Bøger af Thomas Merton

The Private MertonThis intensely personal book from the ultimate spiritual writer of our time shows his contemplative and devotional side through his prayers and rarely seen drawings. Capturing the quiet epiphanies in the life of a Trappist monk who was a celebrated writer and activist, this volume offers a glimpse into a lesser-known side of this timeless explorer of the life of the soul.

Merton defines Christian mysticism, especially as expressed by the Spanish Carmelite St. John of the Cross, and he offers the contemplative experience as an answer to the irreligion and barbarism of our times. ?For those...curious about mysticism...this is an excellent book? (Catholic World).

The journal kept by Merton during 1964 and 1965, containing his daily meditations during the crucial and difficult period in which the permission he had awaited so long -- to live alone in his hermitage -- was finally given. These pages reveal his reflections as a hermit on the joys and dangers of a life of solitude in the woods.

The writings in this work were precipitated by a variety of events during the last decades of Merton's life - the civil rights and peace movements of the 1960s among them. His timeless moral integrity and tireless concern for nonviolent solutions to war are eloquently expressed.

Thomas Merton (1915-1968) is one of the foremost spiritual thinkers of the twentieth century. Though he lived a mostly solitary existence as a Trappist monk, he had a dynamic impact on world affairs through his writing. An outspoken proponent of the antiwar and civil rights movements, he was both hailed as a prophet and castigated for his social criticism. He was also unique among religious leaders in his embrace of Eastern mysticism, positing it as complementary to the Western sacred tradition. Merton is the author of over forty books of poetry, essays, and religious writing, including Mystics and Zen Masters, and The Seven Story Mountain, for which he is best known. His work continues to be widely read to this day.

"The whole problem of our time is the problem of love. How are we going to recover the ability to love ourselves and to love one another?""We cannot be at peace with others because we are not at peace with ourselves, and we cannot be at peace with ourselves because we are not at peace with God.""There is a distinction between a contrite sense of sin and a feeling of guilt. The former is a true and healthy thing, the latter tends to be false and pathological.""The man who suffers from a sense of guilt does not want to feel guilty, but at the same time he does not want to be innocent. He wants to do what he thinks he must not do, without the pain of worrying about the consequences.""The history of our time has been made by dictators whose characters, often transparently easy to read, have been full of repressed guilt. They have managed to enlist the support of masses of men moved by the same repressed drives as themselves.""Modern dictatorships display everywhere a deliberate and calculated hatred for human nature as such. The technique of degradation used in concentration camps and in staged trials are all too familiar in our time. They have one purpose: to defile the human person."

An examination of the roots of the Cistercian Order, founded in 1098, its development and waning, and the seventeenth-century reforms by the Abbé de Rancé, which began the second flowering that continues today. Throughout, Merton illuminates the purposes of monasticism. Index; photographs.

This unique spiritual autobiography is the account of the growing restlessness of a brilliant and passionate young man whose search for peace and faith eventually leads him, at the age of twenty-six, to take vows in one of the most demanding religious orders - the Trappists. At the monastery, and within the "four walls of my new freedom, " Merton wrote this extraordinary testament - a document of a man who withdrew from the world only after he had fully immersed himself in it. For this Fiftieth Anniversary Edition, Robert Giroux has written a memoir of how he came to publish The Seven Storey Mountain, and Merton's distinguished biographer, William H. Shannon, has supplied a note for the reader.

Bread in the Wilderness sets forth Merton's belief that "the Psalms acquire, for those who know how to enter into them, a surprising depth, a marvelous and inexhaustible actuality. They are bread, miraculously provided by Christ, to feed those who have followed Him into the wilderness." Merton's goal in this moving book is to help the reader enter into the Psalms: "The secret is placed in the hands of each Christian. It only needs to be discovered and fulfilled in our own lives." The new ND Classic edition of Bread in the Wilderness faithfully reproduces the beautiful, large-format original 1953 New Directions books, created by the celebrated designer Alvin Lustig and lavishly illustrated throughout with photographs of a remarkable medieval crucifix at Perpignan, France.

In 1944, New Directions brought out Thomas Merton's first book of verse. By the time of his tragic, untimely death in 1968, Father Louis (as he was known at the Trappist monastery where he lived for twenty-seven years) had published upwards of fifty books and pamphlets, including several more collections of poetry. All of these poems have been assembled in a single, definitive volume (first published by New Directions in 1977) which includes much additional unpublished or uncollected material drawn from the archive of the Merton Studies Center at Bellarmine College in Louisville, Kentucky, or supplied by the poet's friends and associates. Brought together in The Collected Poems of Thomas Merton are: Early Poems (1940-42, published posthumously in 1971), Thirty Poems (1944), A Man in the Divided Sea (1946), Figures for an Apocalypse (1947), The Tear of the Blind Lions (1949), The Strange Islands (1957), Original Child Bomb (1962), Emblems of a Season of Fun (1963), Cables to Ace (1968), and The Geography of Lograire (completed in 1968 and published posthumously). These are followed by Sensation Time at the Home and Other New Poems, a book which Merton completed shortly before his death. There are also sections of uncollected poems, humorous verse, poems written in French, with some English translations, Merton's translations of poetry from various languages, drafts and fragments, and a selection of concrete poems. With the availability of The Collected Poems of Thomas Merton as a New Directions paperbook, an ever wider audience may more fully appreciate the impressive range of the poet's technique, the scope of his concerns, and the humaneness of his vision.

Although it first appeared after his death in 1968, he had arranged for its publication, written a foreword for it, and was delighted with the prospect of its at last becoming a part of his published works. My Argument with the Gestapo tells of the adventures of a young man, clearly identified by the name Thomas Merton, who travels from America to Europe to report on the war with Germany from the viewpoint of a poet. He hates the war, yet is driven to come to terms with it. There is a pervading sense of dreamworld or hallucination, heightened by the device of passages written in a macaronic language, invented from multilingual roots, to satirize and parody political propaganda speeches dealing with the war. A work of imagination (Merton did not in fact return to England after the start of World War II in Europe), it nevertheless contains much that is autobiographical and revealing of the young Merton. Most clearly visible are the seeds of his never-forsaken concern with peace and nonviolence and his abhorrence of war. Indeed, his outspoken criticism of Britain at a time when all the emphasis was on 'the brave little island standing alone' foreshadows his devotion to truth as he saw it, no matter what the cost. And students of Merton will find scenes in the book that are straight autobiography, amplifying and perhaps filling in gaps in what later was to be the beginning of Merton's great literary success, The Seven Storey Mountain (1948).

The personal tones of the translations, the blend of reverence and humor so characteristic of him, show how deeply Merton identified with the legendary authors of these sayings and parables, the fourth-century Christian Fathers who sought solitude and contemplation in the deserts of the Near East.The hermits of Screte who turned their backs on a corrupt society remarkably like our own had much in common with the Zen masters of China and Japan, and Father Merton made his selection from them with an eye to the kind of impact produced by the Zen mondo.

In this classic text, Thomas Merton offers valuable guidance for prayer. He brings together a wealth of meditative and mystical influences-from John of the Cross to Eastern desert monasticism-to create a spiritual path for today. Most important, he shows how the peace contacted through meditation should not be sought in order to evade the problems of contemporary life, but can instead be directed back out into the world to affect positive change.Contemplative Prayer is one of the most well-known works of spirituality of the last one hundred years, and it is a must-read for all seeking to live a life of purpose in today's world.In a moving and profound introduction, Thich Nhat Hanh offers his personal recollections of Merton and compares the contemplative traditions of East and West.

Merton presents one of the most significant encyclical letters of Saint Bernard of Clairvaux, together with an introduction to the life and teachings of the great mystic. "A study that will have to be on the shelves of all libraries and in the personal collections of all who are interested in spirituality" (Catholic World). Index.

As wide a following as the late Thomas Merton had while he lived, ever since his tragic accidental death in Bangkok in 1968, there has been a steady upsurge of interest in both his life and writings. A priest and Trappist monk by vocation, his theological works have been instrumental in reforming Western monasticism and in carrying on the religious dialogue between East and West; an enormously productive poet, his poems display an astonishing technical versatility and deeply felt humanity. Merton's stature as a critic, however, was not fully appreciated until the publication in 1981 of the first full collection of his distinctly literary essays, now available as a paperbook. The fifty-six pieces included in The Literary Essays of Thomas Merton present every known article by the author, though written for the most part during the last years of his life. The mature Merton ranges across the modern literary landscape with impressive ease. Joyce, Pasternak, and Zukofsky are only a few of the authors discussed in "Literary Essays (1959-68)." These are followed, in turn, by "Seven Essays on Albert Camus"; nine essays "Introducing Poets in Translation"; and "Related Literary Questions," linking Merton's literary thought with his aesthetic, religious, and social concerns. His earlier work, such as his 1939 Master's thesis on Blake as well as newspaper and periodical reviews written prior to 1941, are included in appendices; to these are added transcripts of two talks he gave on Faulkner in 1967. The Literary Essays were collected and edited by Brother Patrick Hart, Father Merton's secretary at the Abbey of Gethsemani in Kentucky.