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During a seven-decade career that spanned from 19th century Vienna to 1920s Broadway to the golden age of Hollywood, three-time Academy Award winner Max Steiner did more than any other composer to introduce and establish the language of film music. Indeed, revered contemporary film composers like John Williams and Danny Elfman use the same techniques that Steiner himself perfected in his iconic work for such classics as Casablanca, King Kong,Gone with the Wind, The Searchers, Now, Voyager, the Astaire-Rogers musicals, and over 200 other titles. And Steiner''s private life was a drama all its own. Born into a legendary Austrian theatrical dynasty, he became one of Hollywood''s top-paid composers. But he was also constantly in debtΓÇöthe inevitable result ofgambling, financial mismanagement, four marriages, and the actions of his emotionally troubled son. Throughout his chaotic life, Steiner was buoyed by an innate optimism, a quick wit, and an instinctive gift for melody, all of which would come to the fore as he met and worked with luminaries like Richard Strauss, George Gershwin, Irving Berlin, the Warner Bros., David O. Selznick, Bette Davis, Frank Sinatra, and Frank Capra. In Music by Max Steiner, the first full biography of Steiner, author Steven C. Smith interweaves the dramatic incidents of Steiner''s personal life with anaccessible exploration of his composing methods and experiences, bringing to life the previously untold story of a musical pioneer and master dramatist who helped create a vital new art with some of the greatest film scores in cinema history.
Bernard Herrmann is a music composer who in over 40 scores enriched the work of directors like Orson Welles, Alfred Hitchcock, Francois Truffaut, and Martin Scorsese. He scored for "Fahrenheit 451", "The Day the Earth Stood Still", and "Psycho". This title is his biography exploring the inter-relationships between his music and his personal life.
"I read this book with joy. In the mid-twentieth century, Catholic scholars of the stature of Yves Congar and Jean Deanielou regularly produced historically informed biblical theology of the highest caliber. Catholic biblical theology explored Scripture's divine provision of historical-typological streams, through which the unity of the story of salvation comes into view. But biblical theology rapidly faded away after the Council, and this greatly weakened the ability of Catholic priests and laity to tell Scripture's story. Thus, for the new evangelization, I can't think of anything more important than the retrieval of Catholic biblical theology that Professor Smith accomplishes in this exciting and extraordinary book. A must-read for all seminarians and students of Scripture!" - Matthew Levering, James N. and Mary D. Perry Jr. Chair of Theology, Mundelein Seminary "Biblical theology is experiencing a new wave that is finally putting the temple back where it belongs - at the front and center of our thinking. Now riding on the top of this wave comes Steven Smith and his newly released biblical theology that is at once scholarly and accessible. Protestant and Orthodox readers, no less than Catholics, will glean countless insights from its pages." - Nicholas Perrin, Franklin S. Dyrness Chair of Biblical Studies and dean of Wharton Graduate School "Author Steven Smith brings readers on a focused tour of the temple in both the Old and New Testaments, demonstrating throughout the centrality of this theme. His book will help readers come to a deeper understanding of God's Word and of the importance of sacrifice and priesthood in God's plan of salvation. Accessible and clear, The House of the Lord is recommended especially for those readers for whom the Old Testament can seem to be a closed book." - Stephen Ryan, OP, Dominican House of Studies
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