Bøger af Susan Broomhall

This monograph examines how Korean women and men came to engage with Catholic missions during Europe's late sixteenth and seventeenth centuries, a profoundly volatile period in East Asian history during which political, cultural, and social disruption created opportunities for new interactions in the region. It analyzes the nature of that engagement, as women and men became both subjects for, and agents of, catechizing practices. As their evangelization, experience of faith, proselytizing, and suffering were recorded in mission archives, the monograph explores contact between Catholic Christianity and Korean women in particular. Broomhall demonstrates how gender ideologies shaped interactions between missionary men and Korean women, and how women's experiences would come to be narrated, circulated, and memorialized.

We are living in exciting times. World peace is something we have all wanted but was seemingly unachievable. Now, however, through a global humanity awakening, our aspiration for a harmonious society is within our reach. Through the irony of paradox, this book theorises that by understanding what we do not want we can establish what we do want. If peace is what we want, surely this can be created by practising the polar opposite of war?Using psychospiritual philosophy and quantum psychology, Susan Broomhall is part of the global community currently co-creating heaven on earth. It is Susan's belief that global peace and harmony and the co-creation of the new humanity is assured - if everyone trusts in themselves as creators of peace.While each individual is contributing to the rich and diverse tapestry of humanity, not everyone understands what this means. This book reveals 'how to' create a harmonic new humanity through the art of peace. World peace starts with you.

Presenting the latest research from an international team of scholars, this volume argues that the ways in which emotions created states of order and disorder in medieval and early modern Europe were deeply informed by contemporary gender ideologies.

This collection explores how situations of authority, governance, and influence were practised through both gender ideologies and affective performances in late medieval and early modern England.

Combining historical, historiographical, museological, and touristic analysis, this title investigates how late medieval and early modern women of the Low Countries expressed themselves through texts, art, architecture and material objects, how they were represented by contemporaries, and how they have been interpreted in academica.

Explores how women's participation in publication culture in the period from the introduction of print medium in Paris to the end of the 16th century differed from that of men. The author explores the particular contexts and strategies of the work and focuses on thematic issues.

Situates the practices and perceptions of women's medical work in France in the context of the sixteenth century and its medical evolution and innovations. The book argues that early modern understandings of medical practice and authority were highly flexible and subject to change. -- .