Bøger af Walter Pater

"How insignificant seem the influences of the sensible things which are tossed and fall and lie about us in the environment of early childhood. How indelibly, as we afterwards discover, they affect us, giving form and feature to early experiences of feeling and thought, which abide with us ever afterwards . . ."In an idealized memory of childhood, a young boy's awareness of the world around him blossoms¿an awareness of beauty and wonder, but also of death . . . The meeting of a mysterious stranger and a fanciful young woman results in the auspicious birth of a child with the soul of a poet . . . A submissive youth from a venerable family goes off to school and befriends a kindred spirit, but when war breaks out the two make a fateful decision that will forever change the course of their lives . . .Walter Horatio Pater (1839-1894) was an English essayist, art critic, and academic best remembered for his Studies in the History of the Renaissance (1873), a book at the forefront of the Aesthetic Movement, which considered a successful life to "burn always with this hard, gemlike flame." Pater also wrote a series of what he termed "Imaginary Portraits:" a type of literary vignette of his own devising that masterfully blended elements of biography, prose poem, and short story. While most of the Portraits take the form of historical recreations, the three collected in this edition are more contemporary to Pater's own time and are perhaps the most autobiographical. Previously appearing in the posthumous Miscellaneous Studies (1895), "The Child in the House" and "Emerald Uthwart" are better served thematically in a separate volume. They are reprinted here along with a fragment entitled "An English Poet," a nearly forgotten Imaginary Portrait which appears in book form for the first time. With regard to its influence, there is strong evidence to suggest that "The Child in the House" was a major¿or quite possibly even indispensable¿inspiration for Proust in his writing of In Search of Lost Time.

An annotated edition of selected essays by the major Victorian writer and aesthete Walter Pater.

Walter Horatio Pater (1839-1894) was an English essayist, critic of art and literature, and writer of fiction. In his philosophical novel Marius the Epicurean (1885), an extended imaginary portrait set in the Rome of the Antonines, Pater examines the "sensations and ideas" of a young Roman of integrity, who pursues a life based on the pursuit of sensations and ideas as an ideal in itself.

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A collection of Walker Pater's essays that gave memorable expression to an aesthetic view of life. It provides a set of critical and explanatory notes on each of Pater's essays; headnotes outlining the story of its composition, publication, and reception; and an essay on the history of the book as a whole.

Walter Pater (1839-94) was the foremost Victorian writer on art and on aesthetic experience. He brought his extensive knowledge of the history of art to bear on the new problem of how to explain the very personal affective response to beauty, and raised this into a central concern of aesthetic and philosophical thought. His ideas still shape modern assumptions about how art plays on our feelings and intellectual responses. Published alongside Pater's collected works of 1900-1, this collection reprints his essays from The Guardian, composed in the late 1880s. Pater turns to literary topics with these reviews of new editions of Wordsworth and anthologies of poetry, academic studies on Browning and on the English theatre, Mrs Humphrey Ward's novel Robert Elsmere and her translation of the philosopher Henri-Frederic Amiel's private diary, as well as works by Edmund Gosse, Ferdinand Fabre and Augustin Filon.

Walter Pater (1839-94) was the foremost Victorian writer on art and on aesthetic experience. The Renaissance, first published as Studies in the Renaissance (1873), is his best known work, made up of essays on Italian art and the Renaissance. This version forms part of his collected works (1900-1).

Studies in the History of the Renaissance is a highly influential defence of aestheticism. Pater redefined the practice of criticism through his readings of some of the paintings, sculptures, and poems of the Renaissance, and shocked contemporaries for sponsoring a hedonistic ethic with his infamous 'Conclusion'.