Bøger af Scott Nethersole

Three Renaissance masters converge in 1504 FlorenceIn a single year at the turn of the 16th century, three titans of the Italian Renaissance briefly crossed paths while competing for the attention of the most powerful patrons in Republican Florence. In 1504, the city's prominent artists came together to advise on an appropriate location for Michelangelo's sculpture David. Among them was Leonardo da Vinci, who--like Michelangelo--had only recently returned to his native Florence. David was placed outside the Palazzo Vecchio, inside which da Vinci was planning a painting of the Battle of Anghiari for a council chamber wall. In short order, Michelangelo was commissioned to paint The Battle of Cascina on the opposite side of the room, creating a showdown between the city's celebrated sons. Although neither painting ultimately came to fruition, this flurry of conspicuous commissions was witnessed by a promising young painter: none other than Raphael.In this beautifully designed book, Scott Nethersole and Per Rumberg take the Royal Academy's celebrated Taddei Tondo by Michelangelo as a starting point, and from there turn to such treasures as Leonardo's Burlington House Cartoon and studies by Leonardo and Michelangelo for their dueling battle murals. These pivotal works examine the rivalry between Michelangelo and Leonardo, and the influence of both artists on Raphael.

'Nethersole's thought-provoking analysis reaffirms how crucial Florentine art was to the dissemination of Renaissance ideas throughout the Italian peninsula and far beyond.' The Art NewspaperIn this vivid account Scott Nethersole examines the remarkable period of cultural, artistic and intellectual blossoming in Florence from ca.1400 to 1520 - the period traditionally known as the Early and High Renaissance. He looks at the city and its art with fresh eyes, presenting the well-known within a wider context of cultural reference. Key works of art - from painting, sculpture and architecture to illuminated manuscripts - by artists such as Michelangelo, Donatello, Botticelli and Brunelleschi are showcased alongside the unexpected and less familiar.

Museum visitors today usually see pre-16th-century Italian painted altarpieces exhibited alone, as single paintings. This catalogue shows that these works were once part of decorative, integrated schemes, and the original experience for viewers of the paintings was significantly different from our own.