Bøger af Sarah Street

This open access book examines how Pinewood came to be Britain's dominant film studio complex, focusing on key years following the Second World War. It presents a revisionist, micro history organized around key themes that are crucial to understanding the studios' longevity during a particularly turbulent period. Pinewood's survival at a time when other major film studios such as Denham closed, is explained. The book examines contemporary insights into how Pinewood's technologies and practices compared to Hollywood's when filmmaking methods were being scrutinized. Thirteen films produced in 1946-7 are analysed in detail, tracking how economic pressures engendered many creative techniques and innovative technologies. Prevailing cultures of management and labour organization are foregrounded, as well as insights into being a studio employee. These are vividly brought to life through an in-depth focus on the in-house studio magazine the Pinewood Merry-Go Round which provides rare details of sports and leisure activities organized at the studios.

Global Film Color: The Monopack Revolution at Midcentury explores color filmmaking around the world during the mid-century era when color came to dominate global film production. As Eastmancolor, Agfacolor, Fujicolor and other film stocks became broadly available and affordable, national film industries increasingly converted to color, transforming the look and feel of global cinema.

Set in the same world as A Curse of Salt, a heartbreaking sapphic romantasy inspired by Little Red Riding Hood.Pirates are tearing Mersey's seaside city apart like wolves. A fifty-year-old treaty lies in tatters, and Mersey wants nothing more than to return to her life at sea, to make those pirates pay and keep her people safe, but a deal with her beloved grandmother ties Mersey to the forests and a future that doesn't feel like her own. Afraid she'll never get to be captain again if she stays, Mersey sets out to free her city - and herself - from the hounds of the Heartless King. When a reckless plan fails, Mersey finds herself caught up in the world's most notorious pirate crew, and the arms of its cold-blooded first mate. These pirates are determined to take Mersey's city for themselves, leaving her caught in the beginnings of a war; one she knows will have disastrous consequences for the people she loves, but just might be the thing to set her free. Amid lies, betrayal, and a blossoming love for someone she is supposed to want dead, Mersey finds herself torn between two lives, each as steeped in red as the other.

Sarah Street and Joshua Yumibe provide a revelatory history of how the use of color in film led the way in creating a chromatically vibrant culture. Focusing on the final decade of silent film, Chromatic Modernity portrays the 1920s as a pivotal and profoundly chromatic period of cosmopolitan exchange, collaboration, and experimentation.

This introduction to the study of European cinema asks whether European cinema exists and, what its aesthetic, political and economic characteristics might be. It offers a series of case studies of films from the major European film producing countries including Britain and Russia.

Offers a comprehensive introduction to the British film industry within an economic, political and social context. Using the notions of 'official' and 'unofficial' cinema, the author demonstrates how British cinema has been both 'respectable' and 'disreputable' according to the prevailing notions of what constitutes good cinema.