Bøger af Toby Faber

And how did a tiny firm set up by two men in 1925 - weathering obstacles from wartime paper shortages to dramatic financial crashes - survive to this very day?Toby Faber has grown up with these stories, and uses a range of humorous and surprising sources to tell the history of the publisher in its own words.

Tis God gives skill, but not without mens hands: He could not make Antonio Stradivaris violins without Antonio.George EliotAntonio Stradivari (16441737) was a perfectionist whose single-minded pursuit of excellence changed the world of music. In the course of his long career in the northern Italian city of Cremona, he created more than a thousand stringed instruments; approximately six hundred survive. In this fascinating book, Toby Faber traces the rich, multilayered stories of six of these peerless instrumentsfive violins and a celloand the one towering artist who brought them into being.Blending history, biography, meticulous detective work, and an abiding passion for music, Faber embarks on an absorbing journey as he follows some of the most prized instruments of all time. Mysteries and unanswered questions proliferate from the outsetstarting with the enigma of Antonio Stradivari himself. What made this apparently unsophisticated craftsman so special? Why were his techniques not maintained by his successors? How is it that even two and a half centuries after his death, no one has succeeded in matching the purity, depth, and delicacy of a Stradivarius?In Fabers illuminating narrative, each of the six fabled instruments becomes a character in its own righta living entity cherished by artists, bought and sold by princes and plutocrats, coveted, collected, hidden, lost, copied, and occasionally played by a musician whose skill matches its makers.Here is the fabulous Viotti, named for the virtuoso who enchanted all Paris in the 1780s, only to fall foul of the French Revolution. Paganini supposedly made a pact with the devil to transform the art of the violinand by the end of his life he owned eleven Strads. Then theres the Davidov cello, fashioned in 1712 and lovingly handed down through a succession of celebrated artists until, in the 1980s, it passed into the capable hands of Yo-Yo Ma. From the salons of Vienna to the concert halls of New York, from the breakthroughs of Beethovens last quartets to the first phonographic recordings, Faber unfolds a narrative magnificent in its range and brilliant in its detail. A great violin is alive, said Yehudi Menuhin of his own Stradivarius. In the pages of this book, Faber invites us to share the life, the passion, the intrigue, and the incomparable beauty of the worlds most marvelous stringed instruments.

Standing on a tube platform, a young office-worker sees a dreadful accident. On reflection she realises that what she has witnessed may well be something much more sinister. She begins to investigate, not realising that in doing so she will become as much the hunted as the hunter.

This is the story of Faberge's Imperial Easter eggs - of their maker, of the tsars who commissioned them, of the middlemen who sold them and of the collectors who fell in love with them. It's a story of meticulous craftsmanship and unimaginable wealth, of lucky escapes and mysterious disappearances, and ultimately of greed, tragedy and devotion. Moreover, it is a story that mirrors the history of twentieth-century Russia - a satisfying arc that sees eggs made for the tsars, sold by Stalin, bought by Americans and now, finally, returned to post-communist Russia. There is also an intriguing element of mystery surrounding the masterpieces. Of the fifty 'Tsar Imperial' eggs known to have been made, eight are currently unaccounted for, providing endless scope for speculation and forgeries. This is the first book to tell the complete history of the eggs, encompassing the love and opulence in which they were conceived, the war and revolution that scattered them, and the collectors who preserved them.

Everyone knows of the legendary quality and unbelievable price tag of a Stradivarius violin. In this, the first popular account of the Stradivari phenomena, Toby Faber explores the life and methods of this unsurpassed craftsman. Following the life of his instruments as they pass through the hands of many of the greatest musicians that have ever lived, we learn how and why they have become objects of such veneration and desire. It is a dramatic tale of grand artistry, fantastic music, shady dealers, forgery and science. 'Fascinating, accessible and enjoyable' - Tracy Chevalier 'A captivating book . . . An extraordinary accomplishment and a compelling read' - TE Cahart, author of The Piano Shop On The Left Bank 'An inspired idea for a book' - Telegraph 'Faber has found in the Strad a delightful leitmotif for an original comedie humaine' - Financial Times 'Faber pitches the story just right, neither patronising nor baffling the reader' - Times