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  • - A Dramatic Narrative Poem
    af Selden Rodman
    240,95 kr.

    This is a new release of the original 1937 edition.

  • - A Dramatic Narrative Poem
    af Selden Rodman
    215,95 kr.

    Lawrence The Last Crusade is a dramatic narrative poem written by Selden Rodman. The book tells the story of T.E. Lawrence, a British soldier and diplomat who played a crucial role in the Arab Revolt against the Ottoman Empire during World War I. The poem follows Lawrence as he embarks on a dangerous mission to unite the Arab tribes and lead them in a revolt against their oppressors. The book is divided into four parts, each detailing a different phase of Lawrence's journey. The first part introduces the reader to Lawrence and his motivations for joining the Arab Revolt. The second part describes his travels through the desert, where he meets various Arab leaders and begins to form alliances with them. The third part focuses on Lawrence's military campaigns against the Ottomans, including his famous victory at Aqaba. Finally, the fourth part explores Lawrence's disillusionment with the war and his eventual departure from the Middle East.Throughout the book, Rodman uses vivid language and imagery to bring Lawrence's story to life. The poem is written in a lyrical style, with a strong emphasis on rhythm and rhyme. The author also includes historical details and quotes from Lawrence's own writings, providing a rich and detailed portrait of this fascinating figure. Overall, Lawrence The Last Crusade is a powerful and engaging work that offers a unique perspective on the Arab Revolt and the life of T.E. Lawrence. It will appeal to anyone interested in history, poetry, or the Middle East.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

  • - A Tragedy in Three Acts
    af Selden Rodman
    278,95 kr.

  • af Selden Rodman
    488,95 kr.

    Originally published in 1947, Horace Pippin: A Negro Painter In America was one of the first monographs ever of a Black American artist; a survey of the paintings of self-taught painter Horace Pippin (1888-1946). This reprint contains all of the original text and maintains the original formatting. It is a well-illustrated book containing a complete chronological catalog of Pippin's paintings, a chronology of his life, and the artist's autobiographical sketch, "My Life's Story," drawn from two of his manuscripts.This book contains 6 sketches and 50 full-color plates of Pippin's work.About Horace PippinHorace Pippin was born February 22, 1888, just twenty-three years after the Civil War and the end of slavery. His grandparents were slaves, and his parents were domestic workers. He was an African American folk painter known for his depictions of African American life and of the horrors of war. Horace Pippin was called a folk artist because he had no formal art training and was completely self-taught.In 1917 Horace Pippin joined the army and fought France during World War I. After spending fourteen months fighting in the trenches, Pippin was severely wounded in his right arm, and doctors concerned his right arm to be useless. Pippin took up art in part to rehabilitate his injured arm, and began painting on stretched fabric in 1930 with "The Ending of the War: Starting Home." He later explained his creative process: "The pictures which I have already painted come to me in my mind, and if to me it is a worthwhile picture, I paint it."He initially made burnt-wood art panels then decided to try painting with oil. He used his "good" left hand to guide his crippled right hand, which held the paintbrush, across the canvas. It took him three years to finish his first painting. He addressed a range of themes in his works, including landscapes, still lifes, biblical subjects and political statements. He used bright colors, flat shapes, and straight lines. He did not use shading or complicated perspective. The injustice of slavery and American segregation figure prominently in many of his works.

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