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"The inside story of how our political class enabled an era of unaccountable corporate might that left ordinary Americans isolated and powerless-and how we can fight back-from the acclaimed author of The Unbroken Thread. Over the past two generations, U.S. leaders deregulated big business on the faith that it would yield a better economy and a freer society. But the opposite happened. Americans lost stable, well-paying jobs, Wall Street dominated industry to the detriment of the middle class and local communities, and corporations began to subject us to total surveillance, even dictating what we are, and aren't, allowed to think. The corporate titans and mega-donors who aligned themselves with this vision knew exactly what they were getting: perfect conditions for what Sohrab Ahmari calls private tyranny. Drawing on original reporting and a growing chorus of experts who are sounding the alarm, Ahmari chronicles how private tyranny has eroded America's productive economy and the liberties we take for granted-from employment agreements that gag whistleblowers, to Big Finance's takeover of local fire departments, to the rigging of corporate bankruptcy to deny justice to workers and consumers-illuminating how these and other developments have left millions feeling that our livelihoods are insecure. And he shows how ordinary Americans can fight back, by restoring the economic democracy that empowered and uplifted millions of working-class people in the twentieth century. Provocative, original, and cutting across partisan lines, Tyranny, Inc. is a revelatory read on the most important political story of our time"--
Sohrab Ahmari was a teenager living under the Iranian ayatollahs when he decided that there is no God. Nearly two decades later, he would be received into the Roman Catholic Church.In From Fire, by Water, he recounts this unlikely passage, from the strident Marxism and atheism of a youth misspent on both sides of the Atlantic to a moral and spiritual awakening prompted by the Mass. At once a young intellectual's finely crafted self-portrait and a life story at the intersection of the great ideas and events of our time, the book marks the debut of a compelling new Catholic voice.
From a gay man secretly mourning his lover's suicide in Morocco to a young woman denied schooling because of religious discrimination in Iran, Arab Spring Dreams spotlights some of the Middle East's most outspoken young dissidents. The essayists cover a wide range of experiences, including premarital sex, the lack of educational opportunities, teenage marriage, and the fight for political freedom. They also highlight how repressive laws and cultural mores snuff out liberty and stifle growth and consider how previous movements - particularly the American civil rights struggle - might be channeled to effect change in their own countries. Beautifully written and profoundly moving, these stories present a decisive call for change at a crucial point in the evolution of the Middle East.
Contemporary art is obsessed with the politics of identity. Visit any contemporary gallery, museum or theatre, and chances are the art on offer will be principally concerned with race, gender, sexuality, power and privilege.The quest for truth, freedom and the sacred has been thrust aside to make room for identity politics. Mystery, individuality and beauty are out; radical feminism, racial grievance and queer theory are in. The result is a drearily predictable culture and the narrowing of the space for creative self-expression and honest criticism.Sohrab Ahmari's book is a passionate cri de coeur against this state of affairs. The New Philistines takes readers deep inside a cultural scene where all manner of ugly, inept art is celebrated so long as it toes the ideological line, and where the artistic glories of the Western world are revised and disfigured to fit the rigid doctrines of identity politics.The degree of politicisation means that art no longer performs its historical function, as a mirror and repository of the human spirit - something that should alarm not just art lovers but anyone who cares about the future of liberal civilisation.
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