Bøger af Tripp York

In The End of Captivity?, Tripp York addresses how we talk about the good of other animals in light of a stark impossibility: their freedom from us. While all of us in the animal (and plant) kingdom are interdependent upon one another, humans are unique in that we are the only animals who keep other animals captive. We keep animals in zoos, sanctuaries, circuses, conservatories, aquariums, research facilities, slaughterhouses, and on our farms and in our homes. York asks what such forms of captivity say about us, and how animal captivity shapes what we imagine to be the purpose of other animals. What does the fact that elephants, tigers, and horses perform in circuses say about how we see the world? What does the reality of zoological parks say about the people who create, support, decry, protest, and patronize them? How important is wildlife conservation for the good of the earth? What does "who" we put on our plate say about how we understand the theological role of other animals? These are just a few questions York tackles as he weaves through the convoluted politics surrounding the captive animals in our midst.

Description:What do talking donkeys, fasting lions, and wolves playing with sheep have in common? They are all found in the Bible. Author Tripp York and illustrator Zak Upright bring to life eight different stories about animals as discovered in Scripture. York spins a different account on these stories (such as the flood, Jonah, as well as Daniel and the lion's den), by attempting to imagine what it might mean to understand these narratives from the perspective of the animals. Though the short stories in this collection are written for children, adults will take much from them as they attempt to provoke the readers to new ways of understanding some of the most popular stories in the Bible.Endorsements:""With this book Tripp York participates in that venerable 'truth-by-parable' Christian tradition, in which sage storytelling trumps both clever systematic logic and avalanches of information. The literary genre may be 'fiction,' yet York's non-human eye-witnesses reveal again the genius of the biblical narrative. Readers are, therefore, invited to see once more the scandalous biblical message-a gospel too 'absurd' for the self-assured, too 'weak' for the self-reliant, and too 'unsophisticated' for the self-righteous.--Dr. Richard C. GoodeLipscomb University""In the playful spirit of Aesop, and with a touch of Lewis's 'deeper magic,' Tripp York imaginatively glimpses the eternal through this strangely familiar menagerie of talking animals--fellow creatures in our great journey with God. York's quirky, contemporary narrative voice and his creative openness to the teleology of God's ubiquitous movement among His creation offer readers a rare and meaningful opportunity to reconsider the power of God's Word with fresh eyes and responsive hearts.""--Jeffrey D. FrameTrevecca Nazarene UniversityAbout the Contributor(s):Tripp York is Visiting Assistant Professor of Religious Studies at Elon University, in Elon, North Carolina. He is the author of The Purple Crown: The Politics of Martyrdom (2007) and Living on Hope while Living in Babylon (Wipf & Stock, 2009).

In The End of Captivity?, Tripp York addresses how we talk about the good of other animals in light of a stark impossibility: their freedom from us. While all of us in the animal (and plant) kingdom are interdependent upon one another, humans are unique in that we are the only animals who keep other animals captive. We keep animals in zoos, sanctuaries, circuses, conservatories, aquariums, research facilities, slaughterhouses, and on our farms and in our homes. York asks what such forms of captivity say about us, and how animal captivity shapes what we imagine to be the purpose of other animals. What does the fact that elephants, tigers, and horses perform in circuses say about how we see the world? What does the reality of zoological parks say about the people who create, support, decry, protest, and patronize them? How important is wildlife conservation for the good of the earth? What does ""who"" we put on our plate say about how we understand the theological role of other animals? These are just a few questions York tackles as he weaves through the convoluted politics surrounding the captive animals in our midst.""A warm-hearted and sensible look at the reasons for and against keeping animals captive in zoos, parks or sanctuaries, and the reasons against keeping them in factory farms in which those who speak out against zoos and the like are challenged to consider their own involvement in far worse forms of captivity. York is an intelligent and compassionate friend of the animals involved, and of their human keepers."" --Stephen R. L. Clark, Emeritus Professor of Philosophy, University of Liverpool; Honorary Research Fellow, Department of Theology, University of Bristol; Associate Editor, British Journal for the History of Philosophy ""As we face what is being called the Sixth Mass Extinction, the topic of captivity is becoming ever more pressing. In this thoughtful--and what will undoubtedly be considered controversial--book, York explores the complexities of holding others captive. In a world where ''it is no longer clear where any of us belong,'' this exploration is paramount.""--Lori Gruen, Editor of The Ethics of Captivity; William Griffin Professor of Philosophy, Professor of Feminist, Gender, and Sexuality Studies, Professor of Environmental Studies, Wesleyan UniversityTripp York, PhD, teaches in the Religious Studies Department at Virginia Wesleyan College in Norfolk, Virginia. He is the author or editor of a dozen books, including The Devil Wears Nada, Third Way Allegiance, and the three-volume series The Peaceable Kingdom.

In this devilishly entertaining book, Tripp York takes it upon himself to find the Prince of Darkness. Provoked by a wager made in one of his religion classes, York explores whether in proving the existence of Satan, we might in turn prove the existence of God. Admitting the idea is not half-bad (and thus, conversely, only half-good), York enlists the aid of numerous ministers, theologians, spiritual warriors, pagans, shamanists, fortune tellers, and Satanists in his fiendish quest to determine the whereabouts of God's first fallen creature. Part memoir and part theological treatise, The Devil Wears Nada is a compelling and humorous account of the strange, bizarre, and (oftentimes) offensive things we think about God, the Devil, and everything in between.