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North Korea may be known as the world's most secluded society, but it too has witnessed the rapid rise of new media technologies in the new millennium, including the introduction of a 3G cell phone network in 2008. In 2009, there were only 70,000 cell phones in North Korea. That number has grown tremendously in just over a decade, with over 7 million registered as of 2022. This expansion took place amid extreme economic hardship, and the ensuing possibilities of destabilization. Against this social and political backdrop, Millennial North Korea traces how the rapidly expanding media networks in North Korea impact their millennial generation, especially their perspective on the outside world. Suk-Young Kim argues that millennials in North Korea play a crucial role in exposing the increasing tension between the state and its people, between risktakers who dare to transgress strict social rules and compliant citizens accustomed to the state's centralized governance, and between thriving entrepreneurs and those left out of the growing market economy. Combining a close reading of North Korean state media with original interviews with defectors, Kim explores how the tensions between millennial North Korea and North Korean millennials leads to a more nuanced understanding of a fractured and fragmented society that has been frequently perceived as an unchanging, monolithic entity.
"How did Korea come to create a vibrant pop culture scene that would enthrall not only young Asian fans but also global audiences from diverse racial and generational backgrounds? From idol training to fan engagement, from studio recording to mastering choreographic sequences, what are the steps that go into the actual production and promotion of K-pop? And how can we account for K-pop's global presence within the rapidly changing media environment and consumerist culture in the new millennium? As an informed guide for finding answers to these questions, The Cambridge Companion to K-Pop probes the complexities of K-pop as both a music industry and a transnational cultural scene. It investigates the meteoric ascent of K-pop against the backdrop of increasing global connectivity wherein a distinctive model of production and consumption is closely associated with creativity and futurity"--
An illuminating look at the origins, manifestations, and future prospects for the global juggernaut that is Korean pop culture
The Korean demilitarized zone might be among the most heavily guarded places on earth, but it also provides passage for thousands of defectors, spies, political emissaries, war prisoners, activists, tourists, and others testing the limits of Korean division. This book focuses on a diverse selection of inter-Korean border crossers and the citizenship they acquire based on emotional affiliation rather than constitutional delineation. Using their physical bodies and emotions as optimal frontiers, these individuals resist the state's right to draw geopolitical borders and define their national identity.Drawing on sources that range from North Korean documentary films, museum exhibitions, and theater productions to protester perspectives and interviews with South Korean officials and activists, this volume recasts the history of Korean division and draws a much more nuanced portrait of the region's Cold War legacies. The book ultimately helps readers conceive of the DMZ as a dynamic summation of personalized experiences rather than as a fixed site of historical significance.
Explores how North Korean state-sponsored propaganda performances - including public spectacles, theater, film, and other visual media including posters - shape everyday practice in a country where the performing arts are not only a means of entertainment but also a forceful institution used to regulate, educate, and mobilize people.
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