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Victoria Adukwei Bulley's debut collection, Quiet, circles around ideas of black interiority, intimacy and selfhood, playing at the the tensions between the impulse to guard one's 'inner life' and the knowledge that, as Audre Lorde writes, 'your silence will not protect you'. The poems teem with grace and dignity, are artful in their shapes, sharp in their intelligence, and possessing of a good ear, finely attuned to the sonics that fascinate and motivate the writing 'at the lower end of sound'.
The White Review No. 29 features interviews with poet Fanny Howe, novelist and memoirist Scholastique Mukasonga and artist Ingrid Pollard, who also provides the issue's cover. We present new fiction by Booker Prize-shortlisted author of Real Life Brandon Taylor, Ilya Leutin (tr. Anna Aslanyan) and Elizabeth O'Connor, whose story 'Woman With a White Pekingese' is the winner of the White Review Short Story Prize 2020. Emily Berry's essay 'The Secret Country of Her Mind' is a polyvocal account of agoraphobia in dialogue with photographer Jacqui Kenny; Caleb Azumah Nelson's 'On Solace' explores languages of mourning and expressions of community, while Victoria Adukwei Bulley's 'On Water' traverses global colonial history, seeking new forms of kinship as she investigates her own lineage. Poetry series are contributed by Laura Elliott, Jennifer Lee Tsai and Jack Underwood, while series of artworks are presented from Adam Pendleton and Hervé Guibert.
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