Bøger af Urte Krass

In this volume, we follow the coat of arms into situations and zones of contact. Since inception, communication has been in the very nature of the heraldic phenomenon. Hence its remarkable ability to adapt to the circumstances that, from the 15th century onwards, brought populations from all over the world into contact. Our overarching question serves as an attempt to learn more about the modalities of negotiation in contact zones. To what extent were local actors able to develop their own attitude towards invasive and invading colonizers and missionaries by adopting and transforming the European image form of the coat of arms? This departure point leads even further: to think of heraldic emblems as a visual instrument capable of establishing communication not only between different cultures, but also between different eras, and even between the human and divine spheres. The book's interdisciplinarity, the temporal breadth of the collected case studies, and the variety of methodological approaches reflect the dynamism and diversity of the topic itself.

The Portuguese Restoration of 1640 ended the dynastic union of Portugal and Spain. This book pioneers in reconstructing the global image discourse related to the event by bringing together visualizations from three decades and four continents. These include paintings, engravings, a statue, coins, emblems, miniatures, a miraculous crosier and other regalia, buildings, textiles, a castrum doloris, drawings, and ivory statues. Situated within the academic field of visual studies, the book interrogates the role of images and depictions before, during, and after the overthrow and how they functioned within the intercontinental communication processes in the Portuguese Empire. The results challenge the conventional notion of center and periphery and reveal unforeseen entanglements as well as an unexpected agency of imagery from the remotest regions under Portuguese control. The book breaks new ground in linking the field of early modern political iconography with transcultural art history and visual studies.

Examines the visual arts within the Portuguese empire between the sixteenth and eighteenth centuries. With a focus on the appropriation of Portuguese-Christian art within the colonies, this book looks at how these and other objects could be staged to generate layers of meaning.

Explores the political, religious, and social contexts of the publics depicted and relate this shift to the rise of perspectival representation.