Bøger af Terry Eagleton

A brilliant introduction to the philosophical concept of materialism and its relevance to contemporary science and culture In this eye-opening, intellectually stimulating appreciation of a fascinating school of philosophy, Terry Eagleton makes a powerful argument that materialism is at the center of today's important scientific and cultural as well as philosophical debates. The author reveals entirely fresh ways of considering the values and beliefs of three very different materialists-Marx, Nietzsche, and Wittgenstein-drawing striking comparisons between their philosophies while reflecting on a wide array of topics, from ideology and history to language, ethics, and the aesthetic. Cogently demonstrating how it is our bodies and corporeal activity that make thought and consciousness possible, Eagleton's book is a valuable exposition on philosophic thought that strikes to the heart of how we think about ourselves and live in the world.

Analyses the major issues that the subject presents, discussing the writing of Marx and Engels themselves and the work of such critics as Plekhanov, Trotsky, Lenin, Lukacs, Goldmann, Caudwell, Benjamin and Brecht. This title shows the connection between the Marxist approach and structuralism.

From our finest radical literary analyst, a classic study of the great philosopher and cultural theorist.

"This concise and lucid volume offers a satisfying survey of all the major theories, from structuralism in the 1960s to deconstruction today, that have made academic criticism both intriguing and off-putting to the outsider." --New York Times Book Review "Literary Theory has the kind of racy readability that one associates more often with English critics who have set their faces resolutely against theory. It's not just a brilliant polemical essay; it's also a remarkable feat of condensation, explication, and synthesis." --Sunday Times (London)"A concise guide to the most interesting and mystifying trends in the study of literature over the last fifty years." --The NationThis classic work covers all of the major movements in literary studies in this century. Noted for its clear, engaging style and unpretentious treatment, Literary Theory has become the introduction of choice for anyone interested in learning about the world of contemporary literary thought. On the twenty-fifth anniversary of Literary Theory's debut, Terry Eagleton reflects on the state of theory in academia today, the growth of antitheory (itself an interesting theoretical subject), its common-if problematic-place among survey coursework, and theory's continued relevance to scholarly pursuits. In this contemporary, retrospective moment, as scholars critically analyze the incredibly broad impact of the theoretical movement, Literary Theory remains an essential initiation to the intellectually stimulating world of theoretical analysis.Terry Eagleton is John Edward Taylor professor of English literature at the University of Manchester. His numerous books include The Meaning of Life, How to Read a Poem, and After Theory.

A brilliant and lucid guide to this most elusive of concepts.

A clear-sighted and entertaining defence of literary realism, and an account of its key practitioners

Culture is a defining aspect of what it means to be human. Defining culture and pinpointing its role in our lives is not, however, so straightforward. Terry Eagleton, one of our foremost literary and cultural critics, is uniquely poised to take on the challenge. In this keenly analytical and acerbically funny book, he explores how culture and our conceptualizations of it have evolved over the last two centuries-from rarified sphere to humble practices, and from a bulwark against industrialism's encroaches to present-day capitalism's most profitable export. Ranging over art and literature as well as philosophy and anthropology, and major but somewhat "e;unfashionable"e; thinkers like Johann Gottfried Herder and Edmund Burke as well as T. S. Eliot, Matthew Arnold, Raymond Williams, and Oscar Wilde, Eagleton provides a cogent overview of culture set firmly in its historical and theoretical contexts, illuminating its collusion with colonialism, nationalism, the decline of religion, and the rise of and rule over the "e;uncultured"e; masses. Eagleton also examines culture today, lambasting the commodification and co-option of a force that, properly understood, is a vital means for us to cultivate and enrich our social lives, and can even provide the impetus to transform civil society.

Often scathingly funny, frequently tender, and always completely engaging, The Gatekeeper is Terry Eagleton's memoirs, his deep-etched portraits of those who influenced him, either by example or by contrast: his father, headmasters, priests, and Cambridge dons. He was a shy, bookish, asthmatic boy keenly aware of social inferiority yet determined to make his intellectual way. The Gatekeeper mixes the soberly serious with the downright hilarious, skewer-sharp satire with unashamed fondness, the personal with the political. Most of it all it reveals a young man learning to reconcile oppositions: a double-edged portrait of the intellectual as a young man.

If you're looking for a field guide to leprechauns, The Truth About the Irish is not the book for you. But if you can handle a frank and funny look into the minds and hearts of Irish people, you've been touched by that fabled Irish luck. Covering all things Irish from Blarney to Yeats, renowned literary and cultural critic Terry Eagleton separates the myths from the reality with his priceless blend of sidesplitting humor, caustic commentary, and the honest lowdown on the beloved and bewildering country of Ireland.

In his latest book, Terry Eagleton, one of the most celebrated intellects of our time, considers the least regarded of the virtues. His compelling meditation on hope begins with a firm rejection of the role of optimism in life's course. Like its close relative, pessimism, it is more a system of rationalization than a reliable lens on reality, reflecting the cast of one's temperament in place of true discernment. Eagleton turns then to hope, probing the meaning of this familiar but elusive word: Is it an emotion? How does it differ from desire? Does it fetishize the future? Finally, Eagleton broaches a new concept of tragic hope, in which this old virtue represents a strength that remains even after devastating loss has been confronted.In a wide-ranging discussion that encompasses Shakespeare's Lear, Kierkegaard on despair, Aquinas, Wittgenstein, St. Augustine, Kant, Walter Benjamin's theory of history, and a long consideration of the prominent philosopher of hope, Ernst Bloch, Eagleton displays his masterful and highly creative fluency in literature, philosophy, theology, and political theory. Hope without Optimism is full of the customary wit and lucidity of this writer whose reputation rests not only on his pathbreaking ideas but on his ability to engage the reader in the urgent issues of life. Page-Barbour Lectures

'History repeats itself, first as tragedy, second as farce' Karl MarxA brilliant account of Marx and his view of utopia and socialism.

Terry Eagleton occupies a unique position in the English-speaking world. He is not only a productive literary theorist, but also a novelist and playwright. This title includes interviews that cover both his life and the development of his thought and politics. It is suitable for those interested in the evolution of radical politics and modernism.

In the modern world, ideology has never before been so much in evidence as a fact and so little understood as a concept. This book unravels the many different meanings of ideology, and charts the history of the concept from the Enlightenment to postmodernism.

A new account of tragedy and its fundamental position in Western culture

A trenchant analysis of sacrifice as the foundation of the modern, as well as the ancient, social order

This collection of essays views Irish culture from the 18th century to the end of the 20th century. The topics range from 18th-century satire and sentimentalism to the modern Irish novel, the carnivalesque in early 19th-century Cork to the philosophy of Tolan and Berkeley.

What makes a work of literature good or bad? How freely can the reader interpret it? Could a nursery rhyme like Baa Baa Black Sheep be full of concealed loathing, resentment, and aggression? In this accessible, delightfully entertaining book, Terry Eagleton addresses these intriguing questions and a host of others. How to Read Literature is the book of choice for students new to the study of literature and for all other readers interested in deepening their understanding and enriching their reading experience.In a series of brilliant analyses, Eagleton shows how to read with due attention to tone, rhythm, texture, syntax, allusion, ambiguity, and other formal aspects of literary works. He also examines broader questions of character, plot, narrative, the creative imagination, the meaning of fictionality, and the tension between what works of literature say and what they show. Unfailingly authoritative and cheerfully opinionated, the author provides useful commentaries on classicism, Romanticism, modernism, and postmodernism along with spellbinding insights into a huge range of authors, from Shakespeare and J. K. Rowling to Jane Austen and Samuel Beckett.

nbspIn his introduction, Terry Eagleton traces the historical evolution of ideology and examines in a more theoretical style the various meanings of the word and their significance. The readings cover writings from the Enlightenment via Hegel and Marx, with particular emphasis on Marx and Engels themselves. The concept is taken through to Althusser and beyond. The text then goes on to discuss recent debates about ideology as a cultural system. All the readings are theoretical rather than examples of ideology at work and will be of interest to undergraduate students of cultural, political and historical studies as well as students of English

This is a collection of Terry Eagleton's best criticisms and book reviews. His skill in this field is notable: never content merely to assess the ideas of a writer, Eagleton, in his inimitable style, always paints a vivid theorectical fresco as the background to his engagement with the texts.

An irreverent trip through American culture by a critic who "cracks jokes as easily as one would crack walnut shells" (Washington Post).

The next big statement from one of our foremost radical intellectuals, announcing the end of the postmodern era-and the start of the next big way to think about the world we face today.