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Aeschylus is considered one of the greatest playwrights of all time, and this volume collects some of his most famous works. With a new introduction by Headlam, this edition provides a fresh perspective on classic plays such as Agamemnon, The Persians, and The Oresteia.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is an early publication (1891) by the highly regarded classical scholar and poet Walter George Headlam (1866-1908). Headlam, who taught at King's College, Cambridge, was deeply interested in textual criticism and dedicated much of his short life to translating and interpreting the works of Aeschylus, and even thirty years after his untimely death his notes formed the basis for an influential edition of the Oresteia. Although Headlam's subtitle does not name the target of his 'criticism', this book is in fact an impassioned attack on the style and method of editing employed by A. W. Verrall in Seven Against Thebes in 1887, and Agamemnon in 1889. Headlam condemns Verrall's 'rationalist' methods which in his view 'required outspoken criticism'. The young Headlam painstakingly dissects Verrall's work on Aeschylus, pointing out the errors, inconsistencies and shortcomings of the texts and proposing his own editorial methods.
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