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An archivist uncovers part of a top-secret document within Sir Samuel Steele's journal, setting the stage for a desperate quest to find the missing piece. Together these fragments could alter the destinies of two countries.
A richly illustrated exploration of the national and international importance of the early modern Exeter cloth trade.
These Devon parish tax records provide details on thousands of Devonians who are otherwise unrecorded.
The documents printed in this volume comprise parish tax records for eighteen parishes across Devon. These 26 church rates, 1 clerk rate, 13 Easter books, 5 military rates and 21 poor rates not only show the range of taxes payablein the county but also show how differently they were organised from one parish to another. The documents have been drawn from archives in Devon, London and Somerset and have not been previously published. This series will provide details on thousands of Devonians who are otherwise unrecorded.
This comprises the household accounts of the only noble family then resident in Devon. Remarkable for their richness and diversity, the collection of documents has not been previously published and will considerably add to our understanding of the county's social history in the seventeenth century. The rare survival of parallel London and provincial accounts allows invaluable comparisons and analysis which will be of wide appeal. The accounts recorded thehousehold's very fabric from the servants' financial particulars (including their wages, clothing and diet) to minute details of such purchases as furniture, silver, musical instruments and pictures. There are also recurring entries for the planting of the extensive terraced garden and unusual entries such as the purchase of an organ from Gloucester and the construction of the Great Coach. The continual movement of the Earl and Countess between Devon and London is shown and this is of added significance given that the Earl was the county's leading Royalist and the accounts cover the entire Civil War period. There are accounts for the Earl's diet in 1642 while he was imprisoned in the Tower of London and the volume also includes the Countess' personal account book in which she recorded their Civil War involvement.
These records, of three gentry families from east, west and south Devon, are remarkable for their richness and diversity and provide a unique insight into seventeenth-century life. They illustrate every aspect of the running of the household including the duties of the servants, payments to visiting musicians, purchases of clothing, building accounts and consumption of provisions. In particular the volume includes the kitchen account for Sydenham detailingthe gentry diet, including the importing of wine, the making of venison, woodcock, salmon, quince, lumber and turkey pies, and the purchase of all provisions. The seasons of the year are clearly seen in the accounts including lists of guests for meals at Christmas through Twelfth Night.
Photographic critiques of colonialism's legacies, from a leading interrogator of cultural iconographyThis is the most comprehensive publication to date of the multimedia works of American artist Todd Gray (born 1954). Superbly produced, with a two-piece foil-stamped cover, beautiful endpapers and an insert documenting a yearlong series of events inspired by Gray's work, Euclidean Gris Gris features a selection of recent photographic works derived from his exploration of the legacies of colonialism in Africa and several other seminal works. Based in Los Angeles and Ghana, Gray is best known for photography, performance and sculpture that address histories of power in relationship to the African Diaspora. In the new works featured in the catalog, Gray combines photographs from his archive, which he has assembled over decades, including his pictures of individuals and rural scenes in South Africa and Ghana, formal gardens of imperial Europe, constellations and galaxies, and images of musicians, such as Michael Jackson and Stevie Wonder. The volume also includes a conversation between Gray and the artist Carrie Mae Weems.
A reference guide to historical sources for over 200 Devon gardens. It also provides an introduction for would-be garden historians on how to conduct garden research. Each entry begins with a brief section describing the garden's history, amplified by quotations from contemporary travellers and diarists.
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