Bøger af Tom Nichols

The fifteenth century saw the evolution of a distinct and powerfully influential European artistic culture. But what does the familiar phrase Renaissance Art actually refer to? Through engaging discussion of timeless works by artists such as Jan van Eyck, Leonardo da Vinci, and Michelangelo, and supported by illustrations including colour plates, Tom Nichols offers a masterpiece of his own as he explores the truly original and diverse character of the art of the Renaissance.

Since the original publication of The Death of Expertise, the assault on experts has only ratcheted up. Numerous forces have driven the increase, including a deepening of populist anti-intellectualism, a notable rise in conspiratorial thinking, and the hostile reaction to the medical establishment during the Covid pandemic. Trump and Trumpism, of course, have also played an outsized role, and social media continues to fan the flames. In this new edition, Tom Nichols covers the latest developments in the past half dozen years. Along with updating all the chapters, he has added a chapter on the Covid pandemic. Arguably the most influential book written on the attack on expertise in our era, this new edition is sure to remain the standard book on the subject.

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NATO has been a "nuclear" alliance since its inception. Nuclear weapons have served the dual purpose of being part of NATO military planning as well as being central to the Alliance's deterrence strategy. For over 4 decades, NATO allies sought to find conventional and nuclear forces, doctrines, and agreed strategies that linked the defense of Europe to that of the United States. Still, in light of the evolving security situation, the Alliance must now consider the role and future of tactical or non-strategic nuclear weapons (NSNWs). Two clear conclusions emerge from this analysis. First, in the more than 2 decades since the end of the Cold War, the problem itself-that is, the question of what to do with weapons designed in a previous century for the possibility of a World War III against a military alliance that no longer exists-is understudied, both inside and outside of government. Tactical weapons, although less awesome than their strategic siblings, carry significant security and political risks, and they have not received the attention that is commensurate to their importance. Second, it is clear that whatever the future of these arms, the status quo is unacceptable. It is past the time for NATO to make more resolute decisions, find a coherent strategy, and formulate more definite plans about its nuclear status. Consequently, decisions about the role of nuclear weapons within the Alliance and the associated supporting analysis are fundamental to the future identity of NATO. At the Lisbon Summit in Portugal in November 2010, the Alliance agreed to conduct the Deterrence and Defense Posture Review (DDPR). This effort is designed to answer these difficult questions prior to the upcoming NATO Summit in May 2012. The United States and its closest allies must define future threats and, in doing so, clarify NATO's identity, purpose, and corresponding force requirements. So far, NATO remains a "nuclear alliance," but it is increasingly hard to define what that means.

An exploration of the visual elusiveness at the core of Giorgione's work.

This comprehensive, highly illustrated new study examines Titian's long career and varied output. Tom Nichols argues that Titian's works were self-consciously original, freely and intentionally undermining the traditional, more modest approach to painting in Venice at that time.

An acclaimed reassessment of Italian master painter Jacopo Tintoretto, now available in compact pocket format, which charts Tintoretto's life and work in the context of Venetian art and the culture of the Cinquecento.

`The art of poverty` is the first book in English to analyse depictions of beggars in sixteenth-century European art. It develops a striking thesis, arguing that such images largely conformed to two paradoxical, though complimentary, traditions: the one ironising, the other idealising. -- .