Bøger af Shuang Wang

《荼蘼万籁生》这本书是新诗和歌词的结合体，书中的每一首作品都即是新诗也是歌词，寓意着相信美好的信念会让一切不美好的事物都结束，重获新生迎接无限的美好，这是作者对自己和所有读者的期许，希望这本书会给在爱中迷失的读者一丝光亮，一丝慰藉，能让读者感受到些许温暖和疗愈和在爱中重生的力量，重燃对生活的热忱和对梦想的追求。能够诚实面对内心真正的渴望，做真正的自己。以大爱的信念面对一切苦痛就会战胜生活重获新生，希望读者都能用最真的爱去体验自己想要的一切美好，因爱而爱，因热爱而燃烧生命，回归最本真的美好。This book of Nirvana and Rebirth is a combination of new poetry and lyrics. Each opus in the book is both contemporary poetry and songs. It wants to tell readers our faith that believing in life is goodwill and ends all the wrong things. We will regain rebirth and infinite welcome beauty. This is the author''s expectation for herself and all readers. The author hopes this book will give readers who are lost in love a glimmer of light and comfort, make them feel a little warmth and healing and the power of rebirth in love and rekindle their enthusiasm for life and the pursuit of dreams. Be able to honestly face the natural desire in your heart and be yourself. She hopes that we can experience all the beauty we want with the most genuine love, Return to the most natural beauty.

Chinese martial arts cinema is held to be a synthesis drawing on artistic conventions of traditional Chinese theatre. Film sound and music perform as the legitimate heirs of some of the aesthetic ideas and norms of traditional Chinese theatre. This book critically examines the history of this under-explored field of inquiry from a theoretically comparative perspective, demonstrating that the musical codes drawn from traditional theatre are a constantly changing component integral to Chinese martial arts cinema. It explores the interaction between traditional Chinese theatre and Chinese martial arts cinema in how the musical codes of the former have shaped the aesthetics of the latter uniquely. This departs from conventional existing studies that focus on ¿adaptation.¿ The book¿s historical and theoretical approach connects film, theatre and music, and re-defines the status of distinctive domains of filmic expression, grounding theatre as the pivot ¿ or ¿hinge¿ ¿ of film aesthetics. Thebook proffers this unique angle of research to rethink and re-imagine film sound and audiovisual synchronisation. Primarily intended for scholars in Chinese cinema, film music, Chinese theatre and visual culture, this monograph also presents introductory and comprehensive material for undergraduate and graduate-level courses in film and media studies, film music, Chinese cinema, and Chinese theatre.

The book focuses on parental custody after separation or divorce in Germany and China before a legal comparison is drawn. Furthermore, the book explores possible legal reforms in this field in the two legal systems.