Bøger af Tyrus Miller

Reflects the extraordinary scope and topicality of Lukács and Frankfurt School thought This book examines the heritage of critical theory from the Hungarian Marxist philosopher Georg Lukács through the early Frankfurt School up to current issues of authoritarian politics and democratisation. Interweaving discussion of art and literature, utopian thought, and the dialectics of high art and mass culture, it offers unique perspectives on an interconnected group of left-wing intellectuals who sought to understand and resist their society's systemic impoverishment of thought and experience. Starting from Lukács's reflections on art, utopia, and historical action, it progresses to the Frankfurt School philosopher Theodor W. Adorno's analyses of music, media, avant-garde and kitsch. It concludes with discussions of erotic utopia, authoritarianism, postsocialism and organised deceit in show trials - topics for which the legacy of Lukács and Frankfurt School critical theory continue to be relevant today. Tyrus Miller is Professor of Art History and English at University of California, Irvine. His publications include Modernism and the Frankfurt School (Edinburgh University Press, 2014) and Late Modernism: Politics, Fiction, and the Arts Between the World Wars (1999).

An introduction to the Frankfurt School's important attempts to relate the social, political, and philosophical conditions of modernity to innovations in 20th-century art, literature, and culture. It introduces major figures such as Benjamin and Adorno in a new light, while connecting their ideas with problems in modernist art and culture.

Focuses on the integral, interdisciplinary, and intermedial 'compositions' - verbal, visual, musical, theatrical, and cinematic - of the avant-gardes in the period following World War II. This book also considers the artistic politics of these postwar avant-gardes and their works.

A study of early 20th-century literary and artistic culture. The text focuses on the turbulent later years of the 1920s and 1930s, tracking the dissolution of modernism in the interwar years.