Bøger af Ted Hughes

In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets in our literature.Emily Dickinson (1830-86) was born in Amherst, Massachussetts, where she lived most of her life as a recluse, seldom leaving the house or receiving visitors. She published just a handful of poems in her lifetime, her first collection appearing posthumously in 1890.

'The poem we are told was originally intended as a film scenario. Ted Hughes has that sure poetic instinct that heads implacably for the particular instances rather than ideas or abstraction; he has an especial talent for evoking the visual particular . . . Ted Hughes has produced a strange bastard form that [works] because he has such an acute sense of the suggestive power of specific visual images and the ability to evoke them in words.' Oliver Lyne, Times Literary Supplement

Originally published in 1979, Moortown Diary is the updated version of Ted Hughes's acclaimed Devon farming sequence, written over a period of several years during which he was spending almost every day outside, either gardening or farming. The introduction and notes (added in 1989) sketch in the background from which these remarkable poems emerged as an improvised verse journal, sparely edited, coalescing spontaneously on the page. 'Moortown Diary keeps its eye firmly on the creatures behind the language. It's written in the style of Hughes's play translations: very swift and bright and urgent and speakable...Hughes strips away the protective layers - the soundproofed ears, the double-glazed eyes - that prevent us making contact with anything outside ourselves. Right now, I can't think of anything more important than that kind of poem. Because we're not just here to think about literature. We're here to try to wake up.' Alice Oswald, The Guardian'It grips your heart, and your intestines, like a vice from the first page. He makes language as physical as a bruise, and in these poems beauty and tenderness blend with violence.' John Carey, Sunday Times'The Moortown sequence includes some of Hughes's finest poems...They are like no other poems I have read, with a degree of intensity, sanity and grace that he has never equalled.' Anthony Thwaite, Times Literary Supplement

At the outset of his career Ted Hughes described letter writing as 'excellent training for conversation with the world', and he was to become a prolific master of this art. This selection begins when Hughes was seventeen, and documents the course of a life at once resolutely private but intensely attuned to others. It is a fascinatingly detailed picture of a mind of genius as it evolved through an incomparably eventful life and career.

When Michael Hofmann and James Lasdun's ground-breaking anthology After Ovid (also Faber) was published in 1995, Hughes's three contributions to the collective effort were nominated by most critics as outstanding. He had shown that rare translator's gift for providing not just an accurate account of the original, but one so thoroughly imbued with his own qualities that it was as if Latin and English poetwere somehow the same person. Tales from Ovid, which went on to win the Whitbread Prize for Poetry, continued the project of recreation with 24 passages, including the stories of Phaeton, Actaeon, Echo and Narcissus, Procne, Midas and Pyramus and Thisbe. In them, Hughes's supreme narrative and poetic skills combine to produce a book that stands, alongside his Crow and Gaudete, as an inspired addition to the myth-making of our time.

Ted Hughes's Birthday Letters are addressed, with just two exceptions, to Sylvia Plath, the American poet to whom he was married. They were written over a period of more than twenty-five years, the first a few years after her suicide in 1963, and represent Ted Hughes's only account of his relationship with Plath and of the psychological drama that led both to the writing of her greatest poems and to her death. The book became an instant bestseller on its publication in 1998 and won the Forward Prize for Poetry in the same year. 'To read [Birthday Letters] is to experience the psychic equivalent of "e;the bends"e;. It takes you down to levels of pressure where the undertruths of sadness and endurance leave you gasping.' Seamus Heaney 'Even if it were possible to set aside its biographical value . . . its linguistic, technical and imaginative feats would guarantee its future. Hughes is one of the most important poets of the century and this is his greatest book.' Andrew Motion

Published in 1957, Hawk in the Rain was Ted Hughes's first collection of poems. It won the New York Poetry Centre First Publication Award, for which the judges were W. H. Auden, Stephen Spender and Marianne Moore, and the Somerset Maugham Award, and it was acclaimed by every reviewer from A. Alvarez to Edwin Muir. When Robin Skelton wrote, 'All looking for the emergence of a major poet must buy it', he was right to see in it the promise of what many now regard as the most important body of work by any poet of the twentieth century.

In the last year of his life, Ted Hughes completed translations of three major dramatic works: Racine's Phedre, Euripedes' Alcestis, and the trilogy of plays known as at The Oresteia, a family story of astonishing power and the background or inspiration for much subsequent drama, fiction, and poetry.The Oresteia--Agamemnon, Choephori, and the Eumenides--tell the story of the house of Atreus: After King Agamemnon is murdered by his wife, Clytemnestra, their son, Orestes, is commanded by Apollo to avenge the crime by killing his mother, and he returns from exile to do so, bringing on himself the wrath of the Furies and the judgment of the court of Athens. Hughes's "acting version" of the trilogy is faithful to its nature as a dramatic work, and his translation is itself a great performance; while artfully inflected with the contemporary, it has a classical beauty and authority. Hughes's Oresteia is quickly becoming the standard edition for English-language readers and for the stage, too.

A powerful version of the Latin classic by England's late Poet Laureate, now in paperback.When it was published in 1997, Tales from Ovid was immediately recognized as a classic in its own right, as the best rering of Ovid in generations, and as a major book in Ted Hughes's oeuvre. The Metamorphoses of Ovid stands with the works of Homer, Virgil, Dante, and Milton as a classic of world poetry; Hughes translated twenty-four of its stories with great power and directness. The result is the liveliest twentieth-century version of the classic, at once a delight for the Latinist and an appealing introduction to Ovid for the general reader.

This collection brings together the poems Ted Hughes wrote for children throughout his life. Raymond Briggs brings to the collection two hundred original drawings that capture the wit, gentleness and humanity of these poems and make this a book any reader - child and adult - will return to again and again.

The Iron Wolf, the Iron WolfStands on the world with jagged fur. The rusty Moon rolls through the sky. The iron river cannot stir. The iron wind leaks out a cryAnimals of air, land and sea are brilliantly imagined in this perfect introduction for young readers to the work of Ted Hughes.

Ted Hughes wrote a series of stories for children from the early 1960s through until 1995 about how the world, and the creatures in it, came into being. Meet the Polar Bear whose obsession with her snowy white fur is so great that she can only live in a landscape surrounded by her own reflection;

Some poems will be more of a challenge than others, but all will be treasured once they have become part of the memory bank. This edition is part of a series of anthologies edited by poets such as Don Paterson and Simon Armitage and features an attractive new design to complement an anthology of classic poems.

A selection of Ted Hughes's wonderfully vivid children's fiction, read by the author and selected and introduced by Michael Morpurgo. How the Whale Became, How the Polar Bear Became, How the Cat Became, How the Hare Became. Creation Tales for Children aged 10+: The Dreamfighter, Gozzie, Camel, The Grizzly Bear and the Human Child

Ted Hughes' poetry for children is as rich, powerful and magical as anything he wrote. This new recording consists of a collection of the children's poems of Ted Hughes, introduced and selected by acclaimed writer Michael Morpurgo, and read by both Morpurgo and actor Juliet Stevenson.

Offers a selection from the author's numerous translations, together with (versions of Paul Eluard, or of Yves Bonnefoy), and excerpts from essays and letters. This title selects his versions from a variety of ancient texts - "The Tibetan Book of the Dead", "Aeschylus", "Euripides", "Ovid", "Seneca" and "Racine".

"In a series of chapters built round poems by a number of writers including himself . He makes the whole venture seem enjoyable, and somehow urgent . ' Times Literary Supplement

The Oresteia comprises three of the greatest plays of all time: Agamemnon, The Cheophori and The Eumenides.

So wrote Ted Hughes in the foreword to this collection, taken from forty years of occasional story-telling. Of the nine items, six are from Wodwo, Hughes's 1967 collection of poems and other writings, while 'The Head' has appeared only in a magazine, and 'The Deadfall' in an anthology of ghost stories.