Bøger af Tommaso Campanella

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Opere Di Tommaso Campanella; Nuova Biblioteca Popolare: Classe 4, Politica; Opere Di Tommaso Campanella; Tommaso Campanella Tommaso Campanella, Alessandro D'Ancona Pomba, 1854

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Lettere di Tommaso Campanella raccolte ed annotate da Michele Baldacchini

La città del Sole è un'opera filosofica del frate domenicano italiano Tommaso Campanella, del 1602. La prima edizione fu redatta in volgare fiorentino, adottando lo stile dialogico proprio della tradizione esoterica platonica: il testo fu poi più volte tradotto in lingua latina, fino ad arrivare alla celebre edizione del 1623 di Francoforte, intitolata Civitas Solis idea republicae philosophica.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Campanellae Astrologicorum Libri VI, auctore Tommaso Campanella, est opus astrologiae comprehensivum, quod sex libros continet. In hoc libro, auctor tractat de astrologia et eius principiis, praedictionibus astronomicis, horoscopis, stellis fixis, planetis, et ceteris rebus astronomicis. Tommaso Campanella, qui fuit philosophus, theologus, et poeta, scripsit hoc opus in lingua Latina anno 1629. Opus est una ex principaliis operibus astrologiae in saeculo XVII.This Book Is In Latin. This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

De Sensu Rerum Et Magia, Libri Quatuor est opus magnum Tommasi Campanellae, philosophi et theologici Itali, quod anno 1620 in lucem editum est. In hoc libro, Campanella de sensu rerum, perceptione, imaginatione, memoria, somno, vigilia, et somniorum interpretatione disputat. Praeterea, magiam naturalem, astrologiam, et divinationem tractat. Campanella argumentum suum ex Aristotelis et Platonis doctrinis depromit, sed etiam ex suo ingenio et experientia. Opus hoc, quod eruditionem et profunditatem philosophiae et theologiae ostendit, adhuc in auctoritate est.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. It is with diffidence that I offer a translation of Michael Angelo's sonnets, for the first time completely rendered into English rhyme, and that I venture on a version of Campanella's philosophical poems. My excuse, if I can plead any for so bold an attempt, may be found in this-that, so far as I am aware, no other English writer has dealt with Michael Angelo's verses since the publication of his autograph; while Campanella's sonnets have hitherto been almost utterly unknown. Something must be said to justify the issue of poems so dissimilar in a single volume. Michael Angelo and Campanella represent widely sundered, though almost contemporaneous, moments in the evolution of the Italian genius. Michael Angelo was essentially an artist, living in the prime of the Renaissance. Campanella was a philosopher, born when the Counter-Reformation was doing all it could to blight the free thought of the sixteenth century; and when the modern spirit of exact enquiry, in a few philosophical martyrs, was opening a new stage for European science. The one devoted all his mental energies to the realisation of beauty: the other strove to ascertain truth. The one clung to Ficino's dream of Platonising Christianity: the other constructed for himself a new theology, founded on the conception of God immanent in nature. Michael Angelo expressed the aspirations of a solitary life dedicated to the service of art, at a time when art received the suffrage and the admiration of all Italy. Campanella gave utterance to a spirit, exiled and isolated, misunderstood by those with whom he lived, at a moment when philosophy was hunted down as heresy and imprisoned as treason to the public weal. The marks of this difference in the external and internal circumstances of the two poets might be multiplied indefinitely. Yet they had much in common. Both stood above their age, and in a sense aloof from it. Both approached poetry in the spirit of thinkers bent upon extricating themselves from the trivialities of contemporary literature. The sonnets of both alike are contributions to philosophical poetry in an age when the Italians had lost their ancient manliness and energy. Both were united by the ties of study and affection to the greatest singer of their nation, Dante, at a time when Petrarch, thrice diluted and emasculated, was the Phoebus of academies and coteries.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Il libro ""Discorsi Politici Ai Principi D'Italia (1848)"" di Tommaso Campanella ����� una raccolta di discorsi politici scritti dall'autore durante il periodo della rivoluzione del 1848 in Italia. In questi discorsi, Campanella si rivolge ai principi e ai governanti d'Italia, esortandoli a unirsi per combattere l'oppressione straniera e a lavorare insieme per creare un'Italia unita e indipendente. Il libro affronta anche temi come la democrazia, la libert������ e l'uguaglianza, e cerca di spiegare l'importanza di questi valori per la creazione di una societ������ giusta e prospera. Nel complesso, ""Discorsi Politici Ai Principi D'Italia (1848)"" ����� un importante documento storico che offre una visione unica della politica italiana durante il periodo della rivoluzione.This Book Is In Italian.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

De Libris Propriis Et Recta Ratione Studendi Syntagma est opus auctore Campanella, Tommaso, philosopho et theologo Italico, anno 1642 editum. In hoc libro, auctor consilia et praecepta adhibet ad optimam rationem studendi et libros proprios legendi, ut homo ad perfectionem in scientia et virtute perveniat. Auctor hanc rationem studendi exponit per tres partes: primum, de lectione librorum; secundum, de memoria et meditatione; tertium, de exercitatione et experimento. In his partibus, auctor docet quomodo libri legantur et memoria retineantur, ut scientia et sapientia augeantur. Auctor etiam de utilitate et periculo librorum loquitur, et de variis disciplinis, quae ad perfectionem hominis conducunt. Hoc opus est utile omnibus, qui desiderant sapientiam et virtutem acquirere, et est monumentum doctrinae et sapientiae auctoris.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Tommaso Campanella: Der Sonnenstaat. Idee eines philosophischen Gemeinwesens Ein poetischer Dialog Lesefreundlicher Großdruck in 16-pt-Schrift Edition Holzinger. Großformat, 216 x 279 mm Berliner Ausgabe, 2016 Durchgesehener Neusatz mit einer Biographie des Autors bearbeitet und eingerichtet von Michael Holzinger La Città del Sole. Dialogo di Repubblica nel quale si dimostra l'idea di riforma della Repubblica cristiana conforme alla promessa da Dio fatta alle Sante Caterina et Brigida. Entstanden 1602, zweite Fassung 1611, lateinische Fassung 1613. Erstdruck der lateinischen Fassung unter dem Titel Civitas solis idea republicae philosophicae: Frankfurt am Main 1623. Erstdruck der italienischen Fassung nach dem Originalmanuskript: Modena 1904. Erste deutsche Übersetzung (anonym): Altenburg 1789. Der Text folgt der Übersetzung durch Ignaz Emanuel Wessely von 1900. Auch veröffentlicht unter dem Titel Die Sonnenstadt. Textgrundlage ist die Ausgabe: Thomas Campanella: Der Sonnenstaat. Übersetzt und mit einer biographischen Skizze, sowie mit sachlichen Anmerkungen versehen von Ignaz Emanuel Wessely, München: M. Ernst, 1900 (Sammlung gesellschaftswissenschaftlicher Aufsätze, Heft 14/15). Herausgeber der Reihe: Michael Holzinger Reihengestaltung: Viktor Harvion Gesetzt aus der Minion Pro, 16 pt.

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. Born in Stignano (in the county of Stilo) in the province of Reggio di Calabria in southern Italy, Campanella was a child prodigy. Son of a poor and illiterate cobbler, he entered the Dominican Order before the age of fifteen, taking the name of fra' Tommaso in honour of Thomas Aquinas. He studied theology and philosophy with several masters. Early on, he became disenchanted with the Aristotelian orthodoxy and attracted by the empiricism of Bernardino Telesio (1509-1588), who taught that knowledge is sensation and that all things in nature possess sensation. Campanella wrote his first work, Philosophia Sensibus Demonstrata ("Philosophy demonstrated by the senses"), published in 1592, in defence of Telesio. In Naples he was also initiated in astrology; astrological speculations would become a constant feature in his writings. Campanella's heterodox views, especially his opposition to the authority of Aristotle, brought him into conflict with the ecclesiastical authorities. Denounced to the Inquisition and cited before the Holy Office in Rome, he was confined in a convent until 1597. After his liberation, Campanella returned to Calabria, where he was accused of leading a conspiracy against the Spanish rule in his hometown of Stilo. Campanella's aim was to establish a society based on the community of goods and wives, for on the basis of the prophecies of Joachim of Fiore and his own astrological observations, he foresaw the advent of the Age of the Spirit in the year 1600. Betrayed by two of his fellow conspirators, he was captured and incarcerated in Naples, where he was tortured on the rack. He made a full confession and would have been put to death if he had not feigned madness and set his cell on fire. He was tortured further (a total of seven times) and then, crippled and ill, was sentenced to life imprisonment. Campanella spent twenty-seven years imprisoned in Naples, often in the worst conditions. During his detention, he wrote his most important works: The Monarchy of Spain, Political Aphorisms, Atheismus triumphatus, Quod reminiscetur, Metaphysica, Theologia, and his most famous work, The City of the Sun. He even intervened in the first trial against Galileo Galilei with his courageous The Defense of Galileo. Ironically, Galileo himself probably would not have wanted Campanella's assistance because of Campanella's sometimes outlandish ideas and prior conviction of heresy. Campanella was finally released from his prison in 1626, through Pope Urban VIII, who personally interceded on his behalf with Philip IV of Spain. Taken to Rome and held for a time by the Holy Office, Campanella was restored to full liberty in 1629. He lived for five years in Rome, where he was Urban's advisor in astrological matters. In 1634, however, a new conspiracy in Calabria, led by one of his followers, threatened fresh troubles. With the aid of Cardinal Barberini and the French Ambassador de Noailles, he fled to France, where he was received at the court of Louis XIII with marked favour. Protected by Cardinal Richelieu and granted a liberal pension by the king, he spent the rest of his days in the convent of Saint Honoré in Paris. His last work was a poem, the Ecloga in portentosam Delphini nativitatem, celebrating the birth of the future Louis XIV.

Tommaso Campanella: Der Sonnenstaat. Idee eines philosophischen Gemeinwesens Ein poetischer Dialog Edition Holzinger. Taschenbuch Berliner Ausgabe, 2016, 4. Auflage Durchgesehener Neusatz mit einer Biographie des Autors bearbeitet und eingerichtet von Michael Holzinger La Città del Sole. Dialogo di Repubblica nel quale si dimostra l'idea di riforma della Repubblica cristiana conforme alla promessa da Dio fatta alle Sante Caterina et Brigida. Entstanden 1602, zweite Fassung 1611, lateinische Fassung 1613. Erstdruck der lateinischen Fassung unter dem Titel Civitas solis idea republicae philosophicae: Frankfurt am Main 1623. Erstdruck der italienischen Fassung nach dem Originalmanuskript: Modena 1904. Erste deutsche Übersetzung (anonym): Altenburg 1789. Der Text folgt der Übersetzung durch Ignaz Emanuel Wessely von 1900. Auch veröffentlicht unter dem Titel Die Sonnenstadt. Textgrundlage ist die Ausgabe: Thomas Campanella: Der Sonnenstaat. Übersetzt und mit einer biographischen Skizze, sowie mit sachlichen Anmerkungen versehen von Ignaz Emanuel Wessely, München: M. Ernst, 1900 (Sammlung gesellschaftswissenschaftlicher Aufsätze, Heft 14/15). Herausgeber der Reihe: Michael Holzinger Reihengestaltung: Viktor Harvion Gesetzt aus der Minion Pro, 10 pt.

A Genoese sea captain and a Grandmaster of the Knights Hospitaller discuss the organization of a perfect city. Designed with an impregnable series of seven concentric walls, located in an ideal climate, and built on a hill, its people live in a society dedicated to communal values. The City of the Sun is a work of utopian fiction by Tommaso Campanella.

Ideal Commonwealths - Plutarch's Lycurgus More's Utopia, Bacon's New Atlantis, Campanella's City of the Sun and a Fragment of Hall's Mundus alter et idem is an unchanged, high-quality reprint of the original edition of 1893.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

The City of the Sun (1602) is a work of utopian fiction by Tommaso Campanella. Written while the author was imprisoned in Naples for his role in a conspiracy against Spanish rule in Calabria, The City of the Sun is regarded as an essential work of Renaissance political philosophy. Written in the tradition of Plato¿s Republic and Timaeus, the text imagines a peaceful society ruled by a theocratic monarchy and dedicated to communal values. ¿It is divided into seven rings or huge circles named from the seven planets, and the way from one to the other of these is by four streets and through four gates, that look toward the four points of the compass.¿ Built with perfection in mind, the City of the Sun is organized from the largest details down to the smallest. Each citizen is employed, and no occupation is held in higher esteem than another. There are no servants, four-hour workdays, and no private goods or possessions. Everyone abides by a strict set of rules designed to keep them happy and healthy, and important decisions are made only after a painstaking analysis of the planets and stars has been performed. Written in dialogue form, The City of the Sun has intrigued and informed generations of political thinkers around the world. With a beautifully designed cover and professionally typeset manuscript, this edition of Tommaso Campanelläs The City of the Sun is a classic work of Italian literature reimagined for modern readers.