Bøger af Ulrich Adelt

Among other topics, individual chapters of the book focus on the redefinition of German identity in the music of Kraftwerk, Can, and Neu!; on community and conflict in the music of Amon Duul, Faust, and Ton Steine Scherben; on "cosmic music" and New Age; and on Donna Summer's and David Bowie's connections to Germany.

Can a type of music be 'owned'? Examining how music is linked to racial constructs and how African American musicians and audiences reacted to white appropriation, this title shows the stakes when whites claim the right to play and live the blues. It highlights the performers and venues that represented changing racial politics.