Bøger af Virginia Nicholson

A panoramic social history that chronicles the quest for beauty in all its contradictions—and how it affects the female body."Women have been fat or slim, hyperthyroid or splenetic, sallow or pink-cheeked, slouched or erect, according to the prevalent notions of beauty." Cecil Beaton, The Glass of Fashion Who decides what is fashionable? What clothes we wear, what hairstyles we create, what colour lipstick we adore, what body shape is 'all the rage’. The story of female adornment from 1860- 1960 is intriguingly unbuttoned in this glorious social history. Virginia Nicholson has long been fascinated by the way we women present ourselves – or are encouraged to present ourselves – to the world. In this book we learn about rational dress, suffragettes’ hats, the Marcel wave, the Gibson Girls, corsets and the banana skirt. At the centre of this story is the female body, in all its diversity – fat, thin, short, tall, brown, white, black, pink, smooth, hairy, wrinkly, youthful, crooked or symmetrical; and – relevant as ever in this context – the vexed issues of body image and bodily autonomy. We may even find ourselves wondering, whose body is it? In the hundred years this book charts, the western world saw the rapid introduction of new technologies like photography, film and eventually television, which (for better and worse) thrust women—and female imagery—out of the private and into the public gaze.

From the mill-girl turned activist to the debutante turned archaeologist, from the first woman stockbroker to the "business girls" and the Miss Jean Brodies, this book memorializes a generation of young women who were forced, by four of the bloodiest years in human history, to stop depending on men for their income, their identity, and their future happiness. Indeed, Singled Out pays homage to this remarkable generation of women who, changed by war, in turn would change society.

They ate garlic and didn't always bathe; they listened to Wagner and worshiped Diaghilev; they sent their children to coeducational schools, explored homosexuality and free love, vegetarianism and Post-impressionism. They were often drunk and broke, sometimes hungry, but they were of a rebellious spirit. Inhabiting the same England with Philistines and Puritans, this parallel minority of moral pioneers lived in a world of faulty fireplaces, bounced checks, blocked drains, whooping cough, and incontinent cats.They were the bohemians.Virginia Nicholson -- the granddaughter of painter Vanessa Bell and the great-niece of Virginia Woolf -- explores the subversive, eccentric, and flamboyant artistic community of the early twentieth century in this "wonderfully researched and colorful composite portrait of an enigmatic world whose members, because they lived by no rules, are difficult to characterize" (San Francisco Chronicle).

In Perfect Wives in Ideal Homes, Virginia Nicholson tells the story of women in the 1950s: a time before the Pill, when divorce spelled scandal and two-piece swimsuits caused mass alarm.Turn the page back to the mid-twentieth century, and discover a world peopled by women with radiant smiles, clean pinafores and gleaming coiffures; a promised land of batch-baking, maraschino cherries and brightly hued plastic. A world where the darker side of the decade encompasses rampant prostitution, a notorious murder, and the threat of nuclear disaster. Perfect Wives in Ideal Homes reconstructs the real 1950s, through the eyes of the women who lived it. Step back in time to where our grandmothers scrubbed their doorsteps, cared for their families, lived, laughed, loved and struggled. This is their story.

The unabridged, downloadable audiobook edition of Virginia Nicholsons Millions Like Us: Womens Lives in the Second World War. A special multi-voice recording featuring five actresses that bring to life the hundreds of personal testimonies, diary entries and books that make up this superb study. Read by Patience Tomlinson, Annie Aldington, Rachel Bavidge, Julie Maisey and Georgina Sutton. In 1942 Cora Johnston is grieving over the death of her young husband, torpedoed in the Atlantic; Aileen Morris is intercepting Luftwaffe communications during the siege of Malta - and Clara Milburn, whose son was captured after Dunkirk, is waiting, and waiting ... We tend to see the Second World War as a mans war, featuring Spitfire crews and brave deeds on the Normandy beaches. But in conditions of Total War millions of women - in the Services and on the Home Front - demonstrated that they were cleverer, more broad-minded and altogether more complex than anyone had ever guessed. In Millions Like Us Virginia Nicholson tells the story of the womens war, through a host of individual womens experiences. She tells how they loved, suffered, laughed, grieved and dared; how they re-made their world in peacetime. And how they would never be the same again ...

In 1919 a generation of young women discovered that there were, quite simply, not enough men to go round, and the statistics confirmed it. After the 1921 Census, the press ran alarming stories of the 'Problem of the Surplus Women - Two Million who can never become Wives...'. This book is about those women, and about how they were forced, by a tragedy of historic proportions, to stop depending on men for their income, their identity and their future happiness.

'Racy, vivacious, warm-hearted. Offers an illuminating and well-researched portrait of life among the artists, a century ago' TLSSubversive, eccentric and flamboyant, the artistic community in the first half of the twentieth century were ingaged in a grand experiment.The Bohemians ate garlic and didn't always wash; they painted and danced and didn't care what people thought. They sent their children to co-ed schools; explored homosexuality and Free Love. They were often drunk, broke and hungry but they were rebels.In this fascinating book Virginia Nicholson examines the way the Bohemians refashioned the way we live our lives.