Bøger af Sarah Orne Jewett

THIS 44 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: The Queen's Twin and Other Stories, by Sarah Orne Jewett. To purchase the entire book, please order ISBN 1417907177.

The Country of the Pointed Firs is an 1896 short story sequence by Sarah Orne Jewett which is considered by some literary critics to be her finest work. Henry James described it as her "beautiful little quantum of achievement." Ursula K. Le Guin praises its "quietly powerful rhythms." Because it is loosely structured, many critics view the book not as a novel, but a series of sketches; however, its structure is unified through both setting and theme. The novel can be read as a study of the effects of isolation and hardship experienced by the inhabitants of the decaying fishing villages along the Maine coast. Sarah Orne Jewett, who wrote the book when she was 47, was largely responsible for popularizing the regionalism genre with her sketches of the fictional Maine fishing village of Dunnet Landing. Like Jewett, the narrator is a woman, a writer, unattached, genteel in demeanor, intermittently feisty and zealously protective of her time to write. The narrator removes herself from her landlady's company and writes in an empty schoolhouse, but she also continues to spend a great deal of time with Mrs. Todd, befriending her hostess and her hostess's family and friends.

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There was once a story-book girl named Betty Leicester, who lived in a small square book bound in scarlet and white. I, who know her better than any one else does, and who know my way about Tideshead, the story-book town, as well as she did, and who have not only made many a visit to her Aunt Barbara and Aunt Mary in their charming old country-house, but have even seen the house in London where she spent the winter: I, who confess to loving Betty a good deal, wish to write a little more about her in this Christmas story.

Sarah Orne Jewett (September 3, 1849 - June 24, 1909) was an American novelist, short story writer and poet, best known for her local color works set along or near the southern seacoast of Maine. Jewett is recognized as an important practitioner of American literary regionalism. Jewett's family had been residents of New England for many generations, and Sarah Orne Jewett was born in South Berwick, Maine.Her father was a doctor specializing in "obstetrics and diseases of women and children." and Jewett often accompanied him on his rounds, becoming acquainted with the sights and sounds of her native land and its people.As treatment for rheumatoid arthritis, a condition that developed in early childhood, Jewett was sent on frequent walks and through them also developed a love of nature. In later life, Jewett often visited Boston, where she was acquainted with many of the most influential literary figures of her day; but she always returned to South Berwick, small seaports near which were the inspiration for the towns of "Deephaven" and "Dunnet Landing" in her stories. Jewett was educated at Miss Olive Rayne's school and then at Berwick Academy, graduating in 1866. She supplemented her education through an extensive family library. Jewett was "never overtly religious," but after she joined the Episcopal church in 1871, she explored less conventional religious ideas. For example, her friendship with Harvard law professor Theophilus Parsons stimulated an interest in the teachings of Emanuel Swedenborg, an eighteenth-century Swedish scientist and theologian, who believed that the Divine "was present in innumerable, joined forms - a concept underlying Jewett's belief in individual responsibility." She published her first important story in the Atlantic Monthly at age 19, and her reputation grew throughout the 1870s and 1880s. Her literary importance arises from her careful, if subdued, vignettes of country life that reflect a contemporary interest in local color rather than plot. Jewett possessed a keen descriptive gift that William Dean Howells called "an uncommon feeling for talk - I hear your people." Jewett made her reputation with the novella The Country of the Pointed Firs (1896).A Country Doctor (1884), a novel reflecting her father and her early ambitions for a medical career, and A White Heron (1886), a collection of short stories are among her finest work. Some of Jewett's poetry was collected in Verses (1916), and she also wrote three children's books. Willa Cather described Jewett as a significant influence on her development as a writer, and "feminist critics have since championed her writing for its rich account of women's lives and voices." On September 3, 1902, Jewett was injured in a carriage accident that all but ended her writing career. She was paralyzed by a stroke in March 1909, and she died on June 24 after suffering another. The Georgian home of the Jewett family, built in 1774 overlooking Central Square at South Berwick, is now a National Historic Landmark and Historic New England museum called the Sarah Orne Jewett House. Jewett never married, but she established a close friendship with writer Annie Adams Fields (1834-1915) and her husband, publisher James Thomas Fields, editor of the Atlantic Monthly. After the sudden death of James Fields in 1881, Jewett and Annie Fields lived together for the rest of Jewett's life in what was then termed a "Boston marriage". Some modern scholars have speculated that the two were lovers. Both women "found friendship, humor, and literary encouragement" in one another's company, traveling to Europe together and hosting "American and European literati." In France Jewett met Thérèse Blanc-Bentzon with whom she had long corresponded and who translated some of her stories for publication in France.

Sarah Orne Jewett (September 3, 1849 - June 24, 1909) was an American novelist, short story writer and poet, best known for her local color works set along or near the southern seacoast of Maine. Jewett is recognized as an important practitioner of American literary regionalism. Jewett's family had been residents of New England for many generations, and Sarah Orne Jewett was born in South Berwick, Maine.Her father was a doctor specializing in "obstetrics and diseases of women and children." and Jewett often accompanied him on his rounds, becoming acquainted with the sights and sounds of her native land and its people.As treatment for rheumatoid arthritis, a condition that developed in early childhood, Jewett was sent on frequent walks and through them also developed a love of nature. In later life, Jewett often visited Boston, where she was acquainted with many of the most influential literary figures of her day; but she always returned to South Berwick, small seaports near which were the inspiration for the towns of "Deephaven" and "Dunnet Landing" in her stories. Jewett was educated at Miss Olive Rayne's school and then at Berwick Academy, graduating in 1866. She supplemented her education through an extensive family library. Jewett was "never overtly religious," but after she joined the Episcopal church in 1871, she explored less conventional religious ideas. For example, her friendship with Harvard law professor Theophilus Parsons stimulated an interest in the teachings of Emanuel Swedenborg, an eighteenth-century Swedish scientist and theologian, who believed that the Divine "was present in innumerable, joined forms - a concept underlying Jewett's belief in individual responsibility." She published her first important story in the Atlantic Monthly at age 19, and her reputation grew throughout the 1870s and 1880s. Her literary importance arises from her careful, if subdued, vignettes of country life that reflect a contemporary interest in local color rather than plot. Jewett possessed a keen descriptive gift that William Dean Howells called "an uncommon feeling for talk - I hear your people." Jewett made her reputation with the novella The Country of the Pointed Firs (1896).A Country Doctor (1884), a novel reflecting her father and her early ambitions for a medical career, and A White Heron (1886), a collection of short stories are among her finest work. Some of Jewett's poetry was collected in Verses (1916), and she also wrote three children's books. Willa Cather described Jewett as a significant influence on her development as a writer, and "feminist critics have since championed her writing for its rich account of women's lives and voices."...............

The Country of the Pointed Firs is an 1896 story sequence by Sarah Orne Jewett which is considered by some literary critics to be her finest work. Henry James described it as her "beautiful little quantum of achievement." Ursula K. Le Guin praises its "quietly powerful rhythms."Because it is loosely structured, many critics view the book not as a novel, but a series of sketches; however, its structure is unified through both setting and theme. The novel can be read as a study of the effects of isolation and hardship experienced by the inhabitants of the decaying fishing villages along the Maine coast. Sarah Orne Jewett, who wrote the book when she was 47, was largely responsible for popularizing the regionalism genre with her sketches of the fictional Maine fishing village of Dunnet Landing. Like Jewett, the narrator is a woman, a writer, unattached, genteel in demeanor, intermittently feisty and zealously protective of her time to write. The narrator removes herself from her landlady's company and writes in an empty schoolhouse, but she also continues to spend a great deal of time with Mrs. Todd, befriending her hostess and her hostess's family and friends The Country of the Pointed Firs was serialized in the January, March, July, and September 1896 issues of The Atlantic Monthly. Sarah Orne Jewett subsequently expanded and revised the text and added titles for the chapters. The novel was then published in book form in Boston and New York by Houghton, Mifflin and Company in November 1896.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Sarah Orne Jewett (September 3, 1849 - June 24, 1909) was an American novelist, short story writer and poet, best known for her local color works set along or near the southern seacoast of Maine. Jewett is recognized as an important practitioner of American literary regionalism. Jewett's family had been residents of New England for many generations, and Sarah Orne Jewett was born in South Berwick, Maine.Her father was a doctor specializing in "obstetrics and diseases of women and children." and Jewett often accompanied him on his rounds, becoming acquainted with the sights and sounds of her native land and its people.As treatment for rheumatoid arthritis, a condition that developed in early childhood, Jewett was sent on frequent walks and through them also developed a love of nature. In later life, Jewett often visited Boston, where she was acquainted with many of the most influential literary figures of her day; but she always returned to South Berwick, small seaports near which were the inspiration for the towns of "Deephaven" and "Dunnet Landing" in her stories. Jewett was educated at Miss Olive Rayne's school and then at Berwick Academy, graduating in 1866. She supplemented her education through an extensive family library. Jewett was "never overtly religious," but after she joined the Episcopal church in 1871, she explored less conventional religious ideas. For example, her friendship with Harvard law professor Theophilus Parsons stimulated an interest in the teachings of Emanuel Swedenborg, an eighteenth-century Swedish scientist and theologian, who believed that the Divine "was present in innumerable, joined forms - a concept underlying Jewett's belief in individual responsibility." She published her first important story in the Atlantic Monthly at age 19, and her reputation grew throughout the 1870s and 1880s. Her literary importance arises from her careful, if subdued, vignettes of country life that reflect a contemporary interest in local color rather than plot. Jewett possessed a keen descriptive gift that William Dean Howells called "an uncommon feeling for talk - I hear your people." Jewett made her reputation with the novella The Country of the Pointed Firs (1896).A Country Doctor (1884), a novel reflecting her father and her early ambitions for a medical career, and A White Heron (1886), a collection of short stories are among her finest work. Some of Jewett's poetry was collected in Verses (1916), and she also wrote three children's books. Willa Cather described Jewett as a significant influence on her development as a writer, and "feminist critics have since championed her writing for its rich account of women's lives and voices." On September 3, 1902, Jewett was injured in a carriage accident that all but ended her writing career. She was paralyzed by a stroke in March 1909, and she died on June 24 after suffering another. The Georgian home of the Jewett family, built in 1774 overlooking Central Square at South Berwick, is now a National Historic Landmark and Historic New England museum called the Sarah Orne Jewett House. Jewett never married, but she established a close friendship with writer Annie Adams Fields (1834-1915) and her husband, publisher James Thomas Fields, editor of the Atlantic Monthly. After the sudden death of James Fields in 1881, Jewett and Annie Fields lived together for the rest of Jewett's life in what was then termed a "Boston marriage". Some modern scholars have speculated that the two were lovers. Both women "found friendship, humor, and literary encouragement" in one another's company, traveling to Europe together and hosting "American and European literati." In France Jewett met Thérèse Blanc-Bentzon with whom she had long corresponded and who translated some of her stories for publication in France.

"My dear little girl!" she said for the second time; and then they walked on, and still Betty could not say anything for sheer joy. "Now I'm going to tell you something quite in confidence," said the hostess of the great house, which showed its dim towers and scattered lights beyond the leafless trees. "I had been wishing to have you come to me, but I should not have thought this the best time for a visit.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Sarah Orne Jewett (September 3, 1849 - June 24, 1909) was an American novelist, short story writer and poet, best known for her local color works set along or near the southern seacoast of Maine. Jewett is recognized as an important practitioner of American literary regionalism Jewett's family had been residents of New England for many generations, and Sarah Orne Jewett was born in South Berwick, Maine.Her father was a doctor, and Jewett often accompanied him on his rounds, becoming acquainted with the sights and sounds of her native land and its people. As treatment for rheumatoid arthritis, a condition that developed in early childhood, Jewett was sent on frequent walks and through them also developed a love of nature. In later life, Jewett often visited Boston, where she was acquainted with many of the most influential literary figures of her day; but she always returned to South Berwick, small seaports near which were the inspiration for the towns of "Deephaven" and "Dunnet Landing" in her stories. Jewett was educated at Miss Olive Rayne's school and then at Berwick Academy, graduating in 1866.She supplemented her education through an extensive family library. Jewett was "never overtly religious," but after she joined the Episcopal church in 1871, she explored less conventional religious ideas. For example, her friendship with Harvard law professor Theophilus Parsons stimulated an interest in the teachings of Emanuel Swedenborg, an eighteenth-century Swedish scientist and theologian, who believed that the Divine "was present in innumerable, joined forms - a concept underlying Jewett's belief in individual responsibility

THIS 42 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: The Queen's Twin and Other Stories, by Sarah Orne Jewett. To purchase the entire book, please order ISBN 1417907177.

""Country By-Ways"" is a collection of essays written by Sarah Orne Jewett and published in 1882. The essays explore the beauty and simplicity of life in rural New England, focusing on the people, places, and traditions that make the region unique. Jewett's writing is lyrical and evocative, painting vivid pictures of the landscapes and communities she encounters on her journeys. From the quaint villages of Maine to the rolling hills of Vermont, ""Country By-Ways"" offers a charming and insightful glimpse into a bygone era of American life. This book is a must-read for anyone interested in the history and culture of New England, and for lovers of classic American literature.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Sarah Orne Jewett (September 3, 1849 - June 24, 1909) was an American novelist, short story writer and poet, best known for her local color works set along or near the southern seacoast of Maine. Jewett is recognized as an important practitioner of American literary regionalism. Jewett's family had been residents of New England for many generations, and Sarah Orne Jewett was born in South Berwick, Maine.Her father was a doctor specializing in "obstetrics and diseases of women and children." and Jewett often accompanied him on his rounds, becoming acquainted with the sights and sounds of her native land and its people.As treatment for rheumatoid arthritis, a condition that developed in early childhood, Jewett was sent on frequent walks and through them also developed a love of nature. In later life, Jewett often visited Boston, where she was acquainted with many of the most influential literary figures of her day; but she always returned to South Berwick, small seaports near which were the inspiration for the towns of "Deephaven" and "Dunnet Landing" in her stories. Jewett was educated at Miss Olive Rayne's school and then at Berwick Academy, graduating in 1866. She supplemented her education through an extensive family library. Jewett was "never overtly religious," but after she joined the Episcopal church in 1871, she explored less conventional religious ideas. For example, her friendship with Harvard law professor Theophilus Parsons stimulated an interest in the teachings of Emanuel Swedenborg, an eighteenth-century Swedish scientist and theologian, who believed that the Divine "was present in innumerable, joined forms - a concept underlying Jewett's belief in individual responsibility." She published her first important story in the Atlantic Monthly at age 19, and her reputation grew throughout the 1870s and 1880s. Her literary importance arises from her careful, if subdued, vignettes of country life that reflect a contemporary interest in local color rather than plot. Jewett possessed a keen descriptive gift that William Dean Howells called "an uncommon feeling for talk - I hear your people." Jewett made her reputation with the novella The Country of the Pointed Firs (1896).A Country Doctor (1884), a novel reflecting her father and her early ambitions for a medical career, and A White Heron (1886), a collection of short stories are among her finest work. Some of Jewett's poetry was collected in Verses (1916), and she also wrote three children's books. Willa Cather described Jewett as a significant influence on her development as a writer, and "feminist critics have since championed her writing for its rich account of women's lives and voices."

"She come here from the French islands," explained Mrs. Todd. "I asked her once about her folks, an' she said they were all dead; 'twas the fever took 'em. She made this her home, lonesome as 'twas; she told me she hadn't been in France since she was 'so small, ' and measured me off a child o' six. She'd lived right out in the country before, so that part wa'n't unusual to her. Oh yes, there was something very strange about her

A Marsh Island has not fared well among Jewett's works. Critics have given it almost no attention at all. Except for Margaret Roman in Sarah Orne Jewett: Reconstructing Gender, most of the few people who have reported reading it have seen it as one of Jewett's lesser works. Below are two typical evaluations of the novel. As I have prepared this work for the Sarah Orne Jewett Text Project, I have found much to like about it. I have wondered whether previous readers have made too much of the love story and too little of the story of the artist finding himself, which seems obviously to be a version of Jewett's own entering into her vocation from a privileged social position.Below are two well-expressed and typical evaluations, presented in order to help point the question posed by the reception of this novel so far. Has it deserved its obscurity? . The last chapters of"A Marsh Island" are printed in the June Atlantic. It has been a pleasant and readable story, but I fancy that critics will be disappointed in it, after the expectations raised by "A Country Doctor." That book showed so marked a superiority over " Deephaven", and Miss Jewett's short stories, that we surely had a right to look for something unusually good in " A Marsh Island." In style, the new book shows some gain -- an added ease in description, a more skilful treatment of dialect, and an independence in the choice of details which brings out more clearly than ever Miss Jewell's strong individuality. But this gain is growth rather than artistic development, and it is not accompanied by any improvement in the matter of the story. Miss Jewett always writes with a purpose. In "A Country Doctor", she set herself the task of answering Miss Phelps and Mr. Howells, the authors of "Dr. Zay " and "Dr. Breen's Practice", by showing another and, as she believed, a fairer view of the question at issue, -- whether or not women could make successful doctors. Mr Howells, who always chooses to picture weakness rather than strength, and who has never yet given an encouraging answer to any social problem, selected for his typical female physician" (no wonder that they do not succeed while we call them that) a dependent, irresolute woman, who began the practice of her profession with no appreciation of the difficulties before her, and yielded to the very first obstacle in her path...... Sarah Orne Jewett (September 3, 1849 - June 24, 1909) was an American novelist, short story writer and poet, best known for her local color works set along or near the southern seacoast of Maine. Jewett is recognized as an important practitioner of American literary regionalism. Jewett's family had been residents of New England for many generations, and Sarah Orne Jewett was born in South Berwick, Maine.Her father was a doctor specializing in "obstetrics and diseases of women and children." and Jewett often accompanied him on his rounds, becoming acquainted with the sights and sounds of her native land and its people.As treatment for rheumatoid arthritis, a condition that developed in early childhood, Jewett was sent on frequent walks and through them also developed a love of nature. In later life, Jewett often visited Boston, where she was acquainted with many of the most influential literary figures of her day; but she always returned to South Berwick, small seaports near which were the inspiration for the towns of "Deephaven" and "Dunnet Landing" in her stories. Jewett was educated at Miss Olive Rayne's school and then at Berwick Academy, graduating in 1866. She supplemented her education through an extensive family library. Jewett was "never overtly religious," but after she joined the Episcopal church in 1871, she explored less conventional religious ideas. ...

Sarah Orne Jewett (September 3, 1849 - June 24, 1909) was an American novelist, short story writer and poet, best known for her local color works set along or near the southern seacoast of Maine. Jewett is recognized as an important practitioner of American literary regionalism. Jewett's family had been residents of New England for many generations, and Sarah Orne Jewett was born in South Berwick, Maine.Her father was a doctor specializing in "obstetrics and diseases of women and children." and Jewett often accompanied him on his rounds, becoming acquainted with the sights and sounds of her native land and its people.As treatment for rheumatoid arthritis, a condition that developed in early childhood, Jewett was sent on frequent walks and through them also developed a love of nature. In later life, Jewett often visited Boston, where she was acquainted with many of the most influential literary figures of her day; but she always returned to South Berwick, small seaports near which were the inspiration for the towns of "Deephaven" and "Dunnet Landing" in her stories. Jewett was educated at Miss Olive Rayne's school and then at Berwick Academy, graduating in 1866. She supplemented her education through an extensive family library. Jewett was "never overtly religious," but after she joined the Episcopal church in 1871, she explored less conventional religious ideas. For example, her friendship with Harvard law professor Theophilus Parsons stimulated an interest in the teachings of Emanuel Swedenborg, an eighteenth-century Swedish scientist and theologian, who believed that the Divine "was present in innumerable, joined forms - a concept underlying Jewett's belief in individual responsibility." She published her first important story in the Atlantic Monthly at age 19, and her reputation grew throughout the 1870s and 1880s. Her literary importance arises from her careful, if subdued, vignettes of country life that reflect a contemporary interest in local color rather than plot. Jewett possessed a keen descriptive gift that William Dean Howells called "an uncommon feeling for talk - I hear your people." Jewett made her reputation with the novella The Country of the Pointed Firs (1896).A Country Doctor (1884), a novel reflecting her father and her early ambitions for a medical career, and A White Heron (1886), a collection of short stories are among her finest work. Some of Jewett's poetry was collected in Verses (1916), and she also wrote three children's books. Willa Cather described Jewett as a significant influence on her development as a writer, and "feminist critics have since championed her writing for its rich account of women's lives and voices." On September 3, 1902, Jewett was injured in a carriage accident that all but ended her writing career. She was paralyzed by a stroke in March 1909, and she died on June 24 after suffering another. The Georgian home of the Jewett family, built in 1774 overlooking Central Square at South Berwick, is now a National Historic Landmark and Historic New England museum called the Sarah Orne Jewett House. Jewett never married, but she established a close friendship with writer Annie Adams Fields (1834-1915) and her husband, publisher James Thomas Fields, editor of the Atlantic Monthly. After the sudden death of James Fields in 1881, Jewett and Annie Fields lived together for the rest of Jewett's life in what was then termed a "Boston marriage". Some modern scholars have speculated that the two were lovers. Both women "found friendship, humor, and literary encouragement" in one another's company, traveling to Europe together and hosting "American and European literati." In France Jewett met Thérèse Blanc-Bentzon with whom she had long corresponded and who translated some of her stories for publication in France.

A Country Doctor is a novel by American author Sarah Orne Jewett. The book, which was first published in 1884, was based on the relationship between Jewett and her physician father.The main character of A Country Doctor, Nan, is a young woman that encounters much strife when she decides to go against the traditional values of the day and become a doctor The work has been compared to Elizabeth Stuart Phelps Ward's Doctor Zay, which also depicted a woman seeking a medical career in the late 1800s. The book has been listed as an example of the shift in the perception of the role of women in society, with the main character of Nan choosing to pursue her career in medicine rather than a marriage and family. Themes addressed in A Country Doctor include the difficulty of meshing together the past and the future.[5][6] The role of women in society, the eschewing of traditional roles and gender conventions, and whether or not it is possible for a woman to choose both a family and a career is also brought up as a theme in the novel.There is also reference within the book to the idea that "all people, regardless of sex, receive individual vocational calls

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"A White Heron" is a short story by Sarah Orne Jewett. First published by Houghton, Mifflin and Company in 1886, it was soon collected as the title story in Jewett's anthology A White Heron and Other Stories. It follows a young city girl named Sylvia who came to live with her grandmother in the country. She meets a young ornithologist hunter seeking to find a rare bird that he recently spotted in the area. As the story progresses, Sylvia is challenged with whether or not she should tell the hunter she saw the bird. She also discovers her passion for country life and her love and values for the animals that inhabit it. Plot summary[edit] Sylvia (a young girl of nine years old) has come from the city to live in the Maine woods with her grandmother, Mrs. Tilley. As the story begins, Sylvia has been living with her grandmother for nearly a year, learning to adapt to country ways. She helps the old woman by taking over some of the more manual jobs, such as finding Mistress Moolly, the cow, each evening in the fields where she grazes and bringing her home. By means of this and other tasks, along with her explorations in the forest, Sylvia has become a country girl who dearly loves her new home. She has taken to it easily and immerses herself in her new life completely, as evidenced by the description of her journey home each evening with the cow: "Their feet were familiar with the path, and it was no matter whether their eyes could see it or not." One evening she is approached by a hunter, who is in the area looking for birds to shoot and preserve for his collection. This young man is searching in particular for the rare white heron, and he is sure that it makes its nest in the vicinity. He accompanies Sylvia on her way with hopes of spending the night at her grandmother's house. Once he has received this invitation, he makes himself at home. After they eat, he says that he will give a sum of money to anyone who can lead him to the white heron. The next day Sylvia accompanies the hunter into the forest as he searches for the bird's nest, but he does not find it. Early the following morning, the girl decides to go out and look for the bird by herself so that she can be sure of showing the hunter its exact location when he awakes. She decides to climb the tallest tree in the forest so that she can see the entire countryside, and she finds the heron, just as she had thought she would. This is the critical passage of the story. When Sylvia climbs the tree as a bird might, she arrives at an epiphany at the tree's top. High as a bird, she has broken free of the world beneath and "becomes" the heron. But Sylvia is so affected by her leaf-top observation of the heron and other wildlife that she cannot bring herself to disclose the heron's location to the hunter after all, despite his entreaties. Sylvia knows that she would be awarded much-needed money for directing him to the heron, but she decides that she can play no part in bringing about the bird's death. The hunter eventually departs without his prize. Sylvia grows up to ponder if her choice to conceal the heron's secret was a better choice than to receive the young man's money and friendship. The author states that the treasures Sylvia might have lost are easily forgotten among the splendors of the woodland.... Sarah Orne Jewett (September 3, 1849 - June 24, 1909) was an American novelist, short story writer and poet, best known for her local color works set along or near the southern seacoast of Maine. Jewett is recognized as an important practitioner of American literary regionalism.....

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Sarah Orne Jewett (September 3, 1849 - June 24, 1909) was an American novelist, short story writer and poet, best known for her local color works set along or near the southern seacoast of Maine. Jewett is recognized as an important practitioner of American literary regionalism. Jewett's family had been residents of New England for many generations, and Sarah Orne Jewett was born in South Berwick, Maine.Her father was a doctor specializing in "obstetrics and diseases of women and children." and Jewett often accompanied him on his rounds, becoming acquainted with the sights and sounds of her native land and its people.As treatment for rheumatoid arthritis, a condition that developed in early childhood, Jewett was sent on frequent walks and through them also developed a love of nature. In later life, Jewett often visited Boston, where she was acquainted with many of the most influential literary figures of her day; but she always returned to South Berwick, small seaports near which were the inspiration for the towns of "Deephaven" and "Dunnet Landing" in her stories. Jewett was educated at Miss Olive Rayne's school and then at Berwick Academy, graduating in 1866. She supplemented her education through an extensive family library. Jewett was "never overtly religious," but after she joined the Episcopal church in 1871, she explored less conventional religious ideas. For example, her friendship with Harvard law professor Theophilus Parsons stimulated an interest in the teachings of Emanuel Swedenborg, an eighteenth-century Swedish scientist and theologian, who believed that the Divine "was present in innumerable, joined forms - a concept underlying Jewett's belief in individual responsibility." She published her first important story in the Atlantic Monthly at age 19, and her reputation grew throughout the 1870s and 1880s. Her literary importance arises from her careful, if subdued, vignettes of country life that reflect a contemporary interest in local color rather than plot. Jewett possessed a keen descriptive gift that William Dean Howells called "an uncommon feeling for talk - I hear your people." Jewett made her reputation with the novella The Country of the Pointed Firs (1896).A Country Doctor (1884), a novel reflecting her father and her early ambitions for a medical career, and A White Heron (1886), a collection of short stories are among her finest work. Some of Jewett's poetry was collected in Verses (1916), and she also wrote three children's books. Willa Cather described Jewett as a significant influence on her development as a writer, and "feminist critics have since championed her writing for its rich account of women's lives and voices."...............

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Sarah Orne Jewett (September 3, 1849 - June 24, 1909) was an American novelist, short story writer and poet, best known for her local color works set along or near the southern seacoast of Maine. Jewett is recognized as an important practitioner of American literary regionalism. Jewett's family had been residents of New England for many generations, and Sarah Orne Jewett was born in South Berwick, Maine.Her father was a doctor specializing in "obstetrics and diseases of women and children." and Jewett often accompanied him on his rounds, becoming acquainted with the sights and sounds of her native land and its people.As treatment for rheumatoid arthritis, a condition that developed in early childhood, Jewett was sent on frequent walks and through them also developed a love of nature. In later life, Jewett often visited Boston, where she was acquainted with many of the most influential literary figures of her day; but she always returned to South Berwick, small seaports near which were the inspiration for the towns of "Deephaven" and "Dunnet Landing" in her stories. Jewett was educated at Miss Olive Rayne's school and then at Berwick Academy, graduating in 1866. She supplemented her education through an extensive family library. Jewett was "never overtly religious," but after she joined the Episcopal church in 1871, she explored less conventional religious ideas. For example, her friendship with Harvard law professor Theophilus Parsons stimulated an interest in the teachings of Emanuel Swedenborg, an eighteenth-century Swedish scientist and theologian, who believed that the Divine "was present in innumerable, joined forms - a concept underlying Jewett's belief in individual responsibility." She published her first important story in the Atlantic Monthly at age 19, and her reputation grew throughout the 1870s and 1880s. Her literary importance arises from her careful, if subdued, vignettes of country life that reflect a contemporary interest in local color rather than plot. Jewett possessed a keen descriptive gift that William Dean Howells called "an uncommon feeling for talk - I hear your people." Jewett made her reputation with the novella The Country of the Pointed Firs (1896).A Country Doctor (1884), a novel reflecting her father and her early ambitions for a medical career, and A White Heron (1886), a collection of short stories are among her finest work. Some of Jewett's poetry was collected in Verses (1916), and she also wrote three children's books. Willa Cather described Jewett as a significant influence on her development as a writer, and "feminist critics have since championed her writing for its rich account of women's lives and voices."...... I wish to tell you how much pleasure it gives me to know that you like my stories, and especially that you are such a friend of Miss Betty Leicester! I must own that I took a great liking to her myself when I was writing her, and that she has always seemed to me to be a real person.

Sarah Orne Jewett. The book, which was first published in 1884, was based on the relationship between Jewett and her physician father. The main character of A Country Doctor, Nan, is a young woman that encounters much strife when she decides to go against the traditional values of the day and become a doctor. Analysis The work has been compared to Elizabeth Stuart Phelps Ward's Doctor Zay, which also depicted a woman seeking a medical career in the late 1800s.[3] The book has been listed as an example of the shift in the perception of the role of women in society, with the main character of Nan choosing to pursue her career in medicine rather than a marriage and family.Themes addressed in A Country Doctor include the difficulty of meshing together the past and the future.The role of women in society, the eschewing of traditional roles and gender conventions, and whether or not it is possible for a woman to choose both a family and a career is also brought up as a theme in the novel.There is also reference within the book to the idea that "all people, regardless of sex, receive individual vocational calls"....... Sarah Orne Jewett (September 3, 1849 - June 24, 1909) was an American novelist, short story writer and poet, best known for her local color works set along or near the southern seacoast of Maine. Jewett is recognized as an important practitioner of American literary regionalism. Jewett's family had been residents of New England for many generations, and Sarah Orne Jewett was born in South Berwick, Maine.Her father was a doctor specializing in "obstetrics and diseases of women and children." and Jewett often accompanied him on his rounds, becoming acquainted with the sights and sounds of her native land and its people.As treatment for rheumatoid arthritis, a condition that developed in early childhood, Jewett was sent on frequent walks and through them also developed a love of nature. In later life, Jewett often visited Boston, where she was acquainted with many of the most influential literary figures of her day; but she always returned to South Berwick, small seaports near which were the inspiration for the towns of "Deephaven" and "Dunnet Landing" in her stories. Jewett was educated at Miss Olive Rayne's school and then at Berwick Academy, graduating in 1866. She supplemented her education through an extensive family library. Jewett was "never overtly religious," but after she joined the Episcopal church in 1871, she explored less conventional religious ideas. For example, her friendship with Harvard law professor Theophilus Parsons stimulated an interest in the teachings of Emanuel Swedenborg, an eighteenth-century Swedish scientist and theologian, who believed that the Divine "was present in innumerable, joined forms - a concept underlying Jewett's belief in individual responsibility." She published her first important story in the Atlantic Monthly at age 19, and her reputation grew throughout the 1870s and 1880s. Her literary importance arises from her careful, if subdued, vignettes of country life that reflect a contemporary interest in local color rather than plot. Jewett possessed a keen descriptive gift that William Dean Howells called "an uncommon feeling for talk - I hear your people." Jewett made her reputation with the novella The Country of the Pointed Firs (1896).A Country Doctor (1884), a novel reflecting her father and her early ambitions for a medical career, and A White Heron (1886), a collection of short stories are among her finest work. Some of Jewett's poetry was collected in Verses (1916), and she also wrote three children's books. Willa Cather described Jewett as a significant influence on her development as a writer, and "feminist critics have since championed her writing for its rich account of women's lives and voices."............

Jewett comments on Tales of New England From a March 1890 letter to Horace Scudder at The Atlantic (Cary, Letters), 63. "I wished to ask you at once if it would not be better to push this book through and let it come out before summer, since it simply makes one of a series, and if I should make up another volume of short stories in the autumn they might get into each other's way and 'trip up!' You see, I betray a sad lack of confidence in my children! You do not express disapproval of the title which I put on the cover: Tales of New England. It says itself well and easily and perhaps will do as well as another, though I was not sure of that at first. You do not think it too ambitious? But what are they Tales of, if not -----? -----!" Sarah Orne Jewett (September 3, 1849 - June 24, 1909) was an American novelist, short story writer and poet, best known for her local color works set along or near the southern seacoast of Maine. Jewett is recognized as an important practitioner of American literary regionalism. Jewett's family had been residents of New England for many generations, and Sarah Orne Jewett was born in South Berwick, Maine.Her father was a doctor specializing in "obstetrics and diseases of women and children." and Jewett often accompanied him on his rounds, becoming acquainted with the sights and sounds of her native land and its people.As treatment for rheumatoid arthritis, a condition that developed in early childhood, Jewett was sent on frequent walks and through them also developed a love of nature. In later life, Jewett often visited Boston, where she was acquainted with many of the most influential literary figures of her day; but she always returned to South Berwick, small seaports near which were the inspiration for the towns of "Deephaven" and "Dunnet Landing" in her stories. Jewett was educated at Miss Olive Rayne's school and then at Berwick Academy, graduating in 1866. She supplemented her education through an extensive family library. Jewett was "never overtly religious," but after she joined the Episcopal church in 1871, she explored less conventional religious ideas. For example, her friendship with Harvard law professor Theophilus Parsons stimulated an interest in the teachings of Emanuel Swedenborg, an eighteenth-century Swedish scientist and theologian, who believed that the Divine "was present in innumerable, joined forms - a concept underlying Jewett's belief in individual responsibility." She published her first important story in the Atlantic Monthly at age 19, and her reputation grew throughout the 1870s and 1880s. Her literary importance arises from her careful, if subdued, vignettes of country life that reflect a contemporary interest in local color rather than plot. Jewett possessed a keen descriptive gift that William Dean Howells called "an uncommon feeling for talk - I hear your people." Jewett made her reputation with the novella The Country of the Pointed Firs (1896).A Country Doctor (1884), a novel reflecting her father and her early ambitions for a medical career, and A White Heron (1886), a collection of short stories are among her finest work. Some of Jewett's poetry was collected in Verses (1916), and she also wrote three children's books. Willa Cather described Jewett as a significant influence on her development as a writer, and "feminist critics have since championed her writing for its rich account of women's lives and voices."................