Bøger af Sarah Jost

"For fans of The Cloisters and The Cartographers comes a gripping speculative suspense that follows one woman with the ability to enter the dimension of art, who finds herself trapped in a French estate as the pawn in a rich man's game... Every estate has a secret... Art historian Camille Leray has spent her career surrounding herself with fineries and selling pieces worth millions. But she harbors a secret: she has the ability to enter the world of the artworks, and she can take others with her. But tapping into history comes with great risks. And someone has been watching, someone who knows about her magic, and her mistakes... After Camille ruins her career and reputation by misusing her powers, she vows to get her old life back. So when Maxime Foucault, an enigmatic aristocrat who owns a sprawling French estate, enlists her help in authenticating the statues of a mysterious artist, whose disappearance she has been trying to solve for years, she knows this could be her chance to turn her career around and get the man she's always wanted. But something isn't right about the Foucault family and the grand chateau they inhabit, and as Camille gets sucked into its walls, she finds a world of luxury and greed that causes her to risk losing herself, and everything she has ever known, forever"--

Have you ever wondered What If . . . ? For fans of In Five Years and The Midnight Library comes a sweeping, unforgettable novel about love, loss and destiny.

Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1, Justus-Liebig-University Giessen, course: 19th Century Women Writers I: the Brontës, language: English, abstract: The character of Catherine Earnshaw is one of the most complex and fascinating in world literature. Her story is that of a young woman who ¿betrays her deepest self and so destroys herself¿ but whose love is so strong that not even death can extinguish it. Readers cannot help but be moved by her fate, even though she appears to be a thoroughly unpleasant person in more than just one respect. They are forced to pity her, even though they feel they have every reason to believe that it is her, and her alone, who is to blame for the misery that befalls her. And, worst of all, they see her suffering and dying, but at the same time they cannot help envying her ability to feel as strongly as she does. These confusing and seemingly contradictory impressions have led many critics of the novel to describe Catherine using terms like ¿creature of another species, hysterical, savage or demonic¿ out of a sheer inability to make anything else of her, anything that they could understand. In this paper, I shall attempt to determine whether these ¿otherwordly¿ terms that reek of madness and hell are really necessary or whether it might not be possible to do without them and see Catherine simply as a young woman in a very 18th/19th-century dilemma, a girl who marries the wrong man and ends up heartbroken. I will begin by attempting a characterization of Catherine and then introducing her author, Emily Brontë, to have a closer look at the world and the mind that Catherine is rooted in. Finally I will try to discover the true nature of Catherine¿s dilemma and whether all these aspects will make it possible to demystify Catherine and return her to the state of a human being.