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Mohandas K. Gandhi has been described as 'an artist of non-violence,' crafting as he did a set of practices of the self and politics that earned him the mantle of Mahatma, 'the great soul.'
Zweisprachige Ausgabe / Englisch - DeutschThe "Thyssen Lectures" are a continuation of a tradition that the Fritz Thyssen Foundation initiated in 1979, first at various institutions throughout Germany, and then at several universities in Czechia, Israel, the Russian Federation, Turkey, and most recently Greece. The series in the United Kingdom and Ireland will be held ove a period of four years. Spearheaded by Prof. Christina von Hodenberg, director of the German Historical Insitute London, it will be dedicated to the overarching theme of "Science, Knowledge, and the Legacy of Empire".Worlding IndiaSumathi Ramaswamy's lecture focuses on a range of modern disciplinary formations known generally as earth sciences - especially geography and cartography - and explores how these sciences "worlded" one specific location on the earth's surface, "India", as a knowable, calculable, intelligible, and masterable place over the course of two centuries of British colonial rule. The lecture goes beyond the processes of imperial world-making: using three examples, Ramaswamy shows how the people of India responded to and engaged with such processes in very different ways, and very often on their own terms. Following Dipesh Chakrabaty, she demonstrates that for worldmaking projects in colonial and postcolonial India, the empire's gift of science is indispensable but inadequate.
Why would love for their language lead several men in southern India to burn themselves alive in its name? This title analyzes the discourses of love, labor, and life that transformed Tamil into an object of such passionate attachment, producing in the process one of modern India's most intense movements for linguistic revival and separatism.
A history of the role that images of Mother India played in helping a vast, heterogeneous population to imagine the Indian nation and associate themselves with it.
During the nineteenth century, Lemuria was imagined as a land that once bridged India and Africa but disappeared into the ocean millennia ago, much like Atlantis. A sustained meditation on a lost place from a lost time, this elegantly written book is the first to explore Lemuria's incarnations across cultures, from Victorian-era science to Euro-American occultism to colonial and postcolonial India. The Lost Land of Lemuria widens into a provocative exploration of the poetics and politics of loss to consider how this sentiment manifests itself in a fascination with vanished homelands, hidden civilizations, and forgotten peoples. More than a consideration of nostalgia, it shows how ideas once entertained but later discarded in the metropole can travel to the periphery-and can be appropriated by those seeking to construct a meaningful world within the disenchantment of modernity. Sumathi Ramaswamy ultimately reveals how loss itself has become a condition of modernity, compelling us to rethink the politics of imagination and creativity in our day.
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