Bøger af Steven Heine

An essential introduction to the life, writings, and legacy of one of Japan''s most prolific Buddhist masters.The founder of the Soto school of Zen in Japan, Eihei Dogen (1200–1253) is one of the most influential Buddhist teachers of all time. Although Dogen’s writings have reached wide prominence among contemporary Buddhists and philosophers, there is much that remains enigmatic about his life and writings. In Dogen: Japan’s Original Zen Teacher, respected Dogen scholar and translator Steven Heine offers a nuanced portrait of the master’s historical context, life, and work, paying special attention to issues such as: The nature of the “great doubt” that motivated Dogen’s religious questThe sociopolitical turmoil of Kamakura Japan that led to dynamic innovations in medieval Japanese BuddhismThe challenges and transformations Dogen experienced during his pivotal time in ChinaKey inflection points and unresolved questions regarding Dogen’s teaching career in JapanOngoing controversies in the scholarly interpretations of Dogen’s biography and teachingsSynthesizing a lifetime of research and reflection into an accessible narrative, this new addition to the Lives of the Masters series illuminates thought-provoking perspectives on Dogen’s character and teachings, as well as his relevance to contemporary practitioners. 

The Treasury of the True Dharma Eye (Shobogenzo) is the masterwork of Dogen (1200-1253), founder of the Soto Zen Buddhist sect in Kamakura-era Japan. Steven Heine provides a comprehensive introduction to this essential Zen text, offering a textual, historical, literary, and philosophical examination of Dogen's treatise.

Throughout his various stages, Dylan's work reveals an affinity with the Zen world view, where enlightenment can be attained through meditation, self-contemplation and intuition rather than through faith and devotion. This book argues that Dylan actually embraces two radically distinct world views at alternating periods.

This book is a collection of articles by one of the leading scholars in Japanese thought dealing with three areas of Japanese philosophy and religion: Dôgen's Zen view of liberation, including the key doctrines of casting off body-mind, being-time, and spontaneous manifestation of the kôan; the relation between Buddhism, literary aesthetics, and folk religion; and a comparison of Japanese and Western thought, particularly Heidegger, on science, language, and death. The central theme throughout these essays is the meaning of time and impermanence in Japanese religion and culture based on Buddhist contemplation. The book's title refers to a phrase used by Dôgen, the dramatist Chikamatsu, and others that plays on the twofold image of «dream» representing either the fleeting world of illusion or the nonsubstantial realm of ultimate reality. One of the articles is a new annotated translation of Dôgen's Shôbôgenzô «Muchû setsumu» («Disclosing a Dream Within a Dream») fascicle. Other essays offer novel interpretations of Chikamatsu and Kyoto-school thinkers Kuki Shûzô and Nishitani Keiji in addition to Japanese folk religion.