Bøger af Stacey D'Erasmo

"How do we keep doing this -- making art? Stacey D'Erasmo had been writing for twenty years and had published three novels when she asked herself this question. She was past the rush of her first books and wondering what to expect - - how to stay alive in her vocation -- in the decades ahead. She began to interview older artists she admired to find out how they'd done it. She talked to Valda Setterfield about her sixty-year career that took her from the Merce Cunningham Dance Company to theatrical collaborations with her husband to roles in films. She talked to Samuel R. Delany about his vast oeuvre of books in many genres. She talked to Amy Sillman about working between painting and other media and between abstraction and figuration. She talked to landscape architect Darrel Morrison, composer Tania on, actress Blair Brown, and musician Steve Earle, and started to see connections between them and to artists across time: Colette, David Bowie, Ruth Asawa. She found insights in own experience, about what has driven and thwarted and shaped her as a writer. Instead of easy answers or a road map, The Long Run offers one practitioner's conversations, anecdotes, confidences, and observations about sustaining a creative life. Along the way, it radically redefines artistic success, shifting the focus from novelty and output and external recognition toward freedom, fluidity, resistance, community, and survival"--

Award-winning author Stacey D’Erasmo tells a haunting and emotionally affecting story about a woman trying to rebuild her life after her husband’s arrest, and what she knew—or pretended not to know— about where their family’s money came from.  After her husband Alan’s decades of financial fraud are exposed, Suzanne’s wealthy, comfortable life shatters. Alan goes to prison. Suzanne files for divorce, decamps to a barely middle-class Massachusetts beach town, and begins to create a new life and identity. Ignoring a steady stream of calls from Norfolk State Prison, she tries to cleanse herself of all connections to her ex-husband. She tells herself that he, not she, committed the crimes. Then Alan is released early, and the many people whose lives he ruined demand restitution. But when Suzanne finds herself awestruck at a major whale stranding, she makes an apparently high-minded decision that ripples with devastating effect not only through Alan’s life as he tries to rebuild but also through the lives of Suzanne and Alan’s son, Alan’s new wife, his estranged mother, and, ultimately, Suzanne herself. When damage is done, who pays? Who loses? Who is responsible? With biting wisdom, The Complicities examines the ways in which the stories we tell ourselves—that we didn’t know, that we weren’t there, that it wasn’t our fault—are also finally stories of our own deep complicity.

"A woman tries to rebuild her life after her husband's conviction for huge financial fraud"--

An NPR Best Book of 2014A Time Top Ten Fiction Book of 2014A New York Times Book Review Editors' ChoiceA BBC Top Ten Book of 2014"Exquisite...As inspiring in its way as Patti Smith's memoir Just Kids." --Los Angeles Times"Briskly addictive . . . Told in the voice of a female rock Ulysses." --O, the Oprah Magazine"Marvelous . . . D'Erasmo conjures up the seedy, sexy spectacle of life on the road with amazing vividness, and fills in the inner life of a woman who has one last chance to get her voice heard." --Lev Grossman, TimeAnna Brundage is a rock star. She was an overnight indie sensation, but lost her fame just as fast as she found it. Now forty-four, she pours everything into a comeback, selling her famous father's art to finance an album and a European tour. A riveting look at the life of a musician and the moving story of a woman's unconventional path, Wonderland is a glimpse of how it feels when a wish just might come true."Anna made me think of Florence Welch of Florence and the Machine, mixed with a little bit of Janis." -- Paste"Richly interior . . . What makes Anna such a powerful narrator is her seductive desire to keep her options open." -- Washington Post

From a rising literary star ?in the tradition of Carol Shields and A. S. Byatt? comes this luminous story of a contemporary man's metamorphosis.Andrea Barrett and Michael Cunningham have lauded Stacey D'Erasmo for the beauty of her language and her ability to create worlds that leave a lasting impression. In her new novel, D'Erasmo reaches back to Ovid for inspiration in this tale of how the mythic animates our everyday lives. At thirty-seven, Gabriel Collins works halfheartedly as an obituary writer at a fading newspaper in lower Manhattan, which, since 9/11, feels like a city of the dead. This once dreamy and appealing boy has turned from a rebellious adolescent to an adult who trades in petty crimes.His wealthy, older boyfriend is indulgent of him?to a point. But after a brush with his own mortality, Gabriel must flee to Mexico in order to put himself back together. By novel's end, we know all of Gabriel's ratty little secrets, but by dint of D'Erasmo's spectacular writing, we exult in the story of an imperfect man who?tested by a world that is often too much for him?rises to meet the challenge.