohemian ways, with a menacing undercurrent that made Kate very uneasy. Suddenly, things began to happen with astonishing rapidity. Clotilde, June's beautiful stepsister was kidnapped in very gruesome circumstances, and Kate had to play a nerve-racking part in delivering the ransom money.But two murders occurred before peace was finally restored in the Gladstone household, and the warped, twisted mind of a murderer was revealed.

DON'T LOOK BEHIND YOU!A madman has marked you for death.He follows you in the woods. He climbs the tree outside your window. He knocks on your door at midnight.He lusts for you. His raging desire will not rest until his lovely knife finds your delicious body. He has killed before.He will kill again, and it will be you.He takes the form of someone you know well. He lures you to a deserted building. He reveals himself. You are trapped. You flee down halls and twisting corridors, but he is behind you. You reach a door that will set you free...and it is locked!Daphne Gray cringed against the door. Above her she saw the gleam of a long knife poised to strike...