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Pieter Bruegel (1525-1569), generally considered the greatest Flemish painter of the sixteenth century, was described as a supremely comic artist. This book explores the function and production of laughter in the sixteenth century, and also examines the ways in which Bruegel exploited the comic potential of Hieronymus Bosch.
"An exceptional book, sensible, illuminating and readable...probably the best straightforward account of Bosch and his works which we shall have for some time."--Times Literary Supplement
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