Bøger af Thomas Merton

2014 Reprint of 1956 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. In "Bread in the Wilderness," Merton looks at the psalms as poetry; in this book he regards them as prayer. Guiding the reader through the more representative psalms, he explains why the Church also considers the psalms as the best way to praise God. According to Merton:"To put it very plainly, the Church loves the Psalms because in them she sings of her experience of God, of her union with the Incarnate Word, of her contemplation of God in the Mystery of Christ....If we really come to know and love the Psalms, we will enter into the Church's own experience of divine things. We will begin to know God as we ought." (pg.9)

The diverse contributors to this issue of Plough Quarterly focus on what it means to be a peacemaker. Peacemaking, they show, is a riskier and more ambitious undertaking than we may have imagined. Today we must wage peace where thousands of children are being murdered by militias or forced to fight as soldiers. We need peacemakers in divided cities from Paris to Baltimore, peacemakers in a culture with little tolerance for Christian witness, and peacemakers in churches riven by ideological fights and petty grudges, not to mention making peace with our spouses, and with ourselves. Hear from active peacemakers on the frontlines of these battles and explore insights on peacemaking from Thomas Merton, Dorothy Day, Badshah Khan, Jeannette Rankin, Charles Spurgeon, André Trocmé, Peace Pilgrim, Albert Schweitzer, Dietrich Bonhoeffer, and Eberhard Arnold. And as always, Plough Quarterly includes world-class art by the likes of Marc Chagall, Egon Schiele, Lisa Toth, Carl Larsson, Ben Shahn, Mikalojus Konstantinas ¿iurlionis, Paul Klee, Antonello da Messina, and others.Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, fiction, poetry, book reviews, and art to help you put Jesus¿ message into practice and find common cause with others.

Thomas Merton may have seemed an unlikely candidate for a best-selling author. Cloistered in a remote Kentucky monastery, Merton struggled as a young man to reconcile the contemplative life he sought as a monk and his very public passion for writing. Publisher James Laughlin saw Merton's talent and played the muse, encouraging him with the poems, essays, and diaries of other writers and publishing nearly everything Merton sent in return.Ironically, the very society Merton rejected upon entering the monastery embraced his work, bringing him publishing success only dreamed of by more eager authors. Soon Merton discovered he had a podium, a voice, and a responsibility that weighed as heavily on him as his previous quest for silence. Laughlin's encouragement remained constant throughout, as political ally, publishing adviser, and supporting friend.Nearly thirty years of rich correspondence documents this strong literary and personal relationship and traces the remarkable development of Merton's vision: from an early focus on matters internal and religious, to a tremendous world view encompassing issues of race, politics, war, and the spiritual decay of modern society.

The best-known Cistercian of the twentieth century reflects on the teaching and life of the most renowned Cistercian of the twelfth century. Three essays written in the 1950s explore the relation of contemplation and action in the monastic vocation and in the life of Christians.

Cassian and the Fathers is the initial volume in the series of Novitiate Conferences of Thomas Merton, the classes he presented to young men beginning their monastic life at the Abbey of Gethsemani in Kentucky. They contain Merton's insights on important Patristic and monastic figures preceding the time of St. Benedict, above all John Cassian, the most significant bridge between the early desert fathers and the development of monastic life in the West, and they reveal the continuing relevance of their teachings for contemporary monastics and other Christians. Much of the value of interest of Cassian and the Fathers, as of the novitiate conferences in general, lies in the light it casts on Merton himself as teacher, novice master and monk. These notes provide a privileged standpoint for observing Merton functioning as an integral and important member of his monastic community. The 'public' Merton has long been visible in his works written for publication, and has more recently been complemented by the 'interpersonal' Merton disclosed in his correspondence and the 'intimate' Merton revealed in his complete journals. This edition includes an extensive introduction situating these conferences and Merton's years as novice master in the context of his broader life as monk and writer, an extensively annotated edition of the text of the conferences based on Merton's own typescript, and helpful appendices indicating changes Merton made to his text, correlating the written text with taped versions of the actual classes, and providing suggestions for further reading both in Merton's other works and in more recent studies of the figures he discusses here.

A 365 daily with inspirational and provocative selections from the journals of Thomas Merton combined with drawings and photographs by Merton.This volume of daily inspiration from Thomas Merton draws from Merton's journals and papers to present, each day, a seasonally appropriate and thought-provoking insight or observation.Each month will begin with one of Merton's delightful pen-and-ink drawings or one of his elegant black-and-white photographs.

Now in paperback, revised and redesigned: This is Thomas Merton's last book, in which he draws on both Eastern and Western traditions to explore the hot topic of contemplation/meditation in depth and to show how we can practice true contemplation in everyday life. Never before published except as a series of articles (one per chapter) in an academic journal, this book on contemplation was revised by Merton shortly before his untimely death. The material bridges Merton's early work on Catholic monasticism, mysticism, and contemplation with his later writing on Eastern, especially Buddhist, traditions of meditation and spirituality. This book thus provides a comprehensive understanding of contemplation that draws on the best of Western and Eastern traditions. Merton was still tinkering with this book when he died; it was the book he struggled with most during his career as a writer. But now the Merton Legacy Trust and experts have determined that the book makes such a valuable contribution as his major comprehensive presentation of contemplation that they have allowed its publication.

The Private MertonThis intensely personal book from the ultimate spiritual writer of our time shows his contemplative and devotional side through his prayers and rarely seen drawings. Capturing the quiet epiphanies in the life of a Trappist monk who was a celebrated writer and activist, this volume offers a glimpse into a lesser-known side of this timeless explorer of the life of the soul.

The journal kept by Merton during 1964 and 1965, containing his daily meditations during the crucial and difficult period in which the permission he had awaited so long -- to live alone in his hermitage -- was finally given. These pages reveal his reflections as a hermit on the joys and dangers of a life of solitude in the woods.

The writings in this work were precipitated by a variety of events during the last decades of Merton's life - the civil rights and peace movements of the 1960s among them. His timeless moral integrity and tireless concern for nonviolent solutions to war are eloquently expressed.

Thomas Merton (1915-1968) is one of the foremost spiritual thinkers of the twentieth century. Though he lived a mostly solitary existence as a Trappist monk, he had a dynamic impact on world affairs through his writing. An outspoken proponent of the antiwar and civil rights movements, he was both hailed as a prophet and castigated for his social criticism. He was also unique among religious leaders in his embrace of Eastern mysticism, positing it as complementary to the Western sacred tradition. Merton is the author of over forty books of poetry, essays, and religious writing, including Mystics and Zen Masters, and The Seven Story Mountain, for which he is best known. His work continues to be widely read to this day.

"The whole problem of our time is the problem of love. How are we going to recover the ability to love ourselves and to love one another?""We cannot be at peace with others because we are not at peace with ourselves, and we cannot be at peace with ourselves because we are not at peace with God.""There is a distinction between a contrite sense of sin and a feeling of guilt. The former is a true and healthy thing, the latter tends to be false and pathological.""The man who suffers from a sense of guilt does not want to feel guilty, but at the same time he does not want to be innocent. He wants to do what he thinks he must not do, without the pain of worrying about the consequences.""The history of our time has been made by dictators whose characters, often transparently easy to read, have been full of repressed guilt. They have managed to enlist the support of masses of men moved by the same repressed drives as themselves.""Modern dictatorships display everywhere a deliberate and calculated hatred for human nature as such. The technique of degradation used in concentration camps and in staged trials are all too familiar in our time. They have one purpose: to defile the human person."

An examination of the roots of the Cistercian Order, founded in 1098, its development and waning, and the seventeenth-century reforms by the Abbé de Rancé, which began the second flowering that continues today. Throughout, Merton illuminates the purposes of monasticism. Index; photographs.

This unique spiritual autobiography is the account of the growing restlessness of a brilliant and passionate young man whose search for peace and faith eventually leads him, at the age of twenty-six, to take vows in one of the most demanding religious orders - the Trappists. At the monastery, and within the "four walls of my new freedom, " Merton wrote this extraordinary testament - a document of a man who withdrew from the world only after he had fully immersed himself in it. For this Fiftieth Anniversary Edition, Robert Giroux has written a memoir of how he came to publish The Seven Storey Mountain, and Merton's distinguished biographer, William H. Shannon, has supplied a note for the reader.

Bread in the Wilderness sets forth Merton's belief that "the Psalms acquire, for those who know how to enter into them, a surprising depth, a marvelous and inexhaustible actuality. They are bread, miraculously provided by Christ, to feed those who have followed Him into the wilderness." Merton's goal in this moving book is to help the reader enter into the Psalms: "The secret is placed in the hands of each Christian. It only needs to be discovered and fulfilled in our own lives." The new ND Classic edition of Bread in the Wilderness faithfully reproduces the beautiful, large-format original 1953 New Directions books, created by the celebrated designer Alvin Lustig and lavishly illustrated throughout with photographs of a remarkable medieval crucifix at Perpignan, France.

In 1944, New Directions brought out Thomas Merton's first book of verse. By the time of his tragic, untimely death in 1968, Father Louis (as he was known at the Trappist monastery where he lived for twenty-seven years) had published upwards of fifty books and pamphlets, including several more collections of poetry. All of these poems have been assembled in a single, definitive volume (first published by New Directions in 1977) which includes much additional unpublished or uncollected material drawn from the archive of the Merton Studies Center at Bellarmine College in Louisville, Kentucky, or supplied by the poet's friends and associates. Brought together in The Collected Poems of Thomas Merton are: Early Poems (1940-42, published posthumously in 1971), Thirty Poems (1944), A Man in the Divided Sea (1946), Figures for an Apocalypse (1947), The Tear of the Blind Lions (1949), The Strange Islands (1957), Original Child Bomb (1962), Emblems of a Season of Fun (1963), Cables to Ace (1968), and The Geography of Lograire (completed in 1968 and published posthumously). These are followed by Sensation Time at the Home and Other New Poems, a book which Merton completed shortly before his death. There are also sections of uncollected poems, humorous verse, poems written in French, with some English translations, Merton's translations of poetry from various languages, drafts and fragments, and a selection of concrete poems. With the availability of The Collected Poems of Thomas Merton as a New Directions paperbook, an ever wider audience may more fully appreciate the impressive range of the poet's technique, the scope of his concerns, and the humaneness of his vision.

The personal tones of the translations, the blend of reverence and humor so characteristic of him, show how deeply Merton identified with the legendary authors of these sayings and parables, the fourth-century Christian Fathers who sought solitude and contemplation in the deserts of the Near East.The hermits of Screte who turned their backs on a corrupt society remarkably like our own had much in common with the Zen masters of China and Japan, and Father Merton made his selection from them with an eye to the kind of impact produced by the Zen mondo.