Bøger af Sarah Manguso

"A nuclear family can destroy a woman artist. I'd always known that. But I'd never suspected how easily I'd fall into one anyway. When Jane, an aspiring writer, meets filmmaker John Bridges, they both want the same things: to be in love, to live a successful creative life, and to be happy. When they marry, Jane believes she has found everything she was looking for, including--a few years later--all the attendant joy and labor of motherhood. But it's not long until Jane finds herself subsumed by John's ambitions, whims, and ego; in short, she becomes a wife. As Jane's career flourishes, their marriage starts to falter. Throughout five house moves, two failed businesses, and a steady draining of the family finances, Jane tries to hold it all together. That is until John leaves her"--

"An unidentified white man was struck and instantly killed by a Metro-North train last night," reported the July 24, 2008, edition of the Riverdale Press. This man was named Harris, and The Guardians-written in the years after he escaped from a psychiatric hospital and ended his life-is Sarah Manguso's heartbreaking elegy.Harris was a man who "played music, wrote software, wrote music, learned to drive, went to college, went to bed with girls." In The Guardians, Manguso grieves not for family or for a lover, but for a best friend. With startling humor and candor, she paints a portrait of a friendship between a man and a woman-in all its unexpected detail-and shows that love and grief do not always take the shapes we expect them to.

'I can't think of a writer who is at once so formally daring and so rigorously uncompromising as Sarah Manguso' - Miranda July, author of The First Bad Man'No-one's there to watch her, so she just waits for the lights to turn on, waits to begin her performance.'No-one is watching Ruth. She, however, watches everyone and everything, and waits, growing up on the outskirts of an affluent but threadbare New England township, on the outer edge of popularity. She doesn't necessarily understand what she is seeing, but she records faithfully and with absolute clarity the unfurling of her awkward youth, under even more awkward parenting. As they alternately mock, ignore, undermine and discount their daughter, Ruth's parents present now as damaged, now as inadequate, now as monstrous. All the while the Future comes towards them all, steadily, inexorably, for some of them fatally. And the fog of the Past and the abuses committed under it gathers, swirls, settles, intermittently clears.Watching the future come, the reader of Very Cold People is immobilized, transfixed as much by the gross failures of the adults to be adults, as by the determinedly graceful arc Ruth's trajectory makes towards an adulthood of her own making.