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In the Field Between Us is a friendship in poems, an epistolary project by Molly McCully Brown and Susannah Nevison that ponders disability and the possibility of belonging in the aftermath of lifelong medical intervention. In the beginning, the poem-letters express, in gorgeous harmony, the psychic and physiological complexities of surviving remedy. As the book unfolds, the writers encounter a natural world around them that increasingly seems to mirror the traumas they have endured. Out of its tracing of innumerable scars, this book emits a perseverance, a spirit of communion, and a hopeful resolve that rises out of the poets' attention to detail and their profound connection to one another.
In her new poetry collection, Lethal Theater, Susannah Nevison reckons with the rituals of violence that underpin the American prison system, both domestically and abroad. Exploring the multiple roles of medicine in incarceration, Nevison's poems expose the psychological and physical pain felt by the prison system's inhabitants. Nevison asks readers to consider the act and complications of looking-at the spectacle of punishment, isolation, and interrogation, as mapped onto incarcerated bodies-by those who participate in and enforce dangerous prison practices, those who benefit from the exploitation of incarcerated bodies, and those who bear witness to suffering. Unfolding in three sections, Nevison's poems fluidly move among themes of isolation and violence in prisons during period of war, the history of medical experimentation on domestic prisoners, and the intersection between anesthesia used in hospital settings and anesthesia used in cases of lethal injection. Lethal Theater is an attempt to articulate and make visible a grotesque and overlooked part of American pain.
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