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More than fifty years ago, Thomas Szasz showed that the concept of mental illness - a disease of the mind - is an oxymoron, a metaphor, a myth. In this book, he argues that his writings belong to neither psychiatry nor antipsychiatry. They stem from conceptual analysis, social-political criticism, and common sense.
Portrays the integral role of deception in the history and practice of psychiatry. This work argues that the diagnosis and treatment of mental illness stands in the same relationship to the diagnosis and treatment of bodily illness that the forgery of a painting does to the original masterpiece.
Looks at how Virginia Woolf, as well as her husband Leonard, used the concept of madness and the profession of psychiatry to manage and manipulate their own and each other's lives. The author interprets Virginia Woolf's life and work as expressions of her character, and her character as the "product" of her free will.
This volume contains the earliest essays, going back more than thirty years, in which the author staked out his position on 'the nature, scope, methods, and values of psychiatry.'
In this brilliantly original and highly accessible work, Thomas Szasz demonstrates the futility of analyzing the mind as a collection of brain functions.
Every age, labels others to a particular fate, such as the witch consigned to the fire. The priest has now been replaced by the psychiatrist and this text examines the role of medicine as a more insidious tyrant than religion, as it claims to be beneficial to both the patient and the commonwealth.
This work highlights how the introduction of third-party payers into medicine has altered the relationship between doctor and patient. It explains why patients are increasingly dissatisfied with the medical care they receive, and doctors with the way they have to practice medicine.
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