Bøger af Sheba Blake

Ben-Hur is a novel by Lew Wallace published by Harper & Brothers on November 12, 1880, and considered "the most influential Christian book of the nineteenth century". It became a best-selling American novel, surpassing Harriet Beecher Stowe's Uncle Tom's Cabin (1852) in sales. The book also inspired other novels with biblical settings and was adapted for the stage and motion picture productions. Ben-Hur remained at the top of the US all-time bestseller list until the publication of Margaret Mitchell's Gone with the Wind (1936). The 1959 MGM film adaptation of Ben-Hur was seen by tens of millions and won eleven Academy Awards in 1960, after which the book's sales increased and it surpassed Gone with the Wind. It was blessed by Pope Leo XIII, the first novel ever to receive such praise. The success of the novel and its stage and film adaptations also helped it to become a popular cultural icon that was used to promote numerous commercial products. The story recounts in descriptive detail the adventures of Judah Ben-Hur, a Jewish prince from Jerusalem who is enslaved by the Romans at the beginning of the 1st century and becomes a charioteer and a Christian. Running in parallel with Judah's narrative is the unfolding story of Jesus, from the same region and around the same age. The novel reflects themes of betrayal, conviction, and redemption, with a revenge plot that leads to a story of love and compassion. Ben-Hur is a story of a fictional hero named Judah Ben-Hur, a Jewish nobleman who was falsely accused of an attempted assassination and enslaved by the Romans. He becomes a successful charioteer. The story's revenge plot becomes a story of compassion and forgiveness. The novel is divided into eight books, or parts, each with its own subchapters. Book one opens with the story of the three Magi, who arrive in Bethlehem to hear the news of Christ's birth. Readers meet the fictional character of Judah for the first time in book two, when his childhood friend Messala, also a fictional character, returns to Jerusalem as an ambitious commanding officer of the Roman legions. The teen-aged boys come to realize that they have changed and hold very different views and aspirations. When a loose tile is accidentally dislodged from the roof of Judah's house during a military parade and strikes the Roman governor, knocking him from his horse, Messala falsely accuses Judah of attempted assassination. Although Judah is not guilty and receives no trial, he is sent to the Roman galleys for life; his mother and sister are imprisoned in a Roman jail, where they contract leprosy; and all the family property is confiscated. Judah first encounters Jesus, who offers him a drink of water and encouragement, as Judah is being marched to a galley to be a slave. Their lives continue to intersect as the story unfolds.

Anna Karenina is a novel by the Russian writer Leo Tolstoy, published in serial installments from 1873 to 1877 in the periodical The Russian Messenger. Tolstoy clashed with editor Mikhail Katkov over political issues that arose in the final installment (Tolstoy's negative views of Russian volunteers going to fight in Serbia); therefore, the novel's first complete appearance was in book form in 1878. Widely regarded as a pinnacle in realist fiction, Tolstoy considered Anna Karenina his first true novel, after he came to consider War and Peace to be more than a novel. Fyodor Dostoyevsky declared it "flawless as a work of art." His opinion was shared by Vladimir Nabokov, who especially admired "the flawless magic of Tolstoy's style," and by William Faulkner, who described the novel as "the best ever written." The novel remains popular, as demonstrated by a 2007 Time poll of 125 contemporary authors in which Anna Karenina was voted the "greatest book ever written." Anna Karenina is the tragic story of a married aristocrat/socialite and her affair with the affluent Count Vronsky. The story starts when she arrives in the midst of a family broken up by her brother's unbridled womanizing-something that prefigures her own later situation, though she would experience less tolerance by others. A bachelor, Vronsky is eager to marry her if she will agree to leave her husband Karenin, a senior government official, but she is vulnerable to the pressures of Russian social norms, the moral laws of the Russian Orthodox Church, her own insecurities, and Karenin's indecision. Although Vronsky and Anna go to Italy, where they can be together, they have trouble making friends. Back in Russia, she is shunned, becoming further isolated and anxious, while Vronsky pursues his social life. Despite Vronsky's reassurances, she grows increasingly possessive and paranoid about his imagined infidelity, fearing loss of control. A parallel story within the novel is that of Konstantin Levin, a wealthy country landowner who wants to marry Princess Kitty, sister to Dolly and sister-in-law to Anna's brother Oblonsky. Konstantin has to propose twice before Kitty accepts. The novel details Konstantin's difficulties managing his estate, his eventual marriage, and his personal issues, until the birth of his first child. The novel explores a diverse range of topics throughout its approximately thousand pages. Some of these topics include an evaluation of the feudal system that existed in Russia at the time-politics, not only in the Russian government but also at the level of the individual characters and families, religion, morality, gender and social class.

Salome was the daughter of Herod II and Herodias. She is infamous for demanding and receiving the head of John the Baptist, according to the New Testament. According to Flavius Josephus's Jewish Antiquities, Salome was first married to Philip the Tetrarch of Ituraea and Trakonitis. After Philip's death in 34 AD she married Aristobulus of Chalcis and became queen of Chalcis and Armenia Minor. They had three children. Three coins with portraits of Aristobulus and Salome have been found. Salome is often identified with the unnamed dancing woman in the New Testament (Mark 6:17-29 and Matthew 14:3-11). Christian traditions depict her as an icon of dangerous female seductiveness, notably in regard to the dance mentioned in the New Testament, which is thought to have had an erotic element to it, and in some later transformations it has further been iconized as the Dance of the Seven Veils. Other elements of Christian tradition concentrate on her lighthearted and cold foolishness that, according to the gospels, led to John the Baptist's death. A similar motif was struck by Oscar Wilde in his Salome, in which she plays the role of femme fatale. This parallel representation of the Christian iconography, made even more memorable by Richard Strauss' opera based on Wilde's work, is as consistent with Josephus' account as the traditional Christian depiction; however, according to the Romanized Jewish historian, Salome lived long enough to marry twice and raise several children. Few literary accounts elaborate the biographical data given by Josephus.

The Vital Message was written by Arthur Conan Doyle. In "The New Revelation" the first dawn of the coming change has been described. In "The Vital Message" the sun has risen higher, and one sees more clearly and broadly what our new relations with the Unseen may be. As I look into the future of the human race I am reminded of how once, from amid the bleak chaos of rock and snow at the head of an Alpine pass, I looked down upon the far stretching view of Lombardy, shimmering in the sunshine and extending in one splendid panorama of blue lakes and green rolling hills until it melted into the golden haze which draped the far horizon. Such a promised land is at our very feet which, when we attain it, will make our present civilisation seem barren and uncouth. Already our vanguard is well over the pass. Nothing can now prevent us from reaching that wonderful land which stretches so clearly before those eyes which are opened to see it.

The Picture of Dorian Gray is a philosophical novel by Oscar Wilde, first published complete in the July 1890 issue of Lippincott's Monthly Magazine. The magazine's editor feared the story was indecent, and without Wilde's knowledge, deleted roughly five hundred words before publication. Despite that censorship, The Picture of Dorian Gray offended the moral sensibilities of British book reviewers, some of whom said that Oscar Wilde merited prosecution for violating the laws guarding the public morality. In response, Wilde aggressively defended his novel and art in correspondence with the British press, although he personally made excisions of some of the most controversial material when revising and lengthening the story for book publication the following year. The longer and revised version of The Picture of Dorian Gray published in book form in 1891 featured an aphoristic preface-a defence of the artist's rights and of art for art's sake-based in part on his press defences of the novel the previous year. The content, style, and presentation of the preface made it famous in its own right, as a literary and artistic manifesto. In April 1891, the publishing firm of Ward, Lock and Company, who had distributed the shorter, more inflammatory, magazine version in England the previous year, published the revised version of The Picture of Dorian Gray. The only novel written by Wilde, The Picture of Dorian Gray exists in several versions: the 1890 magazine edition (in 13 Chapters), with important material deleted before publication by the magazine's editor, J. M. Stoddart; the "uncensored" version submitted to Lippincott's Monthly Magazine for publication (also in 13 chapters), with all of Wilde's original material intact, first published in 2011 by Harvard University Press; and the 1891 book edition (in 20 chapters). As literature of the 19th century, The Picture of Dorian Gray is an example of Gothic fiction with strong themes interpreted from Faust. Dorian Gray is the subject of a full-length portrait in oil by Basil Hallward, an artist who is impressed and infatuated by Dorian's beauty; he believes that Dorian's beauty is responsible for the new mode in his art as a painter. Through Basil, Dorian meets Lord Henry Wotton, and he soon is enthralled by the aristocrat's hedonistic worldview: that beauty and sensual fulfilment are the only things worth pursuing in life. Newly understanding that his beauty will fade, Dorian expresses the desire to sell his soul, to ensure that the picture, rather than he, will age and fade. The wish is granted, and Dorian pursues a libertine life of varied and amoral experiences, while staying young and beautiful; all the while his portrait ages and records every sin.

The Adventures of Sherlock Holmes is a collection of twelve short stories by Arthur Conan Doyle, featuring his fictional detective Sherlock Holmes. It was first published on 14 October 1892; the individual stories had been serialised in The Strand Magazine between June 1891 and July 1892. The stories are not in chronological order, and the only characters common to all twelve are Holmes and Dr. Watson. The stories are related in first-person narrative from Watson's point of view. In general the stories in The Adventures of Sherlock Holmes identify, and try to correct, social injustices. Holmes is portrayed as offering a new, fairer sense of justice. The stories were well received, and boosted the subscriptions figures of The Strand Magazine, prompting Doyle to be able to demand more money for his next set of stories. The first story, "A Scandal in Bohemia", includes the character of Irene Adler, who, despite being featured only within this one story by Doyle, is a prominent character in modern Sherlock Holmes adaptations, generally as a love interest for Holmes. Doyle included four of the twelve stories from this collection in his twelve favourite Sherlock Holmes stories, picking "The Adventure of the Speckled Band" as his overall favourite.

Prolific author and political activist Upton Sinclair throws the upheaval of the early twentieth century into sharp relief in 100%. In a matter of instants, a bomb blast transmutes Peter Gudge's entire existence into chaos, and in the resulting pandemonium, he's forced to reexamine all of his values and beliefs. Upton Sinclair (September 20, 1878 - November 25, 1968) was an American writer who wrote nearly one hundred books and other works in several genres. Sinclair's work was well-known and popular in the first half of the twentieth century, and he won the Pulitzer Prize for Fiction in 1943. In 1906, Sinclair acquired particular fame for his classic muck-raking novel The Jungle, which exposed labor and sanitary conditions in the U.S. meat packing industry, causing a public uproar that contributed in part to the passage a few months later of the 1906 Pure Food and Drug Act and the Meat Inspection Act. In 1919, he published The Brass Check, a muck-raking exposé of American journalism that publicized the issue of yellow journalism and the limitations of the "free press" in the United States. Four years after publication of The Brass Check, the first code of ethics for journalists was created. Time magazine called him "a man with every gift except humor and silence". He is also well remembered for the line: "It is difficult to get a man to understand something, when his salary depends upon his not understanding it." He used this line in speeches and the book about his campaign for governor as a way to explain why the editors and publishers of the major newspapers in California would not treat seriously his proposals for old age pensions and other progressive reforms. Many of his novels can be read as historical works. Writing during the Progressive Era, Sinclair describes the world of industrialized America from both the working man's point of view and the industrialist. Novels like King Coal (1917), The Coal War (published posthumously), Oil! (1927) and The Flivver King (1937) describe the working conditions of the coal, oil and auto industries at the time.

Father Brown is a fictional Roman Catholic priest and amateur sleuth created in the early 20th century by English novelist G. K. Chesterton. Father Brown is featured in a series of 53 short stories where he solves mysteries and crimes using his intuition and keen understanding of human nature. The character was loosely based by Chesterton on The Rt Rev. John Monsignor O'Connor (1870-1952), a parish priest in Bradford, who was involved in Chesterton's conversion to Catholicism in 1922. Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes, a large umbrella, and an uncanny insight into human evil. In "The Head of Caesar" he is "formerly priest of Cobhole in Essex, and now working in London". He makes his first appearance in the story "The Blue Cross" and continues to appear throughout forty-eight short stories in five volumes, with two more stories discovered and published posthumously, often assisted in his crime-solving by the reformed criminal M. Hercule Flambeau. Father Brown also appears in a third story - making a total of fifty-one - that did not appear in the five volumes published in Chesterton's lifetime, "The Donnington Affair", which has a curious history. In the October 1914 issue of an obscure magazine, The Premier, Sir Max Pemberton published the first part of the story, then invited a number of detective story writers, including Chesterton, to use their talents to solve the mystery of the murder described. Chesterton and Father Brown's solution followed in the November issue. The story was first reprinted in the Chesterton Review (Winter), 1981, pp. 1-35 in the book Thirteen Detectives. Unlike the better-known fictional detective Sherlock Holmes, Father Brown's methods tend to be intuitive rather than deductive. He explains his method in "The Secret of Father Brown": "You see, I had murdered them all myself.... I had planned out each of the crimes very carefully.

A Little Princess is a children's novel by Frances Hodgson Burnett. It is an expanded version of the short story Sara Crewe: or, What Happened at Miss Minchin's, which was serialized in St. Nicholas Magazine from December 1887. According to Burnett, after she composed the 1902 play A Little Un-fairy Princess based on that story, her publisher asked that she expand the story as a novel with "the things and people that had been left out before". The novel was published by Charles Scribner's Sons (also publisher of St. Nicholas) with illustrations by Ethel Franklin Betts and the full title A Little Princess: Being the Whole Story of Sara Crewe Now Being Told for the First Time. Based on a 2007 online poll, the U.S. National Education Association named the book one of its "Teachers' Top 100 Books for Children". In 2012 it was ranked number 56 among all-time children's novels in a survey published by School Library Journal, a monthly with primarily U.S. audience. It was the second of two Burnett novels among the Top 100, with The Secret Garden number 15. The novella appears to have been inspired in part by Charlotte Brontë's unfinished novel, Emma, the first two chapters of which were published in Cornhill Magazine in 1860, featuring a rich heiress with a mysterious past who is apparently abandoned at a boarding school. The thread of the book is evident in the novella, in which Sara Crewe is left at Miss Minchin's, loses her father, is worked as a drudge, and is surprised with the kindness of an Indian gentleman who turns out to be Captain Crewe's friend. However, at just over one-third the length of the later book, the novella is much less detailed. Generally, the novel expanded on things in the novella; Captain Crewe's "investments" are only referred to briefly and generally, and much of the information revealed in conversations in the novel is simply summarised. However, there are details in the novella which were dropped for the novel. While a drudge, Sara is said to have frequented a library, in which she read books about women in rough circumstances being rescued by princes and other powerful men. In addition, Mr. Carrisford's illness is specified as liver trouble. After writing Sara Crewe, Burnett returned to the material in 1902, penning the three-act stage play A Little Un-fairy Princess, which ran in London over the autumn of that year. Around the time it transferred to New York City at the start of 1903 with title was shortened to A Little Princess. (It was A Little Princess in London, but The Little Princess in New York.)

Winesburg, Ohio is a short story cycle by the American author Sherwood Anderson. The work is structured around the life of protagonist George Willard, from the time he was a child to his growing independence and ultimate abandonment of Winesburg as a young man. It is set in the fictional town of Winesburg, Ohio (not to be confused with the actual Winesburg), which is based loosely on the author's childhood memories of Clyde, Ohio. Mostly written from late 1915 to early 1916, with a few stories completed closer to publication, they were "...conceived as complementary parts of a whole, centered in the background of a single community." The book consists of twenty-two stories, with the first story, "The Book of the Grotesque", serving as an introduction. Each of the stories shares a specific character's past and present struggle to overcome the loneliness and isolation that seems to permeate the town. Stylistically, because of its emphasis on the psychological insights of characters over plot, and plain-spoken prose, Winesburg, Ohio is known as one of the earliest works of Modernist literature. Winesburg, Ohio was received well by critics despite some reservations about its moral tone and unconventional storytelling. Though its reputation waned in the 1930s, it has since rebounded and is now considered one of the most influential portraits of pre-industrial small-town life in the United States. In 1998, the Modern Library ranked Winesburg, Ohio 24th on its list of the 100 best English-language novels of the 20th century.

The Diary of a Nobody is an English novel written by George Grossmith. It originated as an intermittent serial in Punch magazine in 1888-89 and first appeared in book form, with extended text and added illustrations, in 1892. The Diary records the daily events in the lives of a London clerk, Charles Pooter, his wife Carrie, his son Lupin, and numerous friends and acquaintances over a period of 15 months. Before their collaboration on the Diary, the brothers each pursued successful careers on the stage. George originated nine of the principal comedian roles in the Gilbert and Sullivan operas over 12 years from 1877 to 1889. He also established a national reputation as a piano sketch entertainer and wrote a large number of songs and comic pieces. Before embarking on his stage career, Weedon had worked as an artist and illustrator. The Diary was the brothers' only mature collaboration. Most of its humour derives from Charles Pooter's unconscious and unwarranted sense of his own importance, and the frequency with which this delusion is punctured by gaffes and minor social humiliations. In an era of rising expectations within the lower-middle classes, the daily routines and modest ambitions described in the Diary were instantly recognised by its contemporary readers, and provided later generations with a glimpse of the past that it became fashionable to imitate. Although its initial public reception was muted, the Diary came to be recognised by critics as a classic work of humour, and it has never been out of print. It helped to establish a genre of humorous popular fiction based on lower or lower-middle class aspirations, and was the forerunner of numerous fictitious diary novels in the later 20th century. The Diary has been the subject of several stage and screen adaptations, including Ken Russell's "silent film" treatment of 1964, a four-part TV film scripted by Andrew Davies in 2007, and a widely praised stage version in 2011.

The Mysterious Affair at Styles is a detective novel by Agatha Christie. It was written in the middle of the First World War, in 1916, and first published by John Lane in the United States in October 1920 and in the United Kingdom by The Bodley Head (John Lane's UK company) on 21 January 1921. The US edition retailed at $2.00 and the UK edition at seven shillings and sixpence (7/6). Styles was Christie's first published novel. It introduced Hercule Poirot, Inspector (later, Chief Inspector) Japp, and Arthur Hastings. Poirot, a Belgian refugee of the Great War, is settling in England near the home of Emily Inglethorp, who helped him to his new life. His friend Hastings arrives as a guest at her home. When the woman is killed, Poirot uses his detective skills to solve the mystery. This is also the setting of Curtain, Poirot's last case. The book includes maps of the house, the murder scene, and a drawing of a fragment of a will. The true first publication of the novel was as a weekly serial in the The Times, including the maps of the house and other illustrations included in the book. This novel was one of the first ten books published by Penguin Books when it began in 1935. This first mystery novel by Agatha Christie was well received by reviewers. An analysis in 1990 was positive about the plot, considered the novel one of the few by Christie that is well-anchored in time and place, a story that knows it describes the end of an era, and mentions that the plot is clever. Christie had not mastered cleverness in her first novel, as "too many clues tend to cancel each other out"; this was judged a difficulty "which Conan Doyle never satisfactorily overcame, but which Christie would."

Daniel Boone was an American pioneer, explorer, woodsman, and frontiersman, whose frontier exploits made him one of the first folk heroes of the United States. Boone is most famous for his exploration and settlement of what is now Kentucky, which was then part of Virginia but on the other side of the mountains from the settled areas. As a young adult, Boone supplemented his farm income by hunting and trapping game, and selling their pelts in the fur market. Through this occupational interest, Boone first learned the easy routes to the area. Despite some resistance from American Indian tribes such as the Shawnee, in 1775, Boone blazed his Wilderness Road through the Cumberland Gap in the Appalachian Mountains from North Carolina and Tennessee into Kentucky. There, he founded the village of Boonesborough, Kentucky, one of the first American settlements west of the Appalachians. Before the end of the 18th century, more than 200,000 Americans migrated to Kentucky/Virginia by following the route marked by Boone. Boone was a militia officer during the Revolutionary War (1775-83), which, in Kentucky, was fought primarily between the American settlers and the British-aided Indians. Boone was captured by Shawnee warriors in 1778. He escaped and alerted Boonesborough that the Shawnees were planning an attack. Although heavily outnumbered, Americans repelled the Shawnee warriors in the Siege of Boonesborough. Boone was elected to the first of his three terms in the Virginia General Assembly, during the Revolutionary War, and fought in the Battle of Blue Licks in 1782. Blue Licks, a Shawnee victory over the Patriots, was one of the last battles of the Revolutionary War, coming after the main fighting ended in October 1781. Following the war, Boone worked as a surveyor and merchant, but fell deeply into debt through failed Kentucky land speculation. Frustrated with the legal problems resulting from his land claims, in 1799, Boone emigrated to eastern Missouri, where he spent most of the last two decades of his life (1800-20). Boone remains an iconic figure in American history. He was a legend in his own lifetime, especially after an account of his adventures was published in 1784 by John Filson, making him famous across Europe as the typical all-American frontiersman. An American edition made him equally famous across the United States. After his death, he was frequently the subject of heroic tall tales and works of fiction. His adventures-real and legendary-were influential in creating the archetypal Western hero of American folklore. In American popular culture, he is remembered as one of the foremost early frontiersmen. The epic Daniel Boone mythology often overshadows the historical details of his life.

The Importance of Being Earnest is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personæ to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. Contemporary reviews all praised the play's humour, though some were cautious about its explicit lack of social messages, while others foresaw the modern consensus that it was the culmination of Wilde's artistic career so far. Its high farce and witty dialogue have helped make The Importance of Being Earnest Wilde's most enduringly popular play. The successful opening night marked the climax of Wilde's career but also heralded his downfall. The Marquess of Queensberry, whose son Lord Alfred Douglas was Wilde's lover, planned to present the writer with a bouquet of rotten vegetables and disrupt the show. Wilde was tipped off and Queensberry was refused admission. Soon afterwards their feud came to a climax in court, where Wilde's homosexual double life was revealed to the Victorian public and he was eventually sentenced to imprisonment. His notoriety caused the play, despite its early success, to be closed after 86 performances. After his release, he published the play from exile in Paris, but he wrote no further comic or dramatic work. The Importance of Being Earnest has been revived many times since its premiere. It has been adapted for the cinema on three occasions. In The Importance of Being Earnest (1952), Dame Edith Evans reprised her celebrated interpretation of Lady Bracknell; The Importance of Being Earnest (1992) by Kurt Baker used an all-black cast; and Oliver Parker's The Importance of Being Earnest (2002) incorporated some of Wilde's original material cut during the preparation of the original stage production.

Andrew Carnegie (1835 - 1919) was an American entrepreneur, businessman, and industrialist of Scottish extraction, known for his role as a major philanthropist. Carnegie's was the classic "rags to riches" tale, as he rose up by his bootstraps from a bobbin factory worker, a bill logger, and a messenger boy - eventually climbing his way through of the ranks of a telegraph company, where he made the leap into steel refining. When he sold the Carnegie Steel Company to J.P. Morgan for $480 million, it would become U.S. Steel. Carnegie donated most of his fortune to establish libraries, and other institutions the world over, including Carnegie Hall, the Carnegie Endowment for International Peace, Carnegie Institution of Washington, Carnegie Mellon University and the Carnegie Museums of Pittsburgh. Despite having set the standard for how the mega-rich should "spend it," Carnegie did go out and enjoy himself. His book Round the World is his first hand account of a year he spent traveling abroad.

The Pickwick Papers was Charles Dickens's first novel. He was asked to contribute to the project as an up-and-coming writer following the success of Sketches by Boz, published in 1836 (most of Dickens' novels were issued in shilling instalments before being published as complete volumes). Dickens (still writing under the pseudonym of Boz) increasingly took over the unsuccessful monthly publication after the original illustrator Robert Seymour had committed suicide. With the introduction of Sam Weller in chapter 10, the book became the first real publishing phenomenon, with bootleg copies, theatrical performances, Sam Weller joke books, and other merchandise. After the publication, the widow of Robert Seymour claimed that the idea for the novel was originally her husband's; however, in his preface to the 1867 edition, Dickens strenuously denied any specific input, writing that "Mr Seymour never originated or suggested an incident, a phrase, or a word, to be found in the book." Written for publication as a serial, The Pickwick Papers is a sequence of loosely related adventures. The action is given as occurring 1827-8, though critics have noted some seeming anachronisms. It has been stated that Dickens satirized the case of George Norton suing Lord Melbourne in The Pickwick Papers. The novel's main character, Samuel Pickwick, Esquire, is a kind and wealthy old gentleman, the founder and perpetual president of the Pickwick Club. To extend his researches into the quaint and curious phenomena of life, he suggests that he and three other "Pickwickians" (Mr Nathaniel Winkle, Mr Augustus Snodgrass, and Mr Tracy Tupman) should make journeys to places remote from London and report on their findings to the other members of the club. Their travels throughout the English countryside by coach provide the chief theme of the novel. A distinctive and valuable feature of the work is the generally accurate description of the old coaching inns of England. (One of the main families running the Bristol to Bath coaches at the time was started by Eleazer Pickwick). Its main literary value and appeal is formed by its numerous memorable characters. Each character in The Pickwick Papers, as in many other Dickens novels, is drawn comically, often with exaggerated personality traits. Alfred Jingle, who joins the cast in chapter two, provides an aura of comic villainy, with his devious tricks repeatedly landing the Pickwickians into trouble. These include a nearly successful attempted elopement with the spinster Rachael Wardle of Dingley Dell manor, misadventures with Dr Slammer, and others. Further humour is provided when the comic cockney Sam Weller makes his advent in chapter 10 of the novel. First seen working at the White Hart Inn in The Borough, Weller is taken on by Mr Pickwick as a personal servant and companion on his travels and provides his own oblique ongoing narrative on the proceedings. The relationship between the idealistic and unworldly Pickwick and the astute cockney Weller has been likened to that between Don Quixote and Sancho Panza. Through humor Dickens is able to capture quintessential aspects of English life in the mid-nineteenth century that a more sober approach would miss. Perhaps the popularity of this novel was due in part to the fact that the readers of the time were able to truly see themselves, and could accept themselves because of Dickens's skillful use of humor.

The Adventure of Wisteria Lodge is one of the fifty-six Sherlock Holmes short stories written by British author Arthur Conan Doyle. One of eight stories in the volume His Last Bow, it is a lengthy, two-part story consisting of "The Singular Experience of Mr. John Scott Eccles" and "The Tiger of San Pedro", which on original publication in The Strand bore the collective title of "A Reminiscence of Mr. Sherlock Holmes". Out of the entire collection of Holmes stories by Doyle, this is the only story in which a police inspector (specifically, Inspector Baynes) is as competent as Holmes. Holmes has nothing but praise for Inspector Baynes, believing that he will rise high in his profession, for he has instinct and intuition. Inspector Lestrade rarely received this kind of appreciation from Holmes. It comes out that Baynes had only arrested the cook to draw out Henderson so he would think he was no longer under suspicion. San Pedro is a fictitious country; its colors are green and white, explaining one part of the cryptic note. The Adventure is said to take place in 1892, but this year was a part of "The Great Hiatus," and Holmes's reference to a colonel whom he has arrested makes it more likely that the year is 1894.

The Turn of the Screw is a novella written by Henry James. The story, a part of gothic and ghost story genres, first appeared in serial format in Collier's Weekly magazine (January 27 - April 16, 1898). In October 1898 it appeared in The Two Magics, a book published by Macmillan in New York City and Heinemann in London. Due to its original content, The Turn of the Screw became a favourite text of academics who subscribe to New Criticism. The novella has had differing interpretations, often mutually exclusive. Many critics have tried to determine the exact nature of the evil hinted at by the story. However, others have argued that the brilliance of the novella results from its ability to create an intimate sense of confusion and suspense within the reader. An unnamed narrator listens to Douglas, a friend, read a manuscript written by a former governess whom Douglas claims to have known and who is now dead. The manuscript tells the story of how the young governess is hired by a man who has become responsible for his young nephew and niece after the deaths of their parents. He lives mainly in London and is uninterested in raising the children. The boy, Miles, is attending a boarding school, while his younger sister, Flora, is living at a summer country house in Essex. She is currently being cared for by Mrs. Grose, the housekeeper. Miles and Flora's uncle, the governess' new employer, gives her full charge of the children and explicitly states that she is not to bother him with communications of any sort. The governess travels to her new employer's country house, Bly, and begins her duties. Miles soon returns from school for the summer just after a letter arrives from the headmaster stating that he has been expelled. Miles never speaks of the matter, and the governess is hesitant to raise the issue. She fears there is some horrible secret behind the expulsion but is too charmed by the adorable young boy to want to press the issue. Soon thereafter, around the grounds of the estate, the governess begins to see the figures of a man and woman whom she does not recognize. These figures come and go at will without ever being seen or challenged by other members of the household, and they seem to the governess to be supernatural. She learns from Mrs. Grose that her predecessor, Miss Jessel, and another employee, Peter Quint, had a sexual relationship. Before their deaths, Jessel and Quint spent much of their time with Flora and Miles, and this fact has grim significance for the governess when she becomes convinced that the two children are secretly aware of the ghosts' presence. Later, without permission, Flora leaves the house while Miles is playing music for the governess. The governess notices Flora's absence and goes with Mrs. Grose in search of her. They find her in a clearing in the wood, and the governess is convinced that Flora has been talking to the ghost of Miss Jessel. When the governess finally confronts Flora, the girl denies seeing Miss Jessel and demands never to see the governess again. At the governess' suggestion, Mrs. Grose takes Flora away to her uncle, leaving the governess with Miles, who that night at last talks to her about his expulsion; the ghost of Quint appears to the governess at the window. The governess shields Miles, who attempts to see the ghost. The governess tells Miles he is no longer controlled by the ghost and then finds that Miles has died in her arms, and the ghost has gone.

The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Set during the Trojan War, the ten-year siege of the city of Troy (Ilium) by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles. Although the story covers only a few weeks in the final year of the war, the Iliad mentions or alludes to many of the Greek legends about the siege; the earlier events, such as the gathering of warriors for the siege, the cause of the war, and related concerns tend to appear near the beginning. Then the epic narrative takes up events prophesied for the future, such as Achilles' imminent death and the fall of Troy, although the narrative ends before these events take place. However, as these events are prefigured and alluded to more and more vividly, when it reaches an end the poem has told a more or less complete tale of the Trojan War. The Iliad is paired with something of a sequel, the Odyssey, also attributed to Homer. Along with the Odyssey, the Iliad is among the oldest extant works of Western literature, and its written version is usually dated to around the 8th century BC. Recent statistical modelling based on language evolution gives a date of 760-710 BC. In the modern vulgate (the standard accepted version), the Iliad contains 15,693 lines; it is written in Homeric Greek, a literary amalgam of Ionic Greek and other dialects.

A Midsummer Night's Dream is a comedy written by William Shakespeare in 1595/96. It portrays the events surrounding the marriage of Theseus, the Duke of Athens, to Hippolyta, the former queen of the Amazons. These include the adventures of four young Athenian lovers and a group of six amateur actors (the mechanicals) who are controlled and manipulated by the fairies who inhabit the forest in which most of the play is set. The play is one of Shakespeare's most popular works for the stage and is widely performed across the world. The play consists of four interconnecting plots, connected by a celebration of the wedding of Duke Theseus of Athens and the Amazon queen, Hippolyta, which is set simultaneously in the woodland and in the realm of Fairyland, under the light of the moon. The play opens with Hermia, who is in love with Lysander, resistant to her father Egeus' demand that she wed Demetrius, whom he has arranged for her to marry. Helena meanwhile pines unrequitedly for Demetrius. Enraged, Egeus invokes an ancient Athenian law before Duke Theseus, whereby a daughter must marry the suitor chosen by her father, or else face death. Theseus offers her another choice: lifelong chastity while worshipping the goddess Artemis as a nun. Peter Quince and his fellow players Nick Bottom, Francis Flute, Robin Starveling, Tom Snout, and Snug plan to put on a play for the wedding of the Duke and the Queen, "the most lamentable comedy and most cruel death of Pyramus and Thisbe". Quince reads the names of characters and bestows them to the players. Nick Bottom, who is playing the main role of Pyramus, is over-enthusiastic and wants to dominate others by suggesting himself for the characters of Thisbe, the Lion, and Pyramus at the same time. He would also rather be a tyrant and recites some lines of Ercles. Bottom is told by Quince that he would do the Lion so terribly as to frighten the duchess and ladies enough for the Duke and Lords to have the players hanged. Quince ends the meeting with "at the Duke's oak we meet." In a parallel plot line, Oberon, king of the fairies, and Titania, his queen, have come to the forest outside Athens. Titania tells Oberon that she plans to stay there until she has attended Theseus and Hippolyta's wedding. Oberon and Titania are estranged because Titania refuses to give her Indian changeling to Oberon for use as his "knight" or "henchman", since the child's mother was one of Titania's worshippers. Oberon seeks to punish Titania's disobedience. He calls upon Robin "Puck" Goodfellow, his "shrewd and knavish sprite", to help him concoct a magical juice derived from a flower called "love-in-idleness", which turns from white to purple when struck by Cupid's arrow. When the concoction is applied to the eyelids of a sleeping person, that person, upon waking, falls in love with the first living thing they perceive. He instructs Puck to retrieve the flower with the hope that he might make Titania fall in love with an animal of the forest and thereby shame her into giving up the little Indian boy. He says, "And ere I take this charm from off her sight, /As I can take it with another herb, /I'll make her render up her page to me."

The Mysteries of Udolpho, by Ann Radcliffe, was published in four volumes on 8 May 1794 by G. G. and J. Robinson of London. The firm paid her £500 for the manuscript. The contract is housed at the University of Virginia Library. Her fourth and most popular novel, The Mysteries of Udolpho follows the fortunes of Emily St. Aubert, who suffers, among other misadventures, the death of her father, supernatural terrors in a gloomy castle and the machinations of an Italian brigand. Often cited as the archetypal Gothic novel, The Mysteries of Udolpho, along with Radcliffe's novel The Romance of the Forest, plays a prominent role in Jane Austen's novel Northanger Abbey, in which an impressionable young woman, after reading Radcliffe's novel, comes to see her friends and acquaintances as Gothic villains and victims with amusing results. The Mysteries of Udolpho is a quintessential Gothic romance, replete with incidents of physical and psychological terror; remote, crumbling castles; seemingly supernatural events; a brooding, scheming villain; and a persecuted heroine. Modern editors point out that only about one-third of the novel is set in the eponymous Gothic castle, and that the tone and style vary markedly between sections of the work. Radcliffe also added extensive descriptions of exotic landscapes in the Pyrenees and Apennines, and of Venice, none of which she visited and for details of which she relied on contemporary travel books, leading to the introduction of several anachronisms. Set in 1584 in southern France and northern Italy, the novel focuses on the plight of Emily St. Aubert, a young French woman who is orphaned after the death of her father. Emily suffers imprisonment in the castle Udolpho at the hands of Signor Montoni, an Italian brigand who has married her aunt and guardian Madame Cheron. Emily's romance with the dashing Valancourt is frustrated by Montoni and others. Emily also investigates the mysterious relationship between her father and the Marchioness de Villeroi, and its connection to the castle at Udolpho.

Tess of the d'Urbervilles is a novel by Thomas Hardy. It initially appeared in a censored and serialised version, published by the British illustrated newspaper The Graphic in 1891 and in book form in 1892. Though now considered a major nineteenth-century English novel and possibly Hardy's fictional masterpiece, Tess of the d'Urbervilles received mixed reviews when it first appeared, in part because it challenged the sexual morals of late Victorian England. The novel is set in impoverished rural England, Thomas Hardy's fictional Wessex, during the Long Depression of the 1870s. Tess is the oldest child of John and Joan Durbeyfield, uneducated peasants. However, John is given the impression by Parson Tringham that he may have noble blood, as "Durbeyfield" is a corruption of "D'Urberville", the surname of an extinct noble Norman family. Knowledge of this immediately goes to John's head. That same day, Tess participates in the village May Dance, where she meets Angel Clare, youngest son of Reverend James Clare, who is on a walking tour with his two brothers. He stops to join the dance and partners several other girls. Angel notices Tess too late to dance with her, as he is already late for a promised meeting with his brothers. Tess feels slighted. Tess's father gets too drunk to drive to the market that night, so Tess undertakes the journey herself. However, she falls asleep at the reins, and the family's only horse encounters a speeding wagon and is fatally wounded. Tess feels so guilty over the horse's death and the economic consequences for the family that she agrees, against her better judgement, to visit Mrs d'Urberville, a rich widow who lives in a rural mansion near the town of Trantridge, and "claim kin". She is unaware that, in reality, Mrs d'Urberville's husband Simon Stoke adopted the surname even though he was unrelated to the real d'Urbervilles. Tess does not succeed in meeting Mrs d'Urberville, but chances to meet her libertine son, Alec, who takes a fancy to Tess and secures her a position as poultry keeper on the estate. Although Tess tells them about her fear that he might try to seduce her, her parents encourage her to accept the job, secretly hoping that Alec might marry her. Tess dislikes Alec but endures his persistent unwanted attention to earn enough to replace her family's horse. Despite his often cruel and manipulative behaviour, the threat that Alec presents to Tess's virtue is sometimes obscured for Tess by her inexperience and almost daily commonplace interactions with him. Late one night, walking home from town with some other Trantridge villagers, Tess inadvertently antagonizes Car Darch, Alec's most recently discarded favourite, and finds herself in physical danger. When Alec rides up and offers to "rescue" her from the situation, she accepts. Instead of taking her home, however, he rides through the fog until they reach an ancient grove in a forest called "The Chase", where he informs her that he is lost and leaves on foot to get his bearings. Alec returns to find Tess asleep, and it is implied that he rapes her, although there remains a degree of ambiguity. Mary Jacobus, a commentator on Hardy's works, speculates that the ambiguity may have been forced on the author to meet the requirements of his publisher and the "Grundyist" readership of his time.

Ten Days That Shook the World is a book by the American journalist and socialist John Reed about the October Revolution in Russia in 1917, which Reed experienced firsthand. Reed followed many of the prominent Bolshevik leaders closely during his time in Russia. John Reed died in 1920, shortly after the book was finished, and he is one of the few Americans buried at the Kremlin Wall Necropolis in Moscow, a site normally reserved only for the most prominent Soviet leaders. John Reed was on an assignment for The Masses, a magazine of socialist politics, when he was reporting the Russian Revolution. Although Reed states that he had "tried to see events with the eye of a conscientious reporter, interested in setting down the truth" during the time of the event, he stated in the preface that "in the struggle my sympathies were not neutral" (since the book leans towards the Bolsheviks and their viewpoints). Before John Reed left for Russia, the Espionage Act was passed on June 15, 1917, which fined and imprisoned anyone who interfered with the recruiting of soldiers and prohibited the mailing of any newspaper or magazine that promoted such sentiments. The U. S. Postal Service was also given leave to deny any mailing that fitted these standards from further postal delivery, and then to disqualify a magazine because it had missed a mailing and hence, was no longer considered a regular publication. Because of this, The Masses was forced by the United States federal government to cease publication in the fall of 1917, after refusing to change the magazine's policy against the war. The Liberator, founded by Max Eastman under his and his sister's private control, published Reed's articles concerning the Russian Revolution instead. In an effort to ensure the magazine's survival, Eastman compromised and tempered its views accordingly. Upon returning from Russia during April 1918 from Kristiania in Norway, after being barred from either traveling to the United States or returning to Russia since February 23 by the State Department, Reed's trunk of notes and materials on the revolution-which included Russian handbills, newspapers, and speeches-were seized by custom officials, who interrogated him for four hours over his activities in Russia during the previous eight months. Michael Gold, an eyewitness to Reed's arrival to Manhattan, recalls how "a swarm of Department of Justice men stripped him, went over every inch of his clothes and baggage, and put him through the usual inquisition. Reed had been sick with ptomaine on the boat. The inquisition had also been painful." Back home during mid-summer 1918, Reed, worried that "his vivid impressions on the revolution would fade," fought hard to regain his papers from the possession of the government, who refused to return them.

The Pickwick Papers was Charles Dickens's first novel. He was asked to contribute to the project as an up-and-coming writer following the success of Sketches by Boz, published in 1836 (most of Dickens' novels were issued in shilling instalments before being published as complete volumes). Dickens (still writing under the pseudonym of Boz) increasingly took over the unsuccessful monthly publication after the original illustrator Robert Seymour had committed suicide. With the introduction of Sam Weller in chapter 10, the book became the first real publishing phenomenon, with bootleg copies, theatrical performances, Sam Weller joke books, and other merchandise. After the publication, the widow of Robert Seymour claimed that the idea for the novel was originally her husband's; however, in his preface to the 1867 edition, Dickens strenuously denied any specific input, writing that "Mr Seymour never originated or suggested an incident, a phrase, or a word, to be found in the book." Written for publication as a serial, The Pickwick Papers is a sequence of loosely related adventures. The action is given as occurring 1827-8, though critics have noted some seeming anachronisms. It has been stated that Dickens satirized the case of George Norton suing Lord Melbourne in The Pickwick Papers. The novel's main character, Samuel Pickwick, Esquire, is a kind and wealthy old gentleman, the founder and perpetual president of the Pickwick Club. To extend his researches into the quaint and curious phenomena of life, he suggests that he and three other "Pickwickians" (Mr Nathaniel Winkle, Mr Augustus Snodgrass, and Mr Tracy Tupman) should make journeys to places remote from London and report on their findings to the other members of the club. Their travels throughout the English countryside by coach provide the chief theme of the novel. A distinctive and valuable feature of the work is the generally accurate description of the old coaching inns of England. (One of the main families running the Bristol to Bath coaches at the time was started by Eleazer Pickwick). Its main literary value and appeal is formed by its numerous memorable characters. Each character in The Pickwick Papers, as in many other Dickens novels, is drawn comically, often with exaggerated personality traits. Alfred Jingle, who joins the cast in chapter two, provides an aura of comic villainy, with his devious tricks repeatedly landing the Pickwickians into trouble. These include a nearly successful attempted elopement with the spinster Rachael Wardle of Dingley Dell manor, misadventures with Dr Slammer, and others. Further humour is provided when the comic cockney Sam Weller makes his advent in chapter 10 of the novel. First seen working at the White Hart Inn in The Borough, Weller is taken on by Mr Pickwick as a personal servant and companion on his travels and provides his own oblique ongoing narrative on the proceedings. The relationship between the idealistic and unworldly Pickwick and the astute cockney Weller has been likened to that between Don Quixote and Sancho Panza. Through humor Dickens is able to capture quintessential aspects of English life in the mid-nineteenth century that a more sober approach would miss. Perhaps the popularity of this novel was due in part to the fact that the readers of the time were able to truly see themselves, and could accept themselves because of Dickens's skillful use of humor.

A Girl of the Limberlost, a novel by American writer and naturalist Gene Stratton-Porter, was published in August 1909. It is considered a classic of Indiana literature. It is the sequel to her earlier novel Freckles. Patricia Raub (Senior Lecturer of American Studies at the University of Massachusetts Boston) notes that Stratton-Porter was "one of the most popular woman novelists of the era, who was known for her nature books and her editorials on McCall's 'Gene Stratton-Porter Page' as well as for her novels." Raub writes, "At the time of her death in 1924, more than ten million copies of her books had been sold - and four more books were published after her death." The story takes place in Indiana, in and around the Limberlost Swamp. Even at the time, this impressive wetland region was being reduced by heavy logging, natural oil extraction and drainage for agriculture. (The swamp and forestland eventually ceased to exist, though projects since the 1990s have begun to restore a small part of it.)

Romeo and Juliet is a tragedy written by William Shakespeare early in his career about two young star-crossed lovers whose deaths ultimately reconcile their feuding families. It was among Shakespeare's most popular plays during his lifetime and along with Hamlet, is one of his most frequently performed plays. Today, the title characters are regarded as archetypal young lovers. Romeo and Juliet belongs to a tradition of tragic romances stretching back to antiquity. The plot is based on an Italian tale translated into verse as The Tragical History of Romeus and Juliet by Arthur Brooke in 1562 and retold in prose in Palace of Pleasure by William Painter in 1567. Shakespeare borrowed heavily from both but expanded the plot by developing a number of supporting characters, particularly Mercutio and Paris. Believed to have been written between 1591 and 1595, the play was first published in a quarto version in 1597. The text of the first quarto version was of poor quality, however, and later editions corrected the text to conform more closely with Shakespeare's original. Shakespeare's use of his poetic dramatic structure (especially effects such as switching between comedy and tragedy to heighten tension, his expansion of minor characters, and his use of sub-plots to embellish the story) has been praised as an early sign of his dramatic skill. The play ascribes different poetic forms to different characters, sometimes changing the form as the character develops. Romeo, for example, grows more adept at the sonnet over the course of the play. Romeo and Juliet has been adapted numerous times for stage, film, musical, and opera venues. During the English Restoration, it was revived and heavily revised by William Davenant. David Garrick's 18th-century version also modified several scenes, removing material then considered indecent, and Georg Benda's Romeo und Julie omitted much of the action and added a happy ending. Performances in the 19th century, including Charlotte Cushman's, restored the original text and focused on greater realism. John Gielgud's 1935 version kept very close to Shakespeare's text and used Elizabethan costumes and staging to enhance the drama. In the 20th and into the 21st century, the play has been adapted in versions as diverse as George Cukor's 1935 film Romeo and Juliet, Franco Zeffirelli's 1968 version Romeo and Juliet, and Baz Luhrmann's 1996 MTV-inspired Romeo + Juliet.

The Time Machine is a science fiction novel by H. G. Wells, published in 1895 and written as a frame narrative. Wells is generally credited with the popularization of the concept of time travel by using a vehicle that allows an operator to travel purposely and selectively forwards or backwards in time. The term "time machine", coined by Wells, is now almost universally used to refer to such a vehicle. The Time Machine has been adapted into three feature films of the same name, as well as two television versions, and a large number of comic book adaptations. It has also indirectly inspired many more works of fiction in many media productions. Wells had considered the notion of time travel before, in a short story titled "The Chronic Argonauts" (1888). This work, published in his college newspaper, was the foundation for The Time Machine. Wells frequently stated that he had thought of using some of this material in a series of articles in the Pall Mall Gazette until the publisher asked him if he could instead write a serial novel on the same theme. Wells readily agreed and was paid £100 (equal to about £10,000 today) on its publication by Heinemann in 1895, which first published the story in serial form in the January to May numbers of The New Review (newly under the nominal editorship of W. E. Henley). Henry Holt and Company published the first book edition (possibly prepared from a different manuscript) on 7 May 1895; Heinemann published an English edition on 29 May. These two editions are different textually and are commonly referred to as the "Holt text" and "Heinemann text", respectively. Nearly all modern reprints reproduce the Heinemann text. The story reflects Wells's own socialist political views, his view on life and abundance, and the contemporary angst about industrial relations. It is also influenced by Ray Lankester's theories about social degeneration and shares many elements with Edward Bulwer-Lytton's novel Vril, the Power of the Coming Race (1871). Other science fiction works of the period, including Edward Bellamy's novel Looking Backward: 2000-1887 (1888) and the later film Metropolis (1927), dealt with similar themes. This work is an early example of the Dying Earth subgenre. The portion of the novella that sees the Time Traveller in a distant future where the sun is huge and red also places The Time Machine within the realm of eschatology, i.e. the study of the end times, the end of the world, and the ultimate destiny of humankind.

The Phantom Rickshaw is a collection of short stories by Rudyard Kipling. After an affair with a Mrs. Agnes Keith-Wessington in Simla, the narrator, Jack, repudiates her and eventually becomes engaged to Miss Kitty Mannering. Yet Mrs. Wessington continually reappears in Jack's life, begging him to reconsider, insisting that it was all just a mistake. But Jack wants nothing to do with her and continues to spurn her. Eventually Mrs. Wessington dies, much to Jack's relief. However, some time thereafter he sees her old rickshaw and assumes that someone has bought it. Then, to his astonishment, the rickshaw and the men pulling it pass through a horse, revealing themselves to be phantoms, bearing the departed ghost of Mrs. Wessington. This leads Jack into increasingly erratic behavior which he tries to cover up by concocting increasingly elaborate lies to assuage Kitty's suspicions. Eventually a Dr. Heatherlegh takes him in, supposing the visions to be the result of disease or madness. Despite their efforts, Kitty and her family become increasingly suspicious and eventually call off the engagement. Jack loses hope and begins wandering the city aimlessly, accompanied by the ghost of Mrs. Wessington.

White Fang is a novel by American author Jack London - and the name of the book's eponymous character, a wild wolfdog. First serialized in Outing magazine, it was published in 1906. The story takes place in Yukon Territory and the Northwest Territories, Canada, during the 1890s Klondike Gold Rush and details White Fang's journey to domestication. It is a companion novel (and a thematic mirror) to London's best-known work, The Call of the Wild, which is about a kidnapped, domesticated dog embracing his wild ancestry to survive and thrive in the wild. Much of White Fang is written from the viewpoint of the titular canine character, enabling London to explore how animals view their world and how they view humans. White Fang examines the violent world of wild animals and the equally violent world of humans. The book also explores complex themes including morality and redemption. White Fang has been adapted for the screen numerous times, including a 1991 film starring Ethan Hawke. Jack London (January 12, 1876 - November 22, 1916) was an American novelist, journalist, and social activist. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone, including science fiction.

A Dreamer's Tales is the fifth book by Irish fantasy writer Lord Dunsany, considered a major influence on the work of J. R. R. Tolkien, H. P. Lovecraft, Ursula K. Le Guin, and others. The book is actually Dunsany's fourth major work, as his preceding book, The Fortress Unvanquishable, Save for Sacnoth (March, 1910), was a chapbook reprinting a single story from his earlier collection The Sword of Welleran and Other Stories (October, 1908). In common with most of Dunsany's early books, A Dreamer's Tales is a collection of fantasy short stories. Lord Dunsany (24 July 1878 - 25 October 1957) was an Anglo-Irish writer and dramatist; his work, mostly in the fantasy genre, was published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays. He is best known for his 1924 fantasy novel The King of Elfland's Daughter. He achieved great fame and success with his early short stories and plays, and during the 1910s was considered one of the greatest living writers of the English-speaking world. Born and raised in London, to the second-oldest title (created 1439) in the Irish peerage, Dunsany lived much of his life at what may be Ireland's longest-inhabited house, Dunsany Castle near Tara, worked with W. B. Yeats and Lady Gregory, received an honorary doctorate from Trinity College, Dublin, was chess and pistol-shooting champion of Ireland, and travelled and hunted extensively. He died in Dublin after an attack of appendicitis.