Bøger af Theodor W. (Frankfurt School) Adorno

A year after the end of the Second World War, the first International Summer Course for New Music took place in the Kranichstein Hunting Lodge, near the city of Darmstadt in Germany. The course, commonly referred to later as the Darmstadt course, was intended to familiarize young composers and musicians with the music that, only a few years earlier, had been denounced as degenerate by the Nazi regime, and it soon developed into one of the most important events in contemporary music.Having returned to Germany in 1949 from exile in the United States, Adorno was a regular participant at Darmstadt from 1950 on. In 1955 he gave a series of lectures on the young Schoenberg, using the latter's work to illustrate the relation between tradition and the avant-garde. Adorno's three double-length lectures on the young Schoenberg, in which he spoke as a passionate advocate for the composer whom Boulez had declared dead, were his first at Darmstadt to be recorded on tape. The relation between tradition and the avant-garde was the leitmotif of the lectures that followed, which continued over the next decade. Adorno also dealt in detail with problems of composition in contemporary music, and he often accompanied his lectures with off-the-cuff musical improvisations. The five lecture courses he gave at Darmstadt between 1955 and 1966 were all recorded and subsequently transcribed, and they are published here for the first time in English.This volume is a unique document on the theory and history of the New Music. It will be of great value to anyone interested in the work of Adorno and critical theory, in German intellectual and cultural history, and in the history of modern music.

First published in German as Philosophische Elemente einer Theorie Der Gesellschaft, 1964.

Originally published: Ontologie und Dialektik, 1960-61. Frankfurt am Main: Suhrkamp, 2002.

This volume of lectures on aesthetics, given by Adorno in the winter semester of 1958/59, formed the foundation for his later text Aesthetic Theory, widely regarded as one of Adorno s greatest works.

This volume comprises Adorno's first lectures specifically dedicated to the subject of the dialectic, a concept which has been key to philosophical debate since classical times.

* This is a re-issue of a classic book by one of the leading philosophers of the twentieth century. * While written as a critique of Husserl's phenomenology, this book is at the same time a much broader critique of philosophy and epistemology.

The surviving correspondence between Walter Benjamin and Theodor W. Adorno. * This is the first time all of the surviving correspondence between Adorno and Benjamin has appeared in English. * Provides a key to the personalities and projects of these two major intellectual figures.

Beethoven is a classic study of the composer's music, written by one of the most important thinkers of our time. Throughout his life, Adorno wrote extensive notes, essay fragments and aides-memoires on the subject of Beethoven's music. This book brings together all of Beethoven's music in relation to the society in which he lived.

This volume comprises one of the key lecture courses leading up to the publication in 1966 of Adorno's major work, Negative Dialectics. These lectures focus on developing the concepts critical to the introductory section of that book. They show Adorno as an embattled philosopher defining his own methodology among the prevailing trends of the time.

This book collects together Adornos manifold implications for musical interpretation. His reflections lead to a fundamental study of the nature of notation and musical sense. However, it is the quality of uncertainty in his reflections that indicates the scope of the discourse and its continuing relevance to musical thought today.

Kant is a pivotal thinker in Adornoa s intellectual world. Yet although he wrote monographs on Hegel, Husserl and Kierkegaard, the closest he came to an extended discussion of Kant are two lecture courses, one concentrating on the Critique of Pure Reason and the other on the Critique of Practical Reason.

This Book, provides an invaluable introduction to his historical and conceptual engagement with sociology.

Makes Adornoa s lectures on metaphysics available for the first time to English--speaking readersExamines the history of metaphysics from modern to classical timesAn ideal introduction to the central preoccupations of Adornoa s difficult masterpiece, Negative Dialectics.

Despite all of humanity's failures, futile efforts and wrong turnings in the past, Adorno did not let himself be persuaded that we are doomed to suffer a bleak future for ever. One of the factors that prevented him from identifying a definitive plan for the future course of history was his feelings of solidarity with the victims and losers.

Makes Adorno's lectures on moral philosophy available for the first time to English-speaking readers Gives students an accessible introduction to some of the topics discussed in Adorno's more difficult work An important new resource for scholars drawing on Adorno's thought.

This text analyzes Mahler's music through his character, his social and philosophical background, and his moment in musical history. It examines the composer's works as a continuous and unified development that began with his childhood response to the marches and folk tunes of his native Bohemia.