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Lauded by critics yet largely unappreciated by fans of horror and "weird fiction," T.E.D. Klein is considered one of the great horror writers, despite his scant body of work. Exploring a range of topics from religious fundamentalism and Right Wing extremism to fashionable pessimism and the rise of "digital humanities", this book argues that Klein's work is a prime example of "critical horror".
Utilizing a wide range of theoretical and creative texts, Phillips offers an examination of subjectivity as considered, enacted, and embodied, through the frame of minimalist aesthetics. Provocatively, he makes the claim that lived experience is capable of being refined according to the paradoxically rich parameters of a minimalist aesthetic.
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