Bøger af Sydney Lea

What does a good long ramble in the woods tell us about our shared experiences, our loneliness. Is it possible to shed our civilized layers of defensive behavior, our fear of unmasking and discovery, of the unknown or once-known and forgotten? Join celebrated outdoorsman and poet Sydney Lea as he walks off into his beloved New England woods on a vision quest that touches everyone who reads along to keep him company. One's own shape-shifting powers come into focus in the light of Lea's surprising discoveries and revelations.

The former poet laureate of Vermont offers a stunning portrait of life up north. "There is a soulful quality to his words and a strong conviction that a connected life is one to be admired and emulated. A cross between Thoreau and David James Duncan, Lea is a northern treasure." -BooklistA North Country Life is the story of author Sydney Lea's powerful connection to his family, friends, and the northern outdoors. Loosely organized by the changing of seasons, different sections feature essays on such topics as childhood family fishing trips in the wilds of Maine, trophy fly-fishing the northern reaches of the Connecticut River, the opening day of turkey hunting season in Vermont, and getting lost in the deep woods while deer hunting. The essays are introspective and dramatic illustrations of the blending of the human and natural worlds; emotion is attached to both spheres and adds texture to the sketches. Readers of varied interests will be drawn to the sincerity of the author's voice. A notable writer and poet, Lea's lyrical writing preserves a picture of people and places from the past with vivid scenes recalling former times and contrasting them with modern life. Thoughtful portraits of New England elders and the author's friends bring to life the outdoors as seen through many different eyes, inspiring readers to take a new look at the world around them. With the author's knack for descriptive language, this compelling read will strike a chord with anyone interested in the contemplative side of nature-which, in truth, is most of us.

"Set against a backdrop of the remote northern Maine wilderness, fishing, hunting, and the pleasures of outdoor life bring together a mismatched pair of friends - weaving back and forth between past and present, it follows the friendship of ivy-league educated George Mayes and semi-literate woodsman and logger Evan Butcher. George, a drunk from his college days has a critical, life-changing moment of insight, and begins postgraduate life, however improbably, as a reckless school bus driver. After getting clean and sober, he develops a successful school transportation business. Having taken a number of trips to the north woods, he has come to know and revere Evan. At the story's opening, Evan is a store of knowledge, decency, and even of wisdom. But after a series of horrendous family tragedies, he begins to succumb to alcohol himself. Now, Look, from Vermont poet laureate and Pulitzer finalist Sydney Lea is a moving novel about second chances, missed chances, and redemption"--

Retrospective of a long life and already inimitable career in poetry, Sydney Lea's What Shines asserts and asks in equal measure. In older age, Lea affirms the luster of fruit long labored for: a resilient and happy marriage; the rewards of parenthood and, later, grandchildren; a profound intimacy with northern New England -- the environment, the seasons, the people, home, time. But he also transmits the escalating urgency of answering the fundamental question: at this late hour, what light do we have to see by? What light will outlast us? In "1949," Lea revisits old photographs: one of his parents "both grinning straight at the Kodak, / an elm, not yet blighted to death, at their backs," another of his mother standing beside a bucket of sunfish. "With what I've known, you'd think there'd be chapter on chapter," he says, everything habitual, familiar. Still he stumbles upon revelation, the visceral novelty of experience, and Lea's brilliant shock glimmers in the golden hour. "I shouldn't be," he disclaims, "and yet somehow I'm stunned: / Even the fish in that yellowed photo are young." Despite the accelerating onset of autumn, consolations line the path "at the edge / of our late-shorn meadow," where there lie blackberries that "should have vanished by now." And so what if a handful will not disarm winter? "Though tiny and poor, it's sweet, / the fruit, even more so / than when I found more." If we receive this allotment of days once and only once, Lea's consummate collection urges us to remember the spirit of the lyric itself: although we couldn't keep it all forever, when we had it, my God, so much of it was sweet.

This is the first comprehensive study in the English language of the commentaries of Didymus the Blind, who was revered as the foremost Christian scholar of the fourth century and an influential spiritual director of ascetics.   The writings of Didymus were censored and destroyed due to his posthumous condemnation for heresy. This study recovers the uncensored voice of Didymus through the commentaries among the Tura papyri, a massive set of documents discovered in an Egyptian quarry in 1941.   This neglected corpus offers an unprecedented glimpse into the internal workings of a Christian philosophical academy in the most vibrant and tumultuous cultural center of late antiquity. By exploring the social context of Christian instruction in the competitive environment of fourth-century Alexandria, Richard A. Layton elucidates the political implications of biblical interpretation.   Through detailed analysis of the commentaries on Psalms, Job, and Genesis, the author charts a profound tectonic shift in moral imagination as classical ethical vocabulary becomes indissolubly bound to biblical narrative. Attending to the complex interactions of political competition and intellectual inquiry, this study makes a unique contribution to the cultural history of late antiquity.

Co-winner of the prestigious Poets' Prize for "To the Bone", Sydney Lea is known for his mastery of the narrative style and his clear and unwavering vision of the natural world and humanity's place in it. This work of his is marked by this acuity and by his uncanny ear for language as well as his willingness to speak for the unlucky.

Sydney Lea says he hopes these columns will continue to be of interest to poetry lovers and students, but above all to the common reader. Seeking at every turn to avoid jargon, he explores how the making of a poet's art resembles the making of any reader's life. For Lea, poetry and everyday life are deeply entangled.

Description:These poems--selected from the award-winning poet''s output over four decades--more explicitly than any of his prior volumes address the centrality of Christian vision to his aims and aspirations. Lea looks unflinchingly at all that may challenge his faith: the cruelties of both natural and human worlds, the attractions of jolly, good-hearted secularism, the distortions of doctrinaire religiosity, the seeming pointlessness of untimely deaths; but his faith in Christian redemption shines through even the bleakest of his poems.Endorsements:""The life in Sydney Lea''s poems is entirely local, whether the locale is Italy, Montana, or his home in Vermont . . . The making of the soul that occurs in Sydney Lea''s poems is intimately connected with the place where the making occurs . . . Sydney Lea''s poems show us that all spirituality is local spirituality. He is our preeminent poet of the soul''s making among local places and people.""--Mark Jarman Author of Bone Fires: New and Selected Poems ""Sydney Lea''s heartbreaking and heartening poems look, with the utmost honesty, at ''what we may or may not be / here on earth.'' . . . [These] urgent poems give us back the depth of our existence. With intelligence, passion, and humility, Lea embraces the task he has been given: to record those ''warming recollections'' of parents, friends, wife and children, and to acknowledge how this ''splendid universe subsumes . . . his small dumb witness'' into a ''hymn of grateful praise.''"" --Robert Cording Author of Walking with Ruskin""In this book Sydney Lea invites us to take a spiritual journey . . . By the end of Six Sundays, the narrator and the reader step together into radiant light. What is so moving about Six Sundays is not only its wrestling with spiritual questions, but also Lea''s affirmation that life is a spiritual journey and that this journey is of paramount importance.""--Jeanne Murray WalkerAuthor of A Deed to the Light""From his experience of doubt to his affirmation of the Mystery, the poet''s faith shows through honest and eloquent language . . . Lea''s unique gift of language opens up the most ordinary detail of village life in northern Vermont and raises it to universal significance. His compassionate gaze at suffering and loss is balanced by his embrace of nature in all its forms and by moments of ecstatic revelation.""--Robert Siegel Author of A Pentecost of Finches: New and Selected PoemsAbout the Contributor(s):Sydney Lea lately retired after more than forty years of teaching at Dartmouth, Yale, Wesleyan, and Middlebury Colleges, as well as at several European universities. Lea was a Pulitzer finalist for his volume of poems Pursuit of a Wound, and won the 1998 Poets'' Prize. He holds the doctorate in Comparative Literature from Yale. Recipient of fellowships from the Guggenheim, Rockefeller, and Fulbright Foundations, he founded and for thirteen years edited New England Review, one of the nation''s leading literary quarterlies. This is his tenth volume of poems; he is also author of a novel, A Place in Mind, and two collections of naturalist essays, Hunting the Whole Way Home and A Little Wildness. He is currently the poet laureate of the state of Vermont.

In Sydney Lea's poems, purest joy and woe flash amid the mundane, and beauty knows the full range of nature - from the plumed tension of a newborn child twisting away from the ready breast to bright birds lying dead on the winter lawn.

Collected essays on the persistence of preoccupation and the absence of theory