Bøger af Siegfried Sassoon

Picture-Show by Siegfried Sassoon. This book is a reproduction of the original book published in 1920 and may have some imperfections such as marks or hand-written notes.

Before its publication, Siegfried Sassoon's reputation rested entirely on his poetry, primarily written during and about World War I. Only ten years after the war ended, after some experience in journalism, did he feel ready to branch out into prose. So uncertain was he of the wisdom of this move that he anonymously published Memoirs of a Fox-Hunting Man. It depicts his early years as an autobiographical novel, with false names given to the central characters, including Sassoon himself, who appears as "George Sherston.". Sassoon was motivated to write the work by a war incident when a fox was loose in the trenches, and one of his friends shot and killed it. However, the book draws heavily on his pre-war life, with riding and hunting among his favorite pastimes.Much of the material for the novel came from Sassoon's diary. He said he was inspired by the work of Marcel Proust, saying, "A few pages of Proust have made me wonder whether insignificant episodes aren't the most significant.". In particular, his relationship with "Aunt Evelyn," a fictionalized representation of his mother, Theresa, is revealed as a significant influence in his upbringing.

Siegfried Loraine Sassoon, CBE, MC (8 September 1886 - 1 September 1967) was an English poet, writer, and soldier. Decorated for bravery on the Western Front, he became one of the leading poets of the First World War. His poetry both described the horrors of the trenches and satirised the patriotic pretensions of those who, in Sassoon's view, were responsible for a jingoism-fuelled war. Sassoon became a focal point for dissent within the armed forces when he made a lone protest against the continuation of the war in his "Soldier's Declaration" of 1917, culminating in his admission to a military psychiatric hospital. Sassoon later won acclaim for his prose work, notably his three-volume fictionalised autobiography, collectively known as the "Sherston trilogy".

Picture-Show , a classical book, has been considered essential throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This Is A New Release Of The Original 1918 Edition.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The poems gathered here, which trace the course of the First World War, are an extraordinary testimony to the almost unimaginable experiences of a combatant in that bitter conflict. Moving from the patriotic optimism of the first few poems (...fighting for our freedom, we are free) to the anguish and anger of the later work (where hope, with furtive eyes and grappling fists / Flounders in mud...), there comes a point when the reality of trench-warfare and its aftershocks move beyond comprehension: Sassoon knows this, and it becomes a powerful element in his art. As a book, the images have a cumulative relentlessness that make it almost impossible to read more than a few poems in one sitting.

Sassoon was a paradox as a human being. A sensitive and cultivated man and a world-famous poet when still in his twenties, he was also a ferocious fighter on the battlefield, dubbed "Mad Jack" by his men and a holder of the prestigious Military Cross. Disenchanted by the wastage and slaughter he had experienced, in 1917 he wrote a denunciation of the war and was promptly shut up in an asylum in Craiglockhart, Britain, where he composed many of the poems that appear in this book. Later he returned to the front and was shot in the head, but survived and enjoyed a prolific and diverse writing career, somewhat annoyed (as Hart-Davis tells us) that he had gone down in history as a "war poet." Reading this book, however, it is easy to see why.

Dim, gradual thinning of the shapeless gloom Shudders to drizzling daybreak that reveals Disconsolate men who stamp their sodden boots And turn dulled, sunken faces to the sky Haggard and hopeless. They, who have beaten down The stale despair of night, must now renew Their desolation in the truce of dawn, Murdering the livid hours that grope for peace. Yet these, who cling to life with stubborn hands, Can grin through storms of death and find a gap In the clawed, cruel tangles of his defence. They march from safety, and the bird-sung joy Of grass-green thickets, to the land where all Is ruin, and nothing blossoms but the sky That hastens over them where they endure Sad, smoking, flat horizons, reeking woods, And foundered trench-lines volleying doom for doom.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The second volume in Siegfried Sassoon's beloved trilogy, The Complete Memoirs of George Sherston, with a new introduction by celebrated historian Paul FussellA highly decorated English soldier and an acclaimed poet and novelist, Siegfried Sassoon won fame for his trilogy of fictionalized autobiographies that wonderfully capture the vanishing idylls of Edwardian England and the brutal realities of war.The second volume of Siegfried Sassoon's semiautobiographical George Sherston trilogy picks up shortly after Memoirs of a Fox-hunting Man: in 1916, with the young Sherston deep in the trenches of WWI. For his decorated bravery, and also his harmful recklessness, he is soon sent to the Fourth Army School for officer training, then dispatched to Morlancourt, a raid, and on through the Somme. After being wounded by a bullet through the lung, he returns home to convalesce, where his questioning of the war and the British Military establishment leads him to write a public anti-war letter (verbatim the letter Sassoon wrote in 1917, entitled "Finished with the War: A Soldier's Declaration", which was eventually read in the British House of Commons). Through the help of close friend David Cromlech (based on Sassoon's friend Robert Graves) a medical board decides not to prosecute, but instead deem him to be mentally ill, suffering from shell-shock, and sends him to a hospital for treatment. Sassoon's stunning portrayal of a mind coming to terms with the brutal truths he has encountered in war-as well as his unsentimental, though often poetic, portrayal of class-defined life in England at wartime-is amongst the greatest books ever written about World War I, or war itself.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.