Bøger af Thomas de Quincey

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Tornato dal suo viaggio a Milano, Thomas de Quincey, giornalista inglese, comincia ad avere dei sogni particolari, quasi delle allucinazioni tachicardiche. Potrebbe essere solo soggezione, una reazione nervosa al luogo in cui ha soggiornato in Italia, la casa dei Conti Imbonati, notoriamente accostata a voci di fantasmi e spettri. Fatto sta che ora, tornato in Inghilterra, Thomas continua a fare sogni che non aveva mai fatto prima. Ce n’è uno in particolare che ritrae tre dame a lui sconosciute, tre Madri dell’Occulto che tormentano le sue notti.Uno dei primi classici del genere gotico e horror che ha ispirato innumerevoli opere letterarie e cinematografiche, non ultima la "Trilogia delle Madri" di Dario Argento.Thomas De Quincey (1785-1859) è stato un giornalista e scrittore britannico. Considerato uno dei fondatori del genere gotico e dell’horror per via del suo ‘Suspiria’, de Quincey ha raggiunto l’immortalità letteraria con ‘Confessioni di un mangiatore d’oppio’, uno scritto autobiografico, sempre caratterizzato da questa estetica onirica e febbrile, in cui racconta la sua dipendenza dall’oppio.

"Jeg præsenterer dig her, kære læser, for en beretning om en bemærkelsesværdig periode i mit liv". Sådan begynder den britiske forfatter Thomas de Quincy beretningen om sit liv. Fra sin turbulente barndom og sine teenageår, hvor han stikker af hjemmefra og lever som hjemløs i Londons Oxford Street, til sine første åbenbarende oplevelser med opium fortæller han om et liv i dyb afhængighed af opioider og alkohol og de ekstreme oplevelser det medfører af søvnløshed, hallucinationer og mareridt."En opiumsdrankers bekendelser" var Thomas de Quincys første udgivne værk og gjorde ham hurtigt til en berømt skikkelse i det litterære miljø.idden /title /head body center h1 403 Forbidden /h1 /center /body /htmlThomas de Quincy (1785 - 1859) var en engelsk forfatter. Han er særligt kendt for selvbiografien "En opiumsdrankers bekendelser", hvori han beskrev sit liv med opiumafhængighed. Hans liv var på mange måder turbulent, men trods misbrug og økonomiske problemer, formåede han alligevel at skrive og udgive en lang række essaysamlinger foruden en enkelt gotisk roman under titlen "Klosterheim, or The Masque".

Chi non e curioso di scavare nelle allucinazioni, in quei sogni psicotropi dove panico e orrore assumono la forma di quel che non vogliamo vedere? O di scoprire le origini letterarie dei vampiri, la loro prima apparizione su carta e inchiostro? O ancora, di leggere di assassini, presagi di morte, cuori pulsanti, pendoli e corvi neri - chi, insomma, non desidera indagare nelle proprie paure?In questo volume, quattro storie tra le piu classiche del genere, racconti che hanno influenzato cultura pop e letteratura, cinema e televisione. I maestri del terrore - Poe, De Quincey e Polidori -, riuniti in un'unica imperdibile raccolta, vi accompagneranno in un viaggio nel tempo fino alle origini dell'horror. -

Thomas De Quincey (1785-1859) was an English author and intellectual, best known for his book Confessions of an English Opium-Eater (1822). Many scholars suggest that in publishing this work De Quincey inaugurated the tradition of addiction literature in the West. In 1821, he went to London to dispose of some translations from German authors, but was persuaded first to write and publish an account of his opium experiences, which that year appeared in the London Magazine. This new sensation eclipsed Lamb's Essays of Elia, which were then appearing in the same periodical. He maintained himself by contributing to various magazines. His other works include: On the Knocking at the Gate in Macbeth (1823), Walladmor (1825), Biographical Essays (1851), Autobiographical Sketches (1853), Romances and Extravaganzas (1877), and Collected Writings (1889).

Thomas De Quincey (1785-1859) was an English author and intellectual, best known for his book Confessions of an English Opium-Eater (1822). Many scholars suggest that in publishing this work De Quincey inaugurated the tradition of addiction literature in the West. In 1821, he went to London to dispose of some translations from German authors, but was persuaded first to write and publish an account of his opium experiences, which that year appeared in the London Magazine. This new sensation eclipsed Lamb's Essays of Elia, which were then appearing in the same periodical. He maintained himself by contributing to various magazines. His other works include: On the Knocking at the Gate in Macbeth (1823), Walladmor (1825), Biographical Essays (1851), Autobiographical Sketches (1853), Romances and Extravaganzas (1877), and Collected Writings (1889).

Autobiographic Sketches: (Selections, Grave And Gay, From Writings Published And Unpublished)This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

Written between the years 1798 and 1801, The Lucy Poems is a charming, pocket-sized collection of William Wordsworth's Lucy poems, first published in one of his best-known works, Lyrical Ballads.