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This study deals with the central reflection figure of the fictional in Shakespeare's history play Henry V: "mockery." At the core of this analysis is the relation of "mockeries" and "true things" in Henry V. The play makes use of this relation to construe its own poetics, balancing truth and history with imitation and poetry in the sense of fiction. This study examines aspects of communication and translation, the role of the audience, concepts of possibility and necessity, and contextualises the play in early modern discourse on poetry and poetics.
This book aims at a systematic analysis of linguistic phenomena in the poetry of Emily Dickinson by combining the methods of linguistics and literary studies. The authors concentrate on the poetry of Emily Dickinson, since it displays a highly uncommon use of language. They argue that this is part of her poetical strategy and gives evidence of a large degree of linguistic competence and awareness.
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