Bøger af Valerio Terraroli

Beautifully illustrated and well documented with detailed technical entries, this volume surveys the production of Italian ceramic art through 500 objects. The essays examine the stylistic trends from the brilliant floral decorativism of the Tuscan ceramics by Galileo Chini, the extraordinary period of the 1920s and 1930s, as represented by Gio Ponti, Guido Andloviz, Giovanni Gariboldi, Pietro Meandri and Francesco Nonni, and the contamination by contemporary painting and sculpture, from the Futurists up to the first Informal pieces at the end of the second World War through the early works of Fontana, Leoncillo and Melotti. The book is filled with valuable information including biographical profiles of the artists, detailed descriptions of the manufacturers, a cataloguing of their back stamps, an up-to-date bibliography, and a technical glossary.Comprehensive and engrossing, the book is essential reading for collectors, antique experts, art scholars, students and anyone interested in ceramics.

This monumental art reference series will offer a complete and up-to-date survey of the major movements and art phenomena of the 1900s and the first years of the new millennium in an original interdisciplinary analysis of artistic culture. It provides an extraordinary repertory of images and a vast source of information, enriched fact-finding windows and technical information compiled by experts. This first volume in the series highlights the artistic situation at the beginning of the last century and explores the different artistic choices taken in the search for modernity and of art as a total experience. Volume 1 examines avant-garde movements in the years between 1900 and 1901--the Fauves, the Cubists and others--both as complex syntheses of nineteenth century artistic culture and as alternatives to the traditional language of figurative art. The period examined starts with emblematic moments such as the Great Exhibition in Paris, which opened a century of technological marvels, and closes with the end of the initial phase of the Dada movement and the foundation of the Bauhaus school.

This book gathers the covers of 120 regular issues and some special ones (in 1:1 format) of Ver Sacrum, plus an anthological selection of the most important inventions in printing, like block prints, lithographs and copper engravings, for the 120th anniversary of this historic magazine. This book narrates and illustrates the originality of a language, perceived right from the first issues, of the legendary official magazine of the Vienna Secession, elaborated like actual program manifestoes and a cornerstone of Modernity. The goal of Ver Sacrum was to give life to total works of art, the so-called Gesamtkunstwerk. That's why each issue had to be a work of art, a perfect representation of Secession ideals, extraordinarily epitomized by the covers. Ver Sacrum, which alludes to the Sacred Spring of ancient Latin people with their renewal rituals through young generations and new settlements, was an absolutely original magazine that elaborated new forms of design, illustration and print/editorial composition: the influence of this represents a cornerstone of Modernity in Western art. During its six years of activity, 471 original drawings were specifically made for the magazine, along with 55 lithographs and copper engravings and 216 block prints. Conceived by Gustav Klimt, Max Kurzweil and Ludwig Hevesi, the illustrated magazine was founded in 1898 and was periodically published until 1903; it included not only important reviews on literature, music and contemporary art but also a rich selection of engravings and decorations from Secession masters.

In a new exclusive slipcase, the prestigious five-volume series covering the fundamental events and pivotal works of international art in the twentieth century.

A splendid catalogue devoted to the work of an artist who was responsible for some of the most original glass artworks in art history.

Analyzing the controversial phenomena of contemporary art, this fifth book features a gallery of images, essays by major contemporary critics and a clever juxtaposition of the most diverse objects and topics. It describes the multi-faceted tendencies of the contemporary age as day-to-day events, which as such directly concern readers.

Covers the fundamental events and pivotal works of international art in the 20th century. This book relates how artists reacted to the greatest tragedy of the 20th century and responded to the advent of the society of mass communication and consumption, to the moulding of the world.

This series offers a complete, up-to-date survey of the phenomena of the 1900s and the first years of the new millennium through an original, transversal and interdisciplinary analysis of artistic culture in the twentieth century. The second volume analyses and presents the hugely diverse world of artistic production between the two world wars, taking into consideration not only the environment that took shape in the immediate wake of the First World War, from the so-called "return to order" to the re-emergence of a figurative approach (The New Objectivity, Novecento Italiano, Magic Realism) that was profoundly anti-avant-garde yet imbued with strong plastic and semantic values, but also the evolution of an avant-garde that was now historicised, with its second-generation artists (Aerial Painting, the second generation of Futurism). Also considered are the codification of certain phenomena, such as Surrealism, changes in taste (from Art Deco to Novecentismo), as well as art as the expression of the totalitarian regimes, and the outbreak of the Second World War, with the embracing of environments outside Europe, particularly the USA. The chronological boundaries are marked by the birth of the Dadaist experience in Germany and the establishment of Metaphysics in Italy (1917- 1920) on one side and by the birth of the great season of U.S. Abstract Expressionism (1943-1945) on the other.