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  • - Episodes of Literary Obsession
    af Vincent Francone
    173,95 kr.

    2016 was a bummer. Lots of famous people died, including David Bowie, my musical hero. Trump was elected president, which is baffling. The year was grim on the sociopolitical front, but also for me personally. My dog died right after Christmas 2015 and I spent most of the next year mourning him. I had to change apartments. My job started to seem unstable. The media churned out a constant supply of anger and bullshit. Facebook, where I spend far too much time, was confirmed to be the dumb echo chamber we all know it to be, though the steady dopamine drip of "likes" continued to blind us to how out of touch we are with anyone outside our cultivated spheres. Culture seemed on the skids. I read with envy and annoyance the positive reviews heaped on books by edgy poets writing poems about f*g. Scores of academics got fat grants to write studies of Star Wars. My students informed me that making them write a five-page essay was cruel, especially when I only gave them a week to write it. Few of my students bought the books I assigned. Our discussions were limited to talking about the scant info they gleaned from Amazon reviews. I can't blame them. I didn't want to read the books either. In fact, if there's one thing that 2016 seemed to represent to me it was the futility of books. So many were published and yet no one seemed to be reading them. In 2016 I read five separate think pieces on the decline of literacy. Some of these were written by academics arguing against long, deep reading in favor of "educated aliteracy." I'm still not sure what that means. Something to do with being smart enough to get the gist of a book without having to actually read it. In the golden age of television, where Netflix instantly streams first-rate content, who has the inclination to bother with books?

  • af Vincent Francone
    153,95 kr.

    Vincent Francone's "Like a Dog," as in "Work like a dog," is a great read. A working class guy who comes up on the South Side of Chicago and moves north in a quest a better life, Francone takes us on a dazzling tour of minimum wage America over the last couple of decades. He's has done it all; "I've tried telemarketing, copy writing, editing; I managed a courier center, I conducted background checks on potential healthcare employees, and worked in a stock room. . . ." And that's before he goes to university and winds up, like so many other academics today, as a part-time instructor in a string of economically stressed public colleges. Francone's descriptions of boring and soul-destroying work, the places where it's done, and the people who do it are beautifully written, wildl entertaining, deeply poignant, and mysteriously inspiring. This is what it's like to be alive in these times, "Like a Dog" insists, this is the battlefield of everyday life. These are your adversaries: mindless repetitive work, bored and boring co-workers, feckless bosses, plus your own inclination to work as little as possible, spend every penny you earn right away, and escape from bad job to bad job, without ever climbing any ladder that might lead to better paid if equally meaningless work. Best of all, this post-industrial odyssey down mean streets and corridors to mean offices and classrooms, dingy apartments, and dead end bars is full of gritty life. Francone is a gifted story- teller with a great, street smart voice. His protagonists and characters are brilliantly drawn.. And in their bafflement and self-destructive resistance to the work regieme that claims them they press back in an utterly realistic way against our recession-bred equation of employment, almost any employment, with salvation. Studs Terkel would have loved this book--John McClure, Phd

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