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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
오이디푸스는 영웅이 "나는 누구인가?"라는 영원한 질문에 답하기 위해 고군분투하는 원시적이고 끔찍한 힘을 능가하지 못했습니다. 전적으로 무지하게 행동하는 왕의 이야기 인 연극은 그의 아버지를 죽이고 그의 어머니와 결혼하며 산산조각 나는 힘으로 펼쳐진다. 우리는 최종적이고 끔찍한 진실을 향해 오이디푸스와 함께 무기력하게 끌려갑니다. 오이디푸스는 영웅이 "나는 누구인가?"라는 영원한 질문에 답하기 위해 고군분투하는 원시적이고 끔찍한 힘을 능가하지 못했습니다. 전적으로 무지하게 행동하는 왕의 이야기 인 연극은 그의 아버지를 죽이고 그의 어머니와 결혼하며 산산조각 나는 힘으로 펼쳐진다. 우리는 최종적이고 끔찍한 진실을 향해 오이디푸스와 함께 무기력하게 끌려갑니다.
Fresh, new translations of Sophocles''s three Theban plays by acclaimed theater director Bryan Doerries, which emphasize the contemporary relevance of these classic Greek tragedies.Here are Oedipus the King, Oedipus at Colonus, and Antigone in fresh new versions for contemporary readers and audiences. Each has been the basis for groundbreaking theatrical performances by Theater of War Productions, in which actors present dramatic readings, followed by town hall-style discussions. These forums are designed to confront social issues by evoking raw, personal reactions to themes highlighted in the plays. The Oedipus Project is an innovative digital initiative that presents scenes from Oedipus the King as a catalyst for frank and restorative online conversations about the impact of the COVID-19 pandemic on diverse communities. First performed in 429 BC during the time of a plague that killed one-third of the Athenian population, it is a story of arrogant leadership, ignored prophecy, and a pestilence that ravages the city of Thebes—a story that is as relevant now as it was in its own time. The Oedipus at Colonus Project presents readings of scenes from Sophocles’ final play, Oedipus at Colonus, for powerful, community-driven conversations about homelessness, the immigration and refugee crises, and the challenges of eldercare during and after the pandemic.Antigone in Ferguson is a pioneering project that fuses dramatic readings from Antigone with live choral music, culminating in powerful, healing discussions about race and social justice. Antigone in Ferguson was conceived in the wake of Michael Brown''s death in 2014, through a collaboration between Theater of War Productions and community members from Ferguson, Missouri, and premiered at Normandy High School, Michael Brown''s alma mater.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Offers translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' "The Trackers". In this title, introductions for each play offer information about its first production, plot, and reception in antiquity and beyond.
Offers translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' "The Trackers". In this title, introductions for each play offer information about its first production, plot, and reception in antiquity and beyond.
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