Bøger af Siddhartha Deb

"Delhi, the near future: a former journalist goes in search of answers after she finds herself stripped of identity and citizenship and thrust into a vast conspiracy involving secret detention centers, government sanctioned murders, online rage, nationalist violence, and a figure of shifting identifies known as the "New Delhi Monkey Man." Bhopal, 1984: an assassin hunts a whistleblower through a central Indian city that will shortly be the site of the worst industrial disaster in history. Calcutta, 1947: a veterinary student's life and work connect him to an ancient Vedic aircraft. And in 1859, a detachment of British soldiers rides toward the Himalayas in search of the last surviving leader of an anti-colonial rebellion. These timelines interweave to form a kaleidoscopic, epic novel in which each section is a pursuit, centered around a character who must find or recover crucial but hidden truths in their respective time. Mirroring the future and the past, these narratives illuminate and reimagine Indian identity and history. The Light at the End of the World, Siddhartha Deb's first novel in a decade and a half, is an astonishing work that brilliantly reimagines the structure of one of the world's oldest civilizations.Delhi, the near future: a former journalist goes in search of answers after she finds herself stripped of identity and citizenship and thrust into a vast conspiracy involving secret detention centers, government sanctioned murders, online rage, nationalist violence, and a figure of shifting identifies known as the "New Delhi Monkey Man." Bhopal, 1984: an assassin hunts a whistleblower through a central Indian city that will shortly be the site of the worst industrial disaster in history. Calcutta, 1947: a veterinary student's life and work connect him to an ancient Vedic aircraft. And in 1859, a detachment of British soldiers rides toward the Himalayas in search of the last surviving leader of an anti-colonial rebellion. These timelines interweave to form a kaleidoscopic, epic novel in which each section is a pursuit, centered around a character who must find or recover crucial but hidden truths in their respective time. Mirroring the future and the past, these narratives illuminate and reimagine Indian identity and history. The Light at the End of the World, Siddhartha Deb's first novel in a decade and a half, is an astonishing work that brilliantly reimagines the structure of one of the world's oldest civilizations"--

"Delhi, the near future: a former journalist goes in search of answers after she finds herself stripped of identity and citizenship and thrust into a vast conspiracy involving secret detention centers, government sanctioned murders, online rage, nationalist violence, and a figure of shifting identifies known as the "New Delhi Monkey Man." Bhopal, 1984: an assassin hunts a whistleblower through a central Indian city that will shortly be the site of the worst industrial disaster in history. Calcutta, 1947: a veterinary student's life and work connect him to an ancient Vedic aircraft. And in 1859, a detachment of British soldiers rides toward the Himalayas in search of the last surviving leader of an anti-colonial rebellion. These timelines interweave to form a kaleidoscopic, epic novel in which each section is a pursuit, centered around a character who must find or recover crucial but hidden truths in their respective time. Mirroring the future and the past, these narratives illuminate and reimagine Indian identity and history. The Light at the End of the World, Siddhartha Deb's first novel in a decade and a half, is an astonishing work that brilliantly reimagines the structure of one of the world's oldest civilizations.Delhi, the near future: a former journalist goes in search of answers after she finds herself stripped of identity and citizenship and thrust into a vast conspiracy involving secret detention centers, government sanctioned murders, online rage, nationalist violence, and a figure of shifting identifies known as the "New Delhi Monkey Man." Bhopal, 1984: an assassin hunts a whistleblower through a central Indian city that will shortly be the site of the worst industrial disaster in history. Calcutta, 1947: a veterinary student's life and work connect him to an ancient Vedic aircraft. And in 1859, a detachment of British soldiers rides toward the Himalayas in search of the last surviving leader of an anti-colonial rebellion. These timelines interweave to form a kaleidoscopic, epic novel in which each section is a pursuit, centered around a character who must find or recover crucial but hidden truths in their respective time. Mirroring the future and the past, these narratives illuminate and reimagine Indian identity and history. The Light at the End of the World, Siddhartha Deb's first novel in a decade and a half, is an astonishing work that brilliantly reimagines the structure of one of the world's oldest civilizations"--

The Beautiful and the Damned presents an affecting, incisive portrait of the vast, fascinating, and incongruent country that is globalized India. Siddhartha Deb grew up in a remote town in the northeastern hills of India and made his way to the United States via a fellowship at Columbia. Six years after leaving home, he returned as an undercover reporter for The Guardian, working at a call center in Delhi in 2004, a time when globalization was fast proceeding and Thomas L. Friedman declared the world flat. Deb's experience interviewing the call-center staff led him to undertake this book and travel throughout the subcontinent.The Beautiful and the Damned examines India's many contradictions through various individual and extraordinary perspectives. With lyrical and commanding prose, Deb introduces the reader to an unforgettable group of Indians, including a Gatsby-like mogul in Delhi whose hobby is producing big-budget gangster films that no one sees; a wiry, dusty farmer named Gopeti whose village is plagued by suicides and was the epicenter of a riot; and a sad-eyed waitress named Esther who has set aside her dual degrees in biochemistry and botany to serve Coca-Cola to arms dealers at an upscale hotel called Shangri La.Like no other writer, Deb humanizes the post-globalization experience-its advantages, failures, and absurdities. India is a country where you take a nap and someone has stolen your job, where you buy a BMW but still have to idle for cows crossing your path. A personal, narrative work of journalism and cultural analysis in the same vein as Adrian Nicole LeBlanc's Random Family and V. S. Naipaul's India series, The Beautiful and the Damned is an important and incisive work.A Publishers Weekly Best Nonfiction BookA Globe and Mail Best Books of the Year

Intrigued by a disturbing photograph of a woman, a young journalist in Calcutta embarks on a quest to learn the story behind the violent incident captured on film -- a strange odyssey that leads him to a volatile remote corner of India mired in civil strife and sustained by timber, drugs, and guns. Yet the truth he hopes to uncover is as uncertain as the mysterious woman he seeks, smoldering dangerously on the border between illusion and reality.

Set in the remote, northeastern hills of India, The point of return revolves around the father-son relationship of a willful, curious boy, Babu, and Doctor Dam, an enigmatic product of British colonial rule and Nehruvian nationalism. Told in reverse chronological order, the novel examines an India where the ideals that brought freedom from colonial rule are beginning to crack under the pressure of new rebellions and conflicts. For Dr. Dam and Babu, this has meant living as strangers in the same home, puzzled and resentful, tied only by blood. As the father grows weary and old and the son tries to understand him, clashes between ethnic groups in their small town show them to be strangers to their country as well. Before long, Babu finds himself embarking on a great journey, an odyssey through the memories of his father, his family, and his nation.

Siddhartha Deb grew up in a remote town in the northeastern hills of India and made his way to the United States via a fellowship at Columbia. Six years after leaving home, he returned as an undercover reporter for The Guardian, working at a call center in Delhi in 2004, a time when globalization was fast proceeding and Thomas L. Friedman declared the world flat. Deb's experience interviewing the call-center staff led him to undertake this book and travel throughout the subcontinent.The Beautiful and the Damned examines India's many contradictions through various individual and extraordinary perspectives. With lyrical and commanding prose, Deb introduces the reader to an unforgettable group of Indians, including a Gatsby-like mogul in Delhi whose hobby is producing big-budget gangster films that no one sees; a wiry, dusty farmer named Gopeti whose village is plagued by suicides and was the epicenter of a riot; and a sad-eyed waitress named Esther who has set aside her dual degrees in biochemistry and botany to serve Coca-Cola to arms dealers at an upscale hotel called Shangri La.Like no other writer, Deb humanizes the post-globalization experience--its advantages, failures, and absurdities. India is a country where you take a nap and someone has stolen your job, where you buy a BMW but still have to idle for cows crossing your path. Available for the first time with the controversial and previously unpublished first chapter, The Beautiful and the Damned is as important and incisive today as it was when it was first published.