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"Unfailingly intelligent and well written . . . Vivid and three-dimensional."-VarietyThe first volume of Simon Callow's magisterial biography of Orson Welles was praised as a "splendidly entertaining, definitive work" by Entertainment Weekly. Now, this eagerly anticipated second volume examines the years following Citizen Kane up to the time of Macbeth, in which Welles's Hollywood film career unraveled. In close and colorful detail, Callow offers a scrupulous analysis of the factors involved, revealing the immense and sometimes self-defeating complexities of Welles's temperament as well as some of the monstrous personalities with whom he had to contend.
A new edition of the classic book for actors starting their careers, with new materialFew actors have ever been more eloquent, more honest, or more entertaining about their life and their profession than Simon Callow, one of the finest actors of his time and increasingly one of the most admired writers about the theater.Beginning with the letter to Laurence Olivier that produced his first theatrical job to his triumph as Mozart in the original production of Amadeus, Callow takes us with him on his progress through England's rich and demanding theater: his training at London's famed Drama Centre, his grim and glorious apprenticeship in the provincial theater, his breakthrough at the Joint Stock Company, and then success at Olivier's National Theatre are among the way stations.Callow provides a guide not only to the actor's profession but also to the intricacies of his art, from unemployment-"the primeval slime from which all actors emerge and to which, inevitably, they return"-to the last night of a long run.
Writers, artists and thinkers in British life talk about what Europe means to them
Peek behind the curtains of London's iconic theatres with acclaimed actor Simon Callow as your personal guide.
A collection of quotations by and about gay people is a celebration of the advances in LGBT rights in the UK over the last half-century and a demonstration of the battle against oppression and prejudice that led to them.
An epic survey of Orson Welles' life and work. It shows what it was like to be around Welles, and, what it was like to be him, in which lies the answer to the old riddle: whatever happened to Orson Welles?
The creator of the Hunchback of Notre Dame, Henry VIII and Captain Bligh, Charles Laughton's career spans 50 films and 40 stage roles. Along the way we meet a galaxy of Hollywood greats - from Korda, Hitchcock and Billy WIlder to Gregory Peck, Robert Mitchum and Marilyn Monroe.
An exuberant and entertaining biography of Charles Dickens that captures the essence of the great novelist.
A companion volume to Being an Actor, Callow's classic text about the experience of acting in the theatre, Shooting the Actor reveals the truth about film acting.
An alternative autobiography of the well-loved actor and man of the theatre.In My Life in Pieces Simon Callow retraces his life through the multifarious performers, writers, productions and events which have left their indelible mark on him.The story begins with Peter Pan - his first ever visit to the theatre - before transporting us to southern Africa and South London, where Callow spent much of his childhood. Later, he charms his way into a job at the National Theatre box office courtesy of his hero, Laurence Olivier - and thus consummated a lifetime's love affair with theatre.Alongside Olivier, we encounter Paul Scofield, Michael Gambon, Alan Bennett and Richard Eyre, all of whom Callow has worked with, as well as John Gielgud, Ralph Richardson and Alec Guinness, David Hare, Simon Gray and many more.He writes too about figures he did not meet but who greatly influenced his life and work, figures such as Stanislavsky, Nureyev and Cocteau, as well as Charles Laughton and Orson Welles. And he even makes room for not-quite- legit performers like Tony Hancock, Tommy Cooper, Frankie Howard - and Mrs Shufflewick.The result is a passionate, instructive and beguiling book which, in tracing Simon Callow's own ';sentimental education', leaves us enriched by his generosity and wisdom.'an engaging passionate book which will augment Callow's growing status as a national treasure.' Guardian '...not simply a terrific actor who happens to write. You could as well call him a terrific writer who happens to act' The Times 'essential... a gift for transforming personal experience into blazingly intelligent, objective, critical appreciation' Observer'first rate... the best writer-actor we have' David Hare 'Simon Callow combines zest, originality and passion and has elegantly turned his views and life in the theatre into an astonishing memoir' Richard Eyre
A brilliant biography of the young Orson Welles, from his prodigious childhood and youth, his triumphs with the Mercury Theatre, to the making of Citizen Kane. Vivid, vastly entertaining, this is the definitive Welles biography.
The reason for the decline of Orson Welles's career is a hotly debated issue, but decline it certainly did. But instead of marking the beginning of a triumphant career in Hollywood, the film still regularly voted the greatest ever made proved to be an exception in Welles's life and work.
This is an examination of "The Night of the Hunter", Charles Laughton's only outing as a film director. It looks at the symbolism of the piece, at Willa, her throat cut sitting in the Model-T Ford, and the Preacher, a silhouetted threat on the horizon.
The art of acting in restoration comedy the buoyant often bowdy romps which celebrated the reopening of the English theatres after Cromwell''s dour reign is the subject of Simon Callow''s bold investigation. There is cause again to celebrate as Callow one of Britain''s foremost actors aims to restore the form to all its original voluptuous vigor. Callow shows the way to attain clarity and hilarity in some of the most delightful roles ever conceived for the theatre.
Callow discusses his occasionally ambivalent yet always passionate feelings about both film and theatre, conflicting sentiments partially resolved by his acclaimed return to the stage with his solo performances in The Importance of Being Oscar and The Mystery of Charles Dickens, seen in the West End and on Broadway in 2002.
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