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Barbara Hardy has concentrated on the late period from 1900 to 1916, observing language and theme in close readings of The Ambassadors, The Wings of the Dove, The Golden Bowl, The Sacred Fount, the great ghost-story, The Jolly Corner and other tales, autobiography, travel and the influential criticism. She has been writing about James since the fifties and draws on long experience of teaching James - to addicts, hostile parodists, and persevering fiction-lovers fascinated by a demandingly extravagant and original novelist. She offers new readings of the major novels, and revaluation of the literary criticism in the context of later ideas, which James's theory and practice anticipate. Her close analysis traces generative imaging-making and reflexive story-telling, following two dominant and complementary themes, the social construction of character, and creative imagination: James dramatises the power of environment, to dismiss essentialism and ask the key question 'What shall we call the self?'; and he is a disturbing analyst of inner life, catching its fantasies, revisions, and speculations in self-referential language. This study of the most innovative of Victorian and Edwardian novelists will interest new and old Jamesians, novel-readers and students at all levels.
Devoted fans and scholars of Jane Austen--as well as skeptics--will rejoice at Tony Tanner's superb book on the incomparable novelist. Distilling twenty years of thinking and writing about Austen, Tanner treats in fresh and illuminating ways the questions that have always occupied her most perceptive critics. How can we reconcile the limited social world of her novels with the largeness of her vision? How does she deal with depicting a once-stable society that was changing alarmingly during her lifetime? How does she express and control the sexuality and violence beneath the well-mannered surface of her milieu? How does she resolve the problems of communication among characters pinioned by social reticences? Tanner guides us through Austen's novels from relatively sunny early works to the darker, more pessimistic Persuasion and fragmentary Sanditon--a journey that takes her from acceptance of a society maintained by landed property, family, money, and strict propriety through an insistence on the need for authentication of these values to a final skepticism and even rejection. In showing her progress from a parochial optimism to an ability to encompass her whole society, Tanner renews our sense of Jane Austen as one of the great novelists, confirming both her local and abiding relevance.
A comprehensive introduction to Shakespeare. It offers coverage ranging from big-picture issues such as the implications of shifts in Elizabethan culture to close readings of Shakespeare's deployment of complex words in his plays.
Tony Tanner's classic text on Jane Austen addresses the issues that have always occupied the author's most perceptive critics, and offers an illuminating and refreshing analysis of Austen's novels.
In this book, Dr Tanner seeks to demonstrate the peculiar importance of wonder in American literature, by examining a number of key writers and showing how they confronted and assimilated reality at the same time he considers some of the difficulties incurred by this approach and studies its effects on American style.
This book is about the relationship of the American writer to his land and language - to the 'scene' and the 'sign', to the natural landscape and the inscriptions imposed upon it by men.
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