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"Lila Peirera is a force to be reckoned with. Raised in 1970s Detroit by her abusive father and stern Bubbe after her mother Zelda's early death, Lila escaped the poverty of her childhood to reach stratospheric heights as editor-in-chief of The Washington Globe. There, she exposes political scandals and establishes a reputation as a no-nonsense, straight-talker. At home, she's just as tough, leaving the raising of her three daughters to her kind and loyal husband. Having always craved more of her mother's attention - and having long-questioned the circumstances surrounding her grandmother Zelda's death - Lila's youngest daughter, Grace, writes an autobiographical novel. In her book, Grace speculates that Zelda never died, rather, she abandoned her children, forcing Lila to become the hard-edged, dispassionate woman Grace grew up with. Grace's book is her attempt to make sense of her mother, but she could never have imagined that Lila would die shortly after its publication. Lila leaves Grace a posthumous directive: find out the truth about what really happened to Zelda. Zigzagging between Washington, D.C., Detroit, and New York City, and probing the truths that all families attempt to hide between generations, Like Mother, Like Mother is a smart, lively, and deeply moving novel about the inescapability of genetic inheritance"--
Musings on my mind that impact reflections on others. Thought provoking and inspirational. Makes one think and question. Reaches to your soul and what makes it tick.
Witty and wonderful, sparkling and sophisticated, this debut romantic comedy brilliantly tells the story of one very messy, very high-profile divorce, and the endearingly cynical young lawyer dragooned into handling it.
Named one of NPR''s Best Books of 2017"Both original and moving — and a whole lot of fun." — CAROLINE LEAVITT, New York Times Book Review"A must-read." — People"Fans of Salinger''s stories about Manhattan''s elite will enjoy this novel about privileged siblings who grapple with the state of their inheritance and long-held secrets that emerge in the wake of their father''s death." — InStyle Six months after Rupert Falkes dies, leaving a grieving widow and five adult sons, an unknown woman sues his estate, claiming she had two sons by him. The Falkes brothers are pitched into turmoil, at once missing their father and feeling betrayed by him. In disconcerting contrast, their mother, Eleanor, is cool and calm, showing preternatural composure. Eleanor and Rupert had made an admirable life together -- Eleanor with her sly wit and generosity, Rupert with his ambition and English charm -- and they were proud of their handsome, talented sons: Harry, a brash law professor; Will, a savvy Hollywood agent; Sam, an astute doctor and scientific researcher; Jack, a jazz trumpet prodigy; Tom, a public-spirited federal prosecutor. The brothers see their identity and success as inextricably tied to family loyalty – a loyalty they always believed their father shared. Struggling to reclaim their identity, the brothers find Eleanor’s sympathy toward the woman and her sons confounding. Widowhood has let her cast off the rigid propriety of her stifling upbringing, and the brothers begin to question whether they knew either of their parents at all. A riveting portrait of a family, told with compassion, insight, and wit, The Heirs wrestles with the tangled nature of inheritance and legacy for one unforgettable, patrician New York family. Moving seamlessly through a constellation of rich, arresting voices, The Heirs is a tale out Edith Wharton for the 21st century.
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