Bøger af Stephanie Dennison

This collection of original essays focuses on the cross-currents and points of contact among Spain, Portugal and Latin America and their impact on the regions' film industries.This book focuses on the cross-currents and points of contact in film production among so-called Hispanic countries (Spain, Portugal and Latin America), and in particular the impact that co-production and supranational funding initiatives are having on both the film industries and the films of Latin America in the twenty-first century. Together with chapters that discuss and further develop transnational approaches to reading films in the Hispanic and Latin American context, the volume includes chapters that focus on funding initiatives, such as IBERMEDIA, that are aimed at Spain, Portugal and Latin America. An analysis of such initiatives facilitates a nuanced discussion of the range of meanings afforded to the term transnationalism: from the workings of those driven by economic imperatives, such as co-productions and 'Hispanic' film festivals, to the cultural, for example the invention of a marketable 'Latinamericaness' in Spain, or a 'Hispanic aesthetic' elsewhere. Stephanie Dennison is Reader in Brazilian Studies at the University of Leeds

This book examines the contribution made by Joaquim Nabuco (1849-1910) to political thought in Brazil during the Belle Epoque (1888-1910). Nabuco was once leader of the abolitionist cause in Brazil and turned his attention after the abolition of slavery in 1888 to saving the monarchy. This study traces Nabucös views on the monarchic institution in Brazil, considering first the origins of his (liberal) monarchist beliefs and his ideas on how the institution should adapt to halt the threat of republicanism before 1889. It concentrates on the first decade of the Republic and the ways in which Nabuco presented a challenge to the new regime. By examining the impact of his views on the State¿s domestic and international roles, the book reveals Nabucös contribution to nation-building in late-nineteenth-century Brazil.

This ground-breaking study provides an entertaining insight into popular film in Brazil, situating major box-office successes such as 'Central Station' (Walter Salles, 1998), in their socio-historical context. -- .