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LOS DIARIOS DE UN FASCISTA Y ARISTÓCRATA ITALIANO Y LA ODISEA DE TRES MUJERES PARA SALVARLOS DE LA GESTAPO. En 1944 se hicieron públicos los diarios secretos de Galeazzo Ciano, ministro de Relaciones Exteriores de Italia, en los que registraba los crímenes y planes nazis de los que se enteraba en sus reuniones con ellos. Pero poco se sabe que tres mujeres arriesgaron sus vidas para que estos llegaran a los Aliados, quienes luego los usarían como evidencia contra los nazis en los juicios de Núremberg. Cuando Galeazzo fue apresado, Edda Mussolini les dio a Hitler y a su padre un ultimátum: liberar a su esposo o correr el riesgo de que filtrara los diarios a la prensa. Hitler y Mussolini los buscaron en vano durante meses. Posteriormente, Hilde Beetz, espía alemana cuya misión era seducir a Galeazzo para encontrar sus escritos, fue a su vez seducida por aquel y unió fuerzas con Edda. Una tercera mujer se sumó a este increíble entramado —Frances de Chollet, espía casi accidental y esposa de un banquero estadounidense— cuando Edda huyó a Suiza con la ayuda de Hilde, después de que Galeazzo fuera ejecutado. Frances fue el último eslabón para hacer llegar los diarios a los estadounidenses y cumplir así el deseo de Galeazzo. A partir de una minuciosa investigación, Tilar J. Mazzeo nos muestra este momento histórico poco conocido, para hacernos ver que sin la participación de Edda, Hilde y Frances, uno de los documentos más importantes de la Segunda Guerra Mundial y que fue fundamental en los juicios de Núremberg sería, quizá, desconocido. ENGLISH DESCRIPTION In a tale as twisted as any spy thriller, discover how three women delivered critical evidence of Axis war crimes to Allied forces during World War II: “A tantalizingly novelistic history lesson" (Kirkus). In 1944, news of secret diaries kept by Italy's Foreign Minister, Galeazzo Ciano, had permeated public consciousness. What wasn't reported, however, was how three women—a Fascist's daughter, a German spy, and an American banker’s wife—risked their lives to ensure the diaries would reach the Allies, who would later use them as evidence against the Nazis at Nuremberg. In 1944, Benito Mussolini's daughter, Edda, gave Hitler and her father an ultimatum: release her husband, Galeazzo Ciano, from prison, or risk her leaking her husband's journals to the press. To avoid the peril of exposing Nazi lies, Hitler and Mussolini hunted for the diaries for months, determined to destroy them. Hilde Beetz, a German spy, was deployed to seduce Ciano to learn the diaries' location and take them from Edda. As the seducer became the seduced, Hilde converted as a double agent, joining forces with Edda to save Ciano from execution. When this failed, Edda fled to Switzerland with Hilde’s daring assistance to keep Ciano's final wish: to see the diaries published for use by the Allies. When American spymaster Allen Dulles learned of Edda's escape, he sent in Frances De Chollet, an “accidental” spy, telling her to find Edda, gain her trust, and, crucially, hand the diaries over to the Americans. Together, they succeeded in preserving one of the most important documents of WWII. Drawing from in‑depth research and first-person interviews with people who witnessed these events, Mazzeo gives readers a riveting look into this little‑known moment in history and shows how, without Edda, Hilde, and Frances's involvement, certain convictions at Nuremberg would never have been possible.
"In 1942, one young social worker, Irena Sendler, was granted access to the Warsaw ghetto as a public health specialist. While there, she reached out to the trapped Jewish families, going from door to door and asking the parents to trust her with their young children. She started smuggling them out of the walled district, convincing her friends and neighbors to hide them. Driven to extreme measures and with the help of a network of local tradesmen, ghetto residents, and her star-crossed lover in the Jewish resistance, Irena ultimately smuggled thousands of children past the Nazis. She made dangerous trips through the city's sewers, hid children in coffins, snuck them under overcoats at checkpoints, and slipped them through secret passages in abandoned buildings. But Irena did something even more astonishing at immense personal risk: she kept secret lists buried in bottles under an old apple tree in a friend's back garden. On them were the names and true identities of those Jewish children, recorded with the hope that their relatives could find them after the war. She could not have known that more than ninety percent of their families would perish"--
The extraordinary true story of the unlikely friendship between three women - Mussolini's daughter, a German spy, and an American socialite - who conspired to assist the Allies. In 1943, Edda Mussolini, daughter of the fascist dictator, gave her father and Hitler an extraordinary ultimatum: release her husband, Italy's former foreign minister, Galeazzo Ciano, from prison, or risk her leaking her husband's incendiary diaries to the press. Instead, Hitler and Mussolini vowed to do everything in their power to destroy the diaries - even if it meant killing Edda. They ordered Hilde Beetz, a German spy, to seduce Ciano in prison in order to learn the diaries' location. But Beetz fell in love with Ciano, and joined forces with Edda to try to save him from execution. When this failed, Edda fled with Hilde's assistance. Upon learning of Edda's escape, US intelligence sent in socialite Frances de Chollet to find Edda and get her to hand over the diaries to the Americans. Against all expectations, what developed was a rich and humanising friendship. With all the twists and turns of a spy thriller, this is the story of three women whose lives were drawn together in one of the most unlikely rescues of the Second World War.
Were the Romantic poets plagiarists, and did plagiarism have the same meaning two hundred years ago as it has today? Tilar J. Mazzeo offers a major reassessment of the role of borrowing, textual appropriation, and narrative mastery in British Romantic literature and provides a new picture of the period and its central aesthetic contests.
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